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Noir the Battle to the Strong: Why I’m Afraid of Classic Cinema…

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir.

I have to admit, the “For The Love of Film Noir” blogathon is a very worthy cause. Bloggers from all around the world continuously blogging in order to raise funds to restore classic films. It’s something that I just couldn’t ignore the chance to be a part of – to have the chance to say that I helped restore a classic film print of an actual honest-to-goodness classic film. It was too great an opportunity to ignore… and yet I almost did. I hesitated as I wrote the comment agreeing to take part. My fingers felt heavy. My thoughts caught in wherever it is that thoughts catch. I wanted to blog about film noir for a week straight, but I was also genuinely terrified by the idea. After all, what do I know about classic film?

Too hot to handle?

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Non-Review Review: Salt

This post is part of James Bond January, being organised by the wonderful Paragraph Films. It’s the final post I’m doing as part of it, looking at last year’s pretender to the “super spy” crown.

I pride myself on my suspension of disbelief. Richard Donner convinced me that a man could fly. My favourite film of 2008 was about a man who dressed as a flying rodent who took on a psychotic clown in downtown Chicago. I recently enjoyed a movie where the inner workings of a computer were represented as neon motorbikes. The film of the year features a crack team of specialists who break into people’s dreams and steal their ideas (or plant new ones). And yet Salt taxes my suspension of disbelief.

Are they arresting her for a Salt?

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Thor 101: A Beginner’s Guide to Marvel’s Thor…

Another year, another slew of massive comic book adaptations. While most people are familiar with Batman or Superman, I think that we’re moving away from the more popular comic book properties being adapted for the big screen. Last month I wrote a brief introduction to the Green Lantern mythos, as Martin Campbell’s blockbuster approaches. The response was good enough that I thought I might take a look at Marvel comics’ upcoming blockbuster Thor, directed by Kenneth Branagh. Anyway, here’s the trailer.

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Lex is More: Bringing Lex Luthor to the Screen…

I’ve been swamped with real-world work this week, so announcing that Zach Snyder would be directing the new Superman movie and that General Zod would be the primary bad guy on Monday (and a plot synopsis on Tuesday) really threw me for a loop. Anyway, I cobbled together some thoughts on bringing Superman to the big screen. I’ll hopefully have some more general thoughts early next week.

Lex Luthor shouldn’t be so hard to get right on the big screen. I mean, it’s not from lack of trying. The character is more than just Superman’s arch-enemy, he’s a member of his supporting cast. More than the Joker to Batman, Luthor is inexorably linked to the Man of Steel – no matter which enemy is invading Metropolis, Luthor is usually helping them or hindering them or figuring out a way to turn the events to his advantage. As such, he has appeared in all but one of the live action Superman films released over the past three-and-a-half decades, even where he isn’t the main adversary (as in Superman II, where he attempts to manipulate Zod’s vendetta against Superman). And yet, despite being portrayed by two incredibly talented actors – Kevin Spacey and Gene Hackman – the big screen never managed to essence of Luthor’s character. Zack Snyder was earlier this week named director of the Nolan Superman reboot, and although General Zod was named the villain of the film I’d be fairly certain that Luthor will put in an appearance. So, how do you do Lex Luthor right?

Green there and done that?

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Richard Donner & Geoff Johns’ Run on Action Comics – Last Son, Escape from Bizarro World, Superman & The Legion of Superheroes & Brainiac

In light of the recent announcement that the villain of Christopher Nolan and Zack Snyder’s Superman reboot will be General Zod (brought to the screen by Terrence Stamp in Superman II), we thought we might take a look at the run which reintroduced Zod to comic book audiences (written by the director of the first two films).

