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Peter Tomasi’s Run on Batman & Robin – Blackest Night: Batman (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Okay, so it’s not technically a Batman & Robin book, only featuring Batman in the title, and it doesn’t feature Peter Tomasi’s Batman & Robin collaborator Patrick Gleason on the artwork. Still, Blackest Night: Batman feels very much like a trial run for the hand-picked successor to Grant Morrison’s acclaimed Batman & Robin run. (Arguably much like Blackest Night: Flash led into Geoff Johns’ second on-going Flash series.) While it’s hardly an exceptional three-issue tie-in to Geoff Johns’ massive Blackest Night event, it does show some hint of promise for the author’s forthcoming run on the main title.

Freeze, mofo!

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Tangled Webb: The Amazing Spider-Man and Doing Twilight Right…

A lot has been made of the argument that The Amazing Spider-Man is a superhero movie for girls. Indeed, comparisons have been made to Twilight of all things, suggesting that The Amazing Spider-Man has been constructed in such a way as to appeal to younger female audience members. I think that’s a fair point, even if mentioning the “T-word” inevitably provokes fanboys to foam at the mouth. Gwen Stacy, as brilliantly portrayed by Emma Stone, feels like a much more central and important part of this film than any female character in any major superhero blockbuster produced over the past few years. However, there’s also a sense that while there are some quite conscious and deliberate similarities between the Twilight franchise and this “new and improved” superhero reboot, The Amazing Spider-Man manages to fulfil all these tropes and conventions without resorting to the uncomfortable sexism and stilted emotional responses that have prompted a lot of critics and viewers to so loudly criticise Stephenie Meyers’ vampire franchise.

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Legends of the Dark Knight: Jim Aparo, Vol. 1 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

The game was old and alluring… but when the Batman and his beautiful ally, Wonder Woman, buy into a sweep stakes of danger and double-cross, they learn too late that their tickets are punched…

– introduction to Play Now… Die Later!

I’ll freely concede that older comics are a mixed bag, and that they’re certainly an acquired taste. As much as I might recognise the importance of certain classic runs on iconic character, reading comics even a decade or two old is a strange experience for me. I can appreciate the care and craftsmanship going into them, but I’m frequently distracted by the redundant thought balloons, the bizarre logic and quaint characterisation. I know that’s my problem, and I freely concede that. Sometimes, however, I come across a piece of pure old-fashioned awesomeness that almost makes my feel that nostalgia many comic book readers recognise.

Legends of the Dark Knight: Jim Aparo, Volume 1 is such a book, collecting a portion of the iconic Brave and Bold run featuring art by Jim Aparo and scripts by Bob Haney. It is insane. It is awesome. It is fun. It is incredible. I was reluctant to put down these delightful unrestrained Batman stories, and I frequently found myself pumping my fist in the air with excitement and… well, awe. It’s never going to be considered high literature, but Jim Aparo and Bob Haney may have mastered the old-school “comic book” artform.

This isn’t even the craziest thing that happens this run…

Some of the more wonderful “comic book moments” captured here include:

  • the Joker forcing Batman and a friend to fight to the death… or he’ll shoot a puppy!
  • Batman accidentally selling his soul… to Hitler!
  • the Atom climbing inside Batman’s skull… and operating his body like a JCB!
  • Batman saving the Constitution and the Declaration of Independence… while tied to the cowcatcher on a train!
  • Batman teaming up with Kamandi… in a future dominated by talking animals and modelled on Planet of the Apes!

If none of these produce even a hint of childish glee, I don’t know what to say to you.

Even this image cannot capture the awesomeness of this comic… They left out the bit where the Joker is coercing them to do this by threatening to shoot a puppy… that has life-saving anti-virals in its blood for a plague the Joker started… to kill off a henchman who might testify against him…

Note: the ever-wonderful Bat-guru Chris Sims has done a whole slew of posts about the awesomeness of this comic. Here, here and here are some highlights.

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Batman: The Dark Knight Archives, Vol. 1 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I figured, what with Christopher Nolan releasing the final part of his Batman trilogy this month, it might be worth going back and taking a look at the early days of the Dark Knight. DC have done a rather wonderful job collecting classic material featuring their iconic heroes as part of their “Archives” line, a line that seemed to have died last year, but I am very glad to see undergoing a resurgence. The idea is that each archive edition collects roughly a year’s worth of classic comics. The premium format pays for the restoration of the material, with DC then making it available in more cost-effective packaging, like their paperback “Chronicles” line that collects every appearance in order, or their “Omnibus” line, which collects larger chunks.

