• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Claws Out for Sex and the City? The Irish Times Has Just the Ticket…

Sex and the City 2 came out last week. Not that it really affects or bothers me one way or the other. I just find it fascinating that The Ticket, the normally rather wonderful entertainment supplement which comes with The Irish Times, chose to offer its front page to the girls, while containing nothing but vitriol within. It seems a little contrary to have your reviewer and your features writer going at the film with the critical equivalent of baseball bats and then give them prime of place in your lineup and publicity, no? Especially given that the front page didn’t read “Sex and the City 2: It’s Quite Crap, Actually”.

Just the ticket?

Continue reading

Gotta Have Faith: It’s a Wonderful Afterlife…

Well I guess it would be nice…

Battlestar Galactica has a lot to answer for. It seems that religious-themed endings are now in vogue again, at least for mindbending television shows of choice. Both Ashes to Ashes and Lost came to an end within days of each other last week, and both included some fairly noticeable religious themes in their finales. Has religion somehow become a non-taboo subject on mainstream television?

Go in peace...

Note: As the introduction suggests, this article will contain spoilers for the finales of Ashes to Ashes and Lost. I’m posting it about now because I figure that anybody who wanted to watch them has had the chance.
Continue reading

Ashes to Ashes: Dust to Dust…

My name is Alex Drake… and your guess is as good as mine.

– Alex introduces us to the third season

Ashes and Ashes wound up last week. It seems to be the time of year for shows wrapping up. I could remark on how I’m hooked on this eclectic collection of British and American shows, but can’t find a decent Irish television show to watch week-in-and-week-out, but I’ll save that rant. It would appear that we have seen the last of the iconic Gene Hunt. And, you know what, it was nice. As nice as an attempt to give the old-fashioned politically-incorrect copper some closure could ever really be.

Gene Hunt takes some parting shots...

Note: This article will discuss the final episode of Ashes to Ashes and also has the capicity to retroactively spoil Life on Mars. You have been warned.

Continue reading

You All Everybody: The Series Finale of Lost…

Those of us looking for an explanation of what the island is, how throwing a body down a well creates a smoke monster or why Locke getting off the island was a bad idea were undoubtedly a little disappointed (as I predicted they would be). In fact, I’ve spoken to a few at work, so I know that they are disappointed. However, I was still quite taken with The End, because it was… well, an end. It was a fitting coda to the series, wrapping up most of the major character arcs and giving the audience a sense of closure.

Excuse me, I was Lost in your eyes...

Note: This post will contain spoilers for the final episode of Lost which has already aired worldwide. Still, consider yourselves warned.

Continue reading

Lost for Words? Do We Really Need an Explanation for Lost?

Lost is entering its final phase. Just two weeks left and it will all be over. I have no doubts that The End, the final episode, will be a bit of a phenomenon – ABC are reportly charging nearly $1m for advertising space during the finale. However, I imagine that a lot of people tuning in will be disappointed – as I expect a large number of viewers will be expecting an easy answer or several to (in fairness, perfectly reasonable) questions like “what is the island?”, “why was there a polar bear on the island and how did it survive?” and “what the hell happened?” To be honest, some of these questions have already been answered (not necessarily satisfactorily), but I still don’t think that the answers – even if they are provided – will be offered in a viewer-friendly mode. And I’m actually reasonably okay with that.

Lost at sea?

Continue reading

Non-Review Review: Serenity

“Love,” someone suggests at a key moment in Joss Whedon’s big screen sequel to his cult television show Firefly, is what keeps a ship afloat, “Love keeps her in the air when she oughta fall down, tells ya she’s hurtin’ ‘fore she keens. Makes her a home.” In a way, it’s hard not to feel that he could just as easily be talking about this particular movie adaptation. Serenity is a movie which by all rights shouldn’t exist. Based on a television show unfairly cancelled by a network which couldn’t bring itself to offer it a fighting chance, it seems odd to see the series transitioned to the big screen in search of closure. The movie is itself an act of love – an act early in the film confused (understandably) with madness – love for the show, for its concepts and for those who gave it the benefit of the doubt that its own producers couldn’t.