You kinda figure that Geoff Johns would be the perfect fit for Superman as a character. I mean, no character needs to re-engage with his roots while seeming fresh and renewed quite like the modern Superman. Despite his iconic status, the character hasn’t really registered on global pop culture since Richard Donner brought him to life in Superman, the first of the modern superhero films. Fittingly enough, legendary director Donner joins Geoff Johns as co-writer for the first half of the run – if you needed any more indication that this was a pairing to be excited about, consider the fact that Donner gave Johns his first “in” in show business, working as the director’s assistant. If you needed any more, take a look at how perfectly illustrator Gary Frank draws the Man of Steel, making him look like Christopher Reeve. However, although the run is entertaining and engaging, it can’t help feeling a little incomplete – as if Johns is spending more times aligning the pieces on his board rather than playing with them. Still, it’s a pretty damn good collection of Superman stories that Johns and Donner have put together here.

Superman is adrift no more...

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Oh My Zod: Nolan’s Superman Movie Gets Its Villain…

It had been quite an exciting day for Superman fans. First, director Zack Snyder was confirmed as the man who will be helming the movie under the tutelage of Christopher Nolan. It was then suggested Brandon Routh would not be returning to the role. And then we got some supervillain confirmation. Thankfully it looks like the movie won’t be featuring Lex Luthor as its primary antagonist, but will feature General Zod.

I'm Zod-ding in approval...

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Non-Review Review: Superman II (The Richard Donner Cut)

Superman II has had a somewhat rocky production history. Essentially conceived as the “second half” of the original Superman film, it was all beautifully and carefully mapped out since before the original was released – in fact, Donner had done most of his work on the sequel before the original saw the light of day, and Gene Hackman didn’t even officially work on the second film (his filming blocks overlapped). It was a bold gambit, but one which could have returned an almost infinite reward. Instead, the producers of the film – the Salkinds – would fire director Richard Donner before he could finish his work and hire Richard Lester to come in a film some replacement footage. Perhaps the most telling thing about Lester is that, on viewing Donner’s epic take on the Man of Steel, the replacement dismissively stated that he wanted to stay away from “the whole David Lean thing”. Because the last thing he’s want to do is make a good movie. However, Donner would eventually get an opportunity to tell his version of the story – or as close to it as possible. Although there’s only so much editting can do, Superman II: The Richard Donner Cut makes almost as solid a case for its director’s vision as Superman III and Superman IV do for his successor’s lack of same.

Let's put this to bed...

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Non-Review Review: Superman

Tell me your heart doesn’t skip a beat when you hear the familiar brass of John Williams’ iconic score. Or that you can resist a smile as a small child introduces the movie by opening a comic book and reading aloud. Or that the opening shot of the crystal canyons of Krypton doesn’t make your spine tingle just a bit. Richard Donner’s Superman is perhaps correctly regarded as the father of the whole superhero genre, and deservedly so, but it’s also a stunningly well put together film in its own right. You could argue that this film predates the whole “superhero” genre in Hollywood, and – as such- more deserves classification as a “fantasy” film. And it can certainly stand with the very best of them.

Don't worry, he's trained for this sort of emergency...

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A Sight for Thor Eyes: Thoughts on the Set Design of Thor…

The first on-set photographs of Kenneth Branagh’s Thor have arrived on-line. And a lot of people are, understandably, turned off. I’ll be honest, I can see where they’re coming from: it’s camp and kitsch in a way that would allow it to serve as a backdrop for an Abba music video – and that ain’t the demographic we’re going for here. Anthony Hopkins looks like he has fashioned his eyepatch out of Ferraro Roche wrappers. However I, ever the contrarian in small and insignificant ways, love it. Let’s call it the Donner factor. Because that’s much more sophisticated than “the Superman factor”.

I think that style is quite super...

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Looking for Christopher Nolan’s Superman…

Superman is a tough character to get right. In any format. I remarked earlier in the week that there are very few truly classic stories featuring the character. While I’m more than a little delighted that Christopher Nolan has been handed the reigns to the franchise, I’m also a little bit nervous. Is there a way to make Superman a viable commercial franchise for the twenty-dirst century? I’d argue there is, if we look in the right place. Here’s my opinion: Look! Up in the skies! I think that the place to look to take the character back to his roots is the sort of wonderful ‘out there’ science fiction of the fifties. Batman does noir, so let Superman do hokey sci-fi.

"You will always be a child of two worlds..." Wait, sorry, wrong monologue...

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