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Non-Review Review: The Kingsman

The creators of The Kingsman either really love or really hate the classic Roger Moore Bond films. Probably both.

Another creative collaboration between Matthew Vaughn, Jane Goldman and Mark Millar, The Kingsman is just as juvenile, crass and ultimately charming as Kick-Ass. There is a sense of mischievous and cheeky fun to this classic spy film homage. It is effectively an update of those seventies and eighties spy films with a more cynical and self-aware attitude. There is a sense that The Kingsman is simply more transparent than its inspirations in its infectiously juvenile and borderline offensive sensibilities.

Sound and Firthy...

Sound and Firthy…

It is hard to tell how much of this homage is genuine nostalgic affection, and how much is witty subversion. The Kingsman is a spy film that not only uses outdated (and occasionally insensitive) spy movie tropes, it practically revels in them. Although the third act occasionally feels a little too mean-spirited in its riff on classic Bond sensibilities, The Kingsman has enough boundless energy and raw enthusiasm to keep the audience watching. The script is well-observed and the direction is tight. A superb central cast helps to anchor the film.

The Kingsman is an odd beast. It is that rare homage that seems quite likely to shock and offend many fans that otherwise share its nostalgic inclinations. However, those willing to be a bit more adventurous will find much to love in this updated spy caper.

Matthew Vaughn's fingerprints are all over this...

Matthew Vaughn’s fingerprints are all over this…

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