Star Trek: Voyager is a very nineties show. Sometimes that is endearing. Sometimes it is not.
Retrospect is an episode that made a great deal more sense in the context of the nineties. It was still troublesome and reactionary, structuring its central allegory in a way that was deeply problematic. However, Retrospect made a certain amount of sense when considered in light of the McMartin Preschool scandal and the satanic panic driven by regression hypnosis in the early part of the decade. Retrospect is very clearly an attempt to turn that talking point into a twenty-fourth century allegory about witch hunts and persecution.
Assimilate this…
However, there are a number of poor choices made over the course of the episode. The most obvious is build the episode around the character of Seven of Nine. There are any number of reasons why this would be written as a Seven of Nine episode, given that she is the breakout character of the fourth season. However, episodes like The Gift and The Raven have made a conscious effort to portray Seven of Nine as an abuse surviving living with genuine trauma. To put her at the centre of an episode about false allegations of abuse feels ill-judged.
Similarly, the emphasis on the subject of these accusations and his ruined life feels more than a little tone-deaf, even in the context the nineties satanic panic. Retrospect is not an episode about Seven of Nine processing abuse or even coping with distorted memories. It is ultimately the story about how the falsified accusations of abuse (from a character who is a verified abuse victim) can serve to destroy the lives of innocent men. Indeed, the emphasis on the EMH as a proxy for Seven of Nine downplays her own agency in this plot.
Memory Beta.
These aspects are troubling even in the context of an episode about the dangers of using hypnotherapy as the basis of these charges. However, the scandal has slipped from public consciousness in the years since Retrospect was initially broadcast. When the audience hears about women false accusations against men, it evokes the long-standing myth that men are frequent victims of falsified reports about sexual assault that ruin lives. This was creepy and uncomfortable subtext was obvious at time of broadcast, but has only become more pronounced in the years since.
Retrospect would have been a very clumsy and ill-judged allegory in the context of the mid-to-late-nineties. Decades removed from that original context, it seems almost reprehensible.
Blinding flash of the obvious.
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Filed under: Voyager | Tagged: false accusations, memory, Moral panic, rape, repressed memory, retrospect, Satanic Ritual Abuse, seven of nine, sexual assault, star trek: voyager, trauma, voyager | 20 Comments »
the m0vie blog 
424. Maharaja (#218)
Hosted by Andrew Quinn, Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.
This week, Nithilan Saminathan’s Maharaja.
In Chennai, a barber stumbles into a police station with an unbelievable story. His home has been burglarised, but the only thing of value that the thieves stole was a trash can of huge importance to the man and his daughter. It quickly becomes clear that there is something more afoot, a more complicated narrative of revenge and betrayal spanning decades and culminating in an act of unimaginable evil.
At time of recording, it was ranked 218th on the list of the best movies of all time on the Internet Movie Database.
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Filed under: The 250 | Tagged: diverse narratives, dual narratives, film, gender, imdb, indian, indian cinema, Maharaja, moral ambiguity, netflix, Nithilan Saminathan, podcast, rape revenge, representation of women, revenge, sexual assault, social justice, societal commentary, tamil, Tamil film, The 250, violence | Leave a comment »