February | 2017 | the m0vie blog

Non-Review Review: Lady Macbeth

Posted on February 18, 2017 by Darren

This film was seen as part of the Audi Dublin International Film Festival 2017.

Lady Macbeth is a very beautiful, and very arch film. Perhaps a little too arch.

Writer Alice Birch and director William Oldroyd’s Lady Macbeth is a very loose adaptation of Lady Macbeth of the Mtsensk District by Nikolai Leskov, adapting the Russian novel to British surroundings. Ari Wegner’s cinematography is stunning, capturing the beauty of these new surroundings and meticulously framing the characters. Oldroyd films Lady Macbeth at a Kubrickian remove, keeping the camera still and often facing his characters head-on in a way that makes it seem like the cast are staring out of the film at the audience watching.

Thinly-veiled contempt.

Birch’s script has an incredibly dark sense of humour, a wry grimace juxtaposed against the horrors that its characters inflict upon one another and the sense of bleakness that pervades the film. Indeed, the film balances on a knife-edge in terms of tone, shifting skilfully between moods from one scene to the next. At one moment, Lady Macbeth is a thoughtful character study, at another a cheeky feminist critique, then a pitch black comedy. Lady Macbeth is an impressive work in any technical sense.

However, there is a pervading coldness to the film, one reinforced by the intensity upon which the camera focuses upon characters who keep themselves at a remove. For all the polished sheen of Lady Macbeth, its characters remain heavily internalised and take their time expressing themselves through action. The result is a film that moves far too slowly, keeping its characters both opaque and inert for far too much of the runtime. Lady Macbeth is a very pretty film, but one that mistakes silence for profundity.

Return of the Mac(beth).

Continue reading →

Filed under: Non-Review Reviews | Tagged: adiff, adiff 2017, film, lady macbeth, non-review review, review | Leave a comment »

Star Trek: Voyager – Random Thoughts (Review)

Posted on February 17, 2017 by Darren

Random Thoughts is another example of Star Trek: Voyager as generic issue-driven Star Trek.

Random Thoughts is a fairly standard political-commentary-as-science-fiction-allegory plot, with the crew encountering a race of telepaths who have built a utopian society through the careful regulation of thoughts. When Torres is implicated in a very rare violent crime, the crew find themselves embroiled within mystery to determine the origin of the violent thought and the means of its transmission. Along the way, there is a hefty dose of commentary on a broad range of themes.

Scrambling the subversives.

In theory, Random Thoughts is very much of a piece with Nemesis or Scientific Method, other fourth season episodes less interested in character and more driven by commentary. However, Random Thoughts is a good deal more muddled. The allegory at the centre of the story is a mess, in part because the script is so intentionally vague. Are these violent thoughts a metaphor for violence in media? Are they a commentary on heat speech? Are they an analogy for drug addiction? What about non-heteronormative sexuality?

Random Thoughts never seems to decide on one central metaphor, and so casts an exceptionally broad net. The problem is that these issues are radically different from one another, and the all-encompassing nature of the central analogy robs the episode of any nuance or sophistication. An episode advocating for the legalisation of drug use is radically different from an episode against the criminalisation of heat speech. It is very difficult to work out exactly what Random Thoughts is saying, let alone what it wants to say.

Whisked away.

This muddled storytelling plays out in other ways. Random Thoughts is a mess episode, in terms of storytelling and structure. The plot wanders in various different directions, shifting focus from one member of the ensemble to another; for a story about Torres’ emotions, Torres is afforded very little agency. The narrative also diverts along pointless tangents, with obvious filler scenes like Paris and Chakotay discussing a rescue that never happens or Seven of Nine stopping by the Ready Room to discuss the moral of the episode.

There is something distractingly unfocused about Random Thoughts.

Secure in his convictions.

Continue reading →

Filed under: Voyager | Tagged: allegory, ken biller, political correctness, random thoughts, star trek, star trek: voyager, thought crime, torres, tuvok | 4 Comments »

Non-Review Review: Maudie

Posted on February 16, 2017 by Darren

This film was seen as part of the Audi Dublin International Film Festival 2017.

“Show me the way you see the world,” urges one buyer of Maud Lewis approximately half-way through Maudie, capturing the ageless appeal of just about any artistic vision. There is something exciting and unique about the opportunity to examine the world from a unique vantage point, to perceive time and space from the perspective of somebody else.

That is particularly true of Maud Lewis, the Canadian folk artist who captured the international imagination through the forties and into the fifties. Lewis had a very unique perspective on the world, capturing her surroundings and even people in crude two-dimensional terms with a surprising amount of depth. The little incongruous details of these seemingly simplistic paintings turned Lewis into a cultural icon, whose influence and legacy perseveres to this day.

Wedded to convenience.

The biggest problem with Maudie is that the film completely lacks any sense of original or distinctive vision, any real effort to see the world as it must have appeared to Maud Lewis. As much as the film and the surrounding characters might laud Maud for her distinct approach to painting, Maudie is a much more conventional tale. Maudie hits just about every biography cliché in the book, without offering any keen insight or shrewd observation. It lacks those small well-observed nuances that really brought Lewis’ work to life.

