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Star Trek: Voyager – Live Fast and Prosper (Review)

Live Fast and Prosper is a reasonably adequate mid-tier episode of Star Trek: Voyager.

It is not awful. It has an interesting premise, with some interesting potential for development and exploration. It fits with some of the larger fascinations of Voyager – in particularly recurring themes of identity and narrative, and the intersection of the two. More than that, unlike a lot of Voyager episodes, it has a story that feels somewhat original. This is not a dull rehash of a familiar story, a shiny new exterior hastily assembled over a familiar storytelling engine.

“Get this… whatever it is… to Sickbay!”

At the same time, it is also not very good of itself. Although Live Fast and Prosper has an absolutely ingenious premise, it never seems to push itself beyond that point. It never makes the leap that the best stories make, from an interesting premise into a satisfying execution. Live Fast and Prosper is pretty much exactly the episode that every audience member would anticipate given the one-line plot description of “Voyager encounters a group of con artists who have been impersonating them for shady business deals.”

The result is an hour of television that is solid, if not impressive. Live Fast and Prosper feels like a middling delivery on a fantastic promise, to the point where its status as merely adequate is almost as severe a disappointment as some of the spectacular misfires around it.

Unfamiliar faces…

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Non-Review Review: Focus

Focus is a fun old-fashioned heist movie that suffers from the lack of a central plot.

In some respects, Focus plays as a con itself. While movies about con artists are inevitably built around charismatic rogues and antiheroes, the stories practically structure themselves. Cons are visually interesting and dynamic, they are fun and exciting. Watching characters trying to out-wit one another in rapidly-escalating situations creates instant dramatic tension, and it is easy to see why the genre has remained popular. The beats are familiar – the “big one”, the “revenge con”, the “try to get alive game.”

Off the clock...

Off the clock…

Focus keeps teasing the audience with possible plot hooks that might sustain a two-hour film, diverting the audience’s focus and keeping them off-balance. “So what about the big con?” Margot Robbie’s Jess teases Will Smith’s Nicky. “You mean the one where we all make so much money we all retire?” Nicky teases back, dismissively. What makes Focus so interesting – and what also arguably prevents it from working as well as it might – is that it consciously plays against these recognisable elements. There is no big con, there is no story.

This is the long con that Focus plays – and plays very well. For all that it teases the plot-driven trappings of a caper movie, Focus is a good old-fashioned star-driven drama, a movie built around Will Smith’s movie icon charisma. It is one hell of a gamble, and one that doesn’t play off as well as it might, Focus‘ unwavering commitment provides a charm and energy that carries movie through. Offering advice to Jess, Nicky insists, “You never drop the con. Never break. Die with the lie.” It seems that Focus lives by its own words.

A star vehicle...

A star vehicle…

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