• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: The Blind Side

Is this some sort of white guilt thing?

– anonymous female friend #1

The fundamental problem with The Blind Side is that it takes Michael Oher’s struggle to overcome everything stacked against him, and makes it abundantly clear that the real hero of the story is Leigh Anne Touhy, the rich and privileged white woman who took him in. In fact, the sports legend ends up playing a supporting character in his own damn biopic.

The trouble with this story is in the telling...

Continue reading

How Learnt to Stop Worrying and Love the Oscars…

This is a bit of a belated reaction to the Oscar nominations announced last Tuesday. Going in, I was pretty much agreed with the general consensus – in fact, the only prediction I really bothered to make was that Christopher Nolan would be snubbed in the Best Director categoryagain. A lot of people were surprised that he was omitted, but I really wasn’t – the Academy has made some cosmetic changes, but there’s still that sense of elitism which excludes the director of “common” blockbusters. Anyway, perhaps it’s because I predicted it, but I’m actually fairly okay with the list of nominees this year. When the one snub is the snub you see coming, there’s really not too much to complain about.

Leo won't be strutting to the Oscars this year...

Continue reading

Geoff Johns’ Run on The Flash – Rogues, Crossfire & Blitz

What with Geoff Johns returning to write The Flash, I figured I’d dig out some of the old collections of his first run on the title – arguably the run which brought the writer to the attention of comic book readers everywhere. In a run spanning five years, Johns managed to not only offer a suitably impressive successor to Mark Waid’s run on the title, but also tell his own boldly unique story. In a way, the writer’s time on the title can be broken down into two distinct halves – in fact, the final issue collected here is consciously a transition, with the universe being massively re-written and the status quo irrevocably altered. This collection represents the end of that first half, in which Johns was paired with artist Scott Kolins. I think it’s fair to say that the pair made magic on the title.

The Rogues take the opportunity to chill out...

Continue reading

Post-Modern Prometheus: Ridley Scott’s Alien “Prequel” and Shared Universes…

So, what exactly is Ridley Scott’s upcoming Prometheus? The director was all set to make an Alien prequel a few months ago, but all the rumours coming out of the production seem to be throwing me for a loop – I’m not quite sure what to make of them. To quote Scott himself:

While Alien was indeed the jumping off point for this project, out of the creative process evolved a new, grand mythology and universe in which this original story takes place. The keen fan will recognize strands of Alien’s DNA, so to speak, but the ideas tackled in this film are unique, large and provocative. I couldn’t be more pleased to have found the singular tale I’d been searching for, and finally return to this genre that’s so close to my heart.

We’ll spot “strands of Alien’s DNA”, but it’s a “new, grand mythology”? I’m not quite sure what to expect of it. And that, to be honest, excites me quite a bit.

Great Scott!

Continue reading

Non-Review Review: The Wolfman

The Wolfman was clearly intended to kickstart a relaunch of Universal’s Monster Movie franchises, updating them for a whole new generation of movie-goers. It was intended to call back to a whole generation of horror films, starring Lon Chaney and Boris Karloff and so on. However, director Joe Johnston’s attempt to update the monster movie for a new generation is a muddled affair, simple and straight-forward, but clouded with unnecessary blood, gore and CGI.

No escape claws...

Continue reading