A superb central performance from Sally Hawkins cannot elevate a film that is so eager to engage in twee unreconstructed nostalgia.

Painting a pretty picture.

Continue reading →

Filed under: Non-Review Reviews | Tagged: adiff 2017, ethan hawke, film, maudie, non-review review, review, Sally Hawkins | Leave a comment »

Non-Review Review: Fences

Posted on February 15, 2017 by Darren

Fences is a superb play, with a great cast, that makes for a reasonably solid film.

Fences was adapted by playwright August Wilson from his 1983 Pulitzer-Prize-winning stage play. Although Wilson passed away in 2005, the resulting film is very faithful to that stage-bound sensitivity. Perhaps out of respect for the writer, or out of respect for the story’s origin on the stage, director Denzel Washington never really pushes Fences beyond its source material. Fences has a superb A-list cast, but it never quite feels like a feature film adaptation.

Living life to the Maxson.

Instead, Fences feels like it is trapped somewhere in the limbo between stage and screen, feeling like one of those adaptations from the earliest days of television when the medium never knew exactly where it fell between those two pillars. Fences retains a tight cast and a very fixed location, much like the stage play. It retains monologues and confrontations that play out over extended scenes that recall theatre rather than taking advantage of cinema’s ability to let time lapse.

To be fair, the cast superb and the source material is impressive. It is easy to understand why Washington adopted such a reverent and respectful approach to the cinematic adaptation. However, Fences never feels like anything more than the sum of its very impressive parts. In fact, it might feel like a little less.

Tightly-knit family unit.

Continue reading →

Filed under: Non-Review Reviews | Tagged: denzel washington, fences, non-review review, review, viola davis | Leave a comment »

Star Trek: Deep Space Nine – Resurrection (Review)

Posted on February 15, 2017 by Darren

In many ways, Resurrection is the mirror universe story that Star Trek: Deep Space Nine has been trying to tell for the better part of three seasons.

It is the most obvious of parallel universes, the classic variant on the “there but for the grace of God…” story that science-fiction tackles so effectively. After all, both Mirror, Mirror and Crossover were episodes that used the mirror universe to posit alternate versions of the Federation and the Occupation. It makes sense that the next logical extension of this Star Trek high concept would be an episode focusing on alternate versions of specific characters. How different would a person be, if they were to be transposed to an entirely different context?

Mirrors of one another.

Deep Space Nine tried to touch on this with Through the Looking Glass and Shattered Mirror, two mirror universe episodes that centred around the character of mirror!Jennifer Sisko. Through the Looking Glass allowed Benjamin Sisko to come face-to-face with his long-dead wife, while Shattered Mirror allowed Jake Sisko to spend some time with his deceased mother. Unfortunately, neither episode really lived up to that potential, hampered by weak performances from Felecia Bell and by the distraction of high camp.

Resurrection is very much the third attempt that this very basic story, and suffers a little bit from that sense of fatigue. However, the execution is substantially better this time around. While Philip Anglim is hardly the franchise’s strongest guest performer, he is a better actor than Bell. More than that, keeping the action anchored on the “real” Deep Space Nine stops the story from veering into high camp. It might be damning with faint praise, but Resurrection is probably Deep Space Nine‘s second best mirror universe episode.

Holy ex-boyfriend, Kira!

Continue reading →

Filed under: Deep Space Nine | Tagged: ghosts of boyfriends past, Mirror Universe, parallel universe, resurrection, star trek, star trek: deep space nine, the friends of vedek bareil | 8 Comments »

Star Trek: Voyager – Year of Hell, Part II (Review)

Posted on February 13, 2017 by Darren

Year of Hell, Part I and Year of Hell, Part II might just be the most representative episodes of Star Trek: Voyager.

Taken together, these episodes perfectly embody the restrictions placed upon the third Star Trek spin-off. They are a boldly ambitious story of a ship that finds itself in hostile territory surrounded by a hostile force with superior firepower, all while playing into the recurring themes and fascinations of the wider series. However, they are also a two-parter that wraps up with an incredibly convenient resolution that handily resets the status quo in a manner that allows the ship (and the series) to avoid any lasting consequences from this blockbuster story.

The hole in things.

The result is one of the most thrilling and engaging stories of Voyager‘s seven-season run, among the most satisfying of the series’ impressive “blockbuster” two-parters. However, its sense of scale and scope exists very much in contrast to the episodes around it, a truly epic story that leaves no lasting mark. An audience member skipping from Scientific Method to Random Thoughts would be completely oblivious of the episode. For an episode of such weight, great care is taken to ensure that its passage causes no disturbance.

Year of Hell, Part I and Year of Hell, Part II do an excellent job capturing the essence of Voyager.

Annorax-ed with guilt.

Continue reading →

Filed under: Voyager | Tagged: Brannon Braga, reset button, star trek: voyager, voyager, year of hell | 25 Comments »

18. Eternal Sunshine of the Spotless Mind – “Two Guys Die Alone 2017” (#85)

Posted on February 12, 2017 by Darren

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, a Valentine’s treat. Michel Gondry’s Eternal Sunshine of the Spotless Mind.