Batman: The Dark Knight Archives, Vol. 1 doesn’t collect Batman’s very first appearance in Detective Comics. However, it does collect the first four quarterly publications of his self-titled Batman comic book in 1940, each collecting several stories of Batman’s crusade against crime.

Batman Begins in six panels…

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Non-Review Review: Men in Black 2

I have to admit, I’m not the biggest fan of any of the Men in Black films. Don’t get me wrong, I don’t dislike, it’s just that they tend to be enjoyable and entertaining… and yet completely forgettable. Of the bunch, Men in Black II (or MIIB) is probably the most forgettable. Again, it’s not that it’s terrible – although some elements flat-out don’t work – just that there’s not really anything exceptional about it either. It’s a reasonably competent comedy adventure, even if it’s never an especially good one.

Black up there a minute…

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Non-Review Review: The Amazing Spider-Man

The Amazing Spider-Man is a jumble of clever ingredients thrown into a pot, stirred for two hours and yet never managing to produce that ideal flavour. There are moments in Marc Webb’s adaptation that are fantastic, as good as anything Raimi brought to the best of his films in the series, Spider-Man II. However, there’s also simply too much going on here for its own good. Running for two-hours-and-a-quarter, the film feels like one-part origin to two-part stand-alone adventure, unsure whether it should it is trying to rush through the motions of one of the most iconic origin stories ever told or if it’s trying to bring something a bit deeper to the table. When it gets going, it’s a solidly entertaining piece of film that does try to do something just a little new with the superhero formula, but it suffers from the same identity crisis as its lead and struggles to really find its own voice.

Peter’s not quite on top on the world…

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Non-Review Review: Boyz N The Hood

Boyz n the Hood remains a powerful, moving and depressing piece of cinema. Director John Singleton has arguably failed to match this impressive debut effort, but there’s no shame in that. Most directors will go entire careers without offering a film that so effectively captures a slice of life. Reportedly based on a lot of the director’s own experiences growing up in South Central L.A., it’s a very strong and very personal piece of film, and one that hasn’t been diminished in the years that followed its release.

As happy as Larry?

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Non-Review Review: Broadcast News

Broadcast News feels like it has lost a bit of its bite as the years went on. Originally released fifteen years ago, it undoubtedly seemed like a prophetic commentary on trends in news media, voicing an understandable unease at the line blurring between merely reporting the news and “selling” it to an eager and unquestioning population. Back then, these trends were undeniably present and one could sense a none-too-subtle shift in the approach to news. Unfortunately, it looks like those trends are to stay, and I think that has aged Broadcast News considerably. It doesn’t feel like James L. Brooks’ telling media satire is attacking a coming change so much as it is making one last stand against it. It’s still a very clever, very powerful and very well put together piece of film, but it sadly feels like it’s fighting a battle lost long ago.

That, perhaps, makes Broadcast News the most depressing comedy I’ve seen in quite some time.

They let an Tom, Dick or Harry host the news…

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Captain America: The New Deal (Review/Retrospective)

Oh, God — How could this happen here?

– Steve Rogers, Captain America #1

It seemed inevitable that Captain America would have to respond to September 11th. After all, the terrorist atrocities were an attack on the American way of life, and the iconic superhero was perhaps the hero best equipped to explore the scars left by the still-recent attacks upon the American psyche, much as his Secret Empire plot allowed him to respond to the Watergate Scandal. Unfortunately, John Ney Rieber’s work on the character is – while well-intentioned – clumsy, awkward, groan-inducing and cliché-ridden. Even the fantastic artwork of John Cassaday cannot salvage the run from its own tired and trite pseudo-philosophical ramblings.

Subtle.

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The Amazing Spider-Man 101: Ultimate or Amazing…

Hey. With about a week to go until the release of The Amazing Spider-Man, we thought we’d publish a quick introductory guide to the latest adventure featuring the webcrawler, for those looking for a bit more trivia on the latest pending superhero release. I’ve had the pleasure of seeing it and, while reviews are embargoed until Friday (unless you’re a major publisher like The Guardian or The Hollywood Reporter apparently), here’s the skinny.

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