Roger Deakins | the m0vie blog

376. Wall-E – Ani-May 2024 (#59)

Posted on May 12, 2024 by Darren

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Graham Day and Deirdre Molumby, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This week, Andrew Stanton’s Wall-E.

In the distant future, Earth has been abandoned. Towers of garbage loom over a toxic landscape consumed by dust storms. The planet is dead, except for Wall-E, a small service robot assigned the task of cleaning Earth in the hope that the planet might be ready to welcome a returning humanity. Alone and forgotten, Wall-E makes a life for itself among the ruins.

At time of recording, it was ranked 59th on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: Andrew Stanton, animated, cinematography, criterion, disney, environmentalism, imdb, pixar, podcast, robots, Roger Deakins, science fiction, silent movie, sound, The 250, wall-e | Leave a comment »

New Escapist Column! On the Use of Long Takes in “1917”…

Posted on January 8, 2020 by Darren

I published a new In the Frame piece at Escapist Magazine a little while ago, looking at the use of long takes within 1917.

The long take is an interesting cinematic technique. Most obviously, it’s a dazzling display of craft and technical proficiency. It’s a power move that exists largely so a director can flex their muscles. However, it also serves a compelling paradoxical purpose. The longer that a director holds a take, the more that the audience drifts away from reality. Cuts allow the audience to ground themselves, to process what they have seen. Removing cuts forces the audience to hold a single long gaze. In 1917, Sam Mendes uses that gaze to collapse time and space. In doing so, he captures some of the insanity of war.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: 1917, craft, film, long takes, Movie, Roger Deakins, sam mendes | Leave a comment »

Non-Review Review: Prisoners

Posted on September 17, 2013 by Darren

Prisoners is very much a game of two halves. Feeling like two separate films grafted together, Prisoners feels at once like a psychological exploration of American masculinity and also a far more conventional serial killer film. Indeed, had director Denis Villeneuve and writer Aaron Guzikowski decided to cut suddenly to black two-thirds of the way through Prisoners, we’d have a frustrating but much more cohesive atmospheric drama.

Instead, it seems like the duo conspired to surgically attach the last act from a far more conventional thriller on to their robust framework. The result is intriguing, but disappointing – the conventional paint-by-numbers final third diminishing a lot of the richness to be found in the first section of the film.