An exploration of memory and loss, Eternal Sunshine of the Spotless Mind imagines a world in which people can pay to have traumatic and heartbreaking memories scrubbed from their minds. The film follows Joel as he elects to undergo the procedure to erase his relationship with Clementine, but at the last minute he suffers buyer’s remorse.

At time of recording, it was ranked the 85th best movie of all time on the Internet Movie Database.

Continue reading →

Filed under: The 250 | Tagged: eternal sunshine of the spotless mind, film, The 250, valentine's day | Leave a comment »

Star Trek: Deep Space Nine – You Are Cordially Invited… (Review)

Posted on February 10, 2017 by Darren

You Are Cordially Invited… is very much a breather episode.

After all, that introductory six-episode arc was exhausting. It was breathtaking in its scope and ambition, a sketch of life during wartime that spanned light-years and divided the cast for half a dozen episodes. It makes sense that You Are Cordially Invited…, the first episode to feature the crew reunited on Deep Space Nine, would attempt to strike a lighter tone. Star Trek: Deep Space Nine might be crafting a long-form war story, but that does not mean that the show is abandoning its warmth and humanity.

Their first argument.

Indeed, You Are Cordially Invited… makes a great of sense from a structural perspective. There is an obvious impulse to contrast the show’s darker moments with lighter touches. In the Cards was an endearing comedy about the interconnected lives on the station, airing right before the show scattered those lives in Call to Arms. More than that, Call to Arms featured the wedding of Rom and Leeta as a prelude to the Dominion invasion. Following up the occupation arc with a comedy about the wedding of Worf and Dax adds a sense of symmetry to it all.

You Are Cordially Invited… might not be the strongest comedy episode in the run of Deep Space Nine, suffering a little bit from being overly conventional and entirely predictable, but it does have an infectious sense of enthusiasm that works well in contrast to the high intergalactic stakes of the previous seven episodes.

Relight my fire…

Continue reading →

Filed under: Deep Space Nine | Tagged: Dax, deep space nine, Kira, multiculturalism, Odo, romantic comedy, star trek, w edding episode, Worf | 9 Comments »

Star Trek: Voyager – Year of Hell, Part I (Review)

Posted on February 8, 2017 by Darren

Year of Hell, Part I and Year of Hell, Part II might just be the perfect episodes of Star Trek: Voyager.

Taken together, these episodes perfectly demonstrate the raw potential and strength of the third Star Trek spin-off. They are a boldly ambitious story of a ship that finds itself in hostile territory surrounded by a hostile force with superior firepower, all while playing into the recurring themes and fascinations of the wider series. Year of Hell, Part I and Year of Hell, Part II are effectively a story that finds history itself under threat, while emphasising Brannon Braga’s interpretation of Janeway by setting her against a similarly obsessive opponent.

Things fall apart.

The result is one of the most thrilling and engaging stories of Voyager‘s seven-season run, among the most satisfying of the series’ impressive “blockbuster” two-parters. Although the show is still being broadcast in the standard nineties 4:3 aspect ratio, it feels like a widescreen story. Part of that is due to the fact that the two-parter unfolds over three quarters of an entire year, part of that is the expanded room for storytelling, part of that is the fact that history itself hangs in the balance, part of that is the fact that Voyager itself feels at stake.

Year of Hell, Part I and Year of Hell, Part II do an excellent job capturing the essence of Voyager.

The Voyager cast Christmas party took a heavier toll than usual.

Continue reading →

Filed under: Voyager | Tagged: annorax, Brannon Braga, collectivism, continuity, janeway, joe mensoky, Kurtwood Smith, Television, time, voyager, year of hell | 13 Comments »

Non-Review Review: The Founder

Posted on February 7, 2017 by Darren

The Founder is a reasonably solid drama, anchored in a strong central performance and a timely narrative.

In form, The Founder plays like a very old fashioned piece of prestige cinema. It is a grand and sweeping character-driving historical drama that spans a seven-year period from Dick and Mac McDonald’s first encounter with Ray Kroc to his eventual purchase of the family and business name. Unlike many contemporary historical dramas, there is no tight focus on a singular significant historical event. The Founder does not attempt to illuminate its central character through intense scrutiny of one big moment. Instead, it tries to tell the whole story.

Foundation myth.

The Founder hits all of the expected beats from a film like this. Although it is obvious rooted in a true story, the movie tracing an arc as smooth as that iconic golden “m.” This not necessarily a bad thing. The Founder knows what it is doing, and it sets out about doing it in an efficient manner. In its own strange way, this feels appropriate. The Founder is as precisely constructed as the “swift service” engine that Ray Kroc elevates from a local quirk to a national franchise. The Founder never falters too badly, never meanders unforgivably.

More than that, The Founder has the luxury of a fantastic central performance from Michael Keaton as the huckster salesman who attaches himself to a small family business and manoeuvres himself to the head of an international empire.