December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. Every Wednesday this month, we’ll have a Grant Morrison related review or retrospective.
I am going to be honest. I didn’t love Grant Morrison’s tenure on Batman. It felt a bit awkward and continuity-heavy – don’t get me wrong, I appreciated his attempt to tie together just about every aspect and iteration of Batman ever, but it just felt a bit too much. Yes, Batman can be the grim avenger or the charming ladies’ man or the camp crusader or the superhero or the urban vigilante or the world’s greatest detective or a swinging icon, but – in reading Morrison’s run – it felt too awkward to make Batman all of these at the same time. Perhaps, then, it’s because Batman & Robin sets itself a more modest goal (in that it doesn’t attempt to reconcile every aspect of the character’s seventy-year history) or just because Morrison appears to be enjoying himself far more, but this second act in Grant Morrison’s epic Batman saga is a much more engaging read.
The run gets off to an explosive start…
Filed under: Comics | Tagged: andy clarke, batman, batman & robin, batman & robin must die, Batman and Robin, batman and robin must die!, batman forever, batman must die, batman reborn, batman vs. robin, blackest knight, bruce wayne, cameron stewart, Christopher Nolan, damian wayne, dick grayson, doctor hurt, frank quitely, frazer irving, gotham, grant morrison, Grantmorrison, philip tan, professor pyg, Red Hood, revenge of the red hood, robin, the flamingo, the jokre, the revenge of the red hood, thomas wayne, tim burton | 2 Comments »
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