Thank god there's a master at the helm...

Continue reading

Sympathy for the Daleks: Steven Moffat & The Shifting Status Quo

I suppose you could bring them back, but I’d be slightly puzzled, because they were robots that went wrong. Generally speaking, and maybe Russell wouldn’t agree with a word I’m saying right now, but my favorite Doctor Who story is the one with brand new monsters that you see once and once only. The moment you start crowding the universe with familiar monsters, I think it’s less interesting. Two of the words that you could reasonably apply to the Daleks are ‘reliably defeatable.’ You know those guys are going to lose at the last minute anyway, and you always know what they’re up to, so the best bit about bringing back old monsters is the reveal. After that, it’s all downhill. It’s like Agatha Christie deciding that the butler should always do it, because it was successful in the last book, so that’s not my favorite kind of Doctor Who story. I like brand new monsters.

– Steven Moffat

That answer comes from an interview he gave waaaay back in 2006 – about the time he was writing The Girl in the Fireplace, his second story for the relaunched Doctor Who. I don’t know if he knew then that he was heir apparent to the throne and would succeed Russell T. Davies, but I wonder if being positioned as showrunner has somewhat changed his perspective. In his inaugural year running the show, we’ve already had the return of the Daleks, three episodes in with Victory of the Daleks, next week we’ll witness Moffat returning to one of his own monstrous creations in The Time of Angels and previews have already confirmed that the Cybermen themselves – foes dating from the show’s first leading actor – will be returning as well (with Roman centurians). I’m not complaining at all (a writer as talented as Moffat can do pretty much whatever he wants and I’ll trust him), but I can’t help wondering if perhaps Moffat is playing his own long game with the franchise in his opening season.

Don't worry, this Cyberman is mostly 'armless...

Note: This article contains spoilers for the end of this week’s episode, The Victory of the Daleks, so those who haven’t caught it yet might want to look away or come back to this when they’ve seen the episode. You’ve been warned, so you have.

Continue reading

What Happened Happened: Mainstream Alternative Histories?

Alternative histories have long been a staple of science fiction. The basic idea is simple enough: take a key moment in history and play it out just a little bit differently (or a lot differently). The Man in the High Castle, the story of how America lost the Second World War, may be the most famous example, but there’s literally a whole subgenre of literary science-fiction based around the idea of playing things out in a way different from how they did. However, this fascination with alternative history never really spilled over into cinema. However, there are slowly emerging signs that audiences may be gradually adjusting to the genre and the potential it offers.

Twenty more years!

Note: This is not to be confused with the historical school of alternative histories, which are all based on perfectly reasonable assumptions, like if a courier who really existed was late or if a wound to a historical figure had been fatal. It seems in mainstream sci-fi these are more likely to involve pepperpot-shaped aliens or glowing blue supermen. So, some historians out there may object to the term – maybe I should use ‘speculative history’ instead. But it’s all semantics.

Continue reading

The Beastly Side: The Beast Below

Remember last week how I was said I was going to wait until the end of the year to post up one big post-season analysis of Matt Smith’s first season as the Doctor? Yeah, well I’m still gonna do that. But while the episodes still give us food for thought, I might want to post my thought on a given hour (or, in this case, the first episode of the show under an hour long in about two years). Maybe next week I’ll have nothing more to post than simply the fact that spitfires in space represent the coolest concept ever.

The belly of the beast...

Note: This post contains spoilers for The Beast Below, the second episode of the fifth season of Doctor Who (and if you’re going to argue about the given season number, you know exactly which season I’m talking about). I’ll flag them in the article below before I reach them, but consider yourself warned.

Continue reading

Firefly

Psychic, though? That sounds like something out of science fiction.

We live in a spaceship, dear.

So?

– Wash and Zoe, Objects in Space

Joss Whedon writing a science fiction show – a science fiction western, to be precise. Doesn’t that excite you? Just a bit? Well, it should, because they’re just so… very… pretty. Huh? Look at that chiselled jaw!

And yes, I am already quoting it. It’s going to be a fun review.

Male bonding... Or bondage, I'm not sure...

Continue reading