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Geoff Johns’ Run on Green Lantern – No Fear, Revenge of the Green Lanterns & Wanted: Hal Jordan

Talk about a turn-around in fortunes. I remember the days when the Green Lantern was a cult figure – beloved by a few core devotees and mocked ceaselessly by anyone who knew the character well enough to know that he had a weakness to the colour yellow. That’s lamer than Kryptonite and led to all manner of hackneyed set-ups and resolutions since the rebirth of the series in 1960 (the original Green Lantern had a similar weakness to wood – yes, wood). However, he’s now one of DC’s flagship properties, managed to be the one to watch even in a summer where DC ‘killed’ Batman and has a mega blockbuster movie coming out starring Ryan Reynolds and directed by the man who saved James Bond (twice). There are a variety of factors that explain this massive reversal in fortune, but I’m going to go ahead and throw a name on them: Geoff Johns.

Don't worry, he's just out of practice... He'll figure it out...

Yeah, exposition tends to really kill those big moments, doesn't it?

Note: As Green Lantern: Rebirth is receiving an Absolute Edition next year, I held off on buying the trade. So I’ll get that in 2010 and review it then. I just wish I’d held off on buying the Sinestro Corps War books – they’ll likely get the Absolute treatment too. Still, this collection actually makes a better “jumping on” point.

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Non-Review Review: District 9

It was good, but not great. That’s about it. I was somewhat underwhelmed by what is being hailed as the most fresh and original science fiction film since… well, Moon way back in June. Maybe I’m being harsh though. A lot of it was very good, some of it was great, but some of it made my very uncomfortable. And not in the way that social commentary is meant to make you feel uncomfortable.

Illegal aliens...

Illegal aliens...

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Non-Review Review: X-Files – I Want to Believe

The title just about says it all. I want to believe in The X-Files. I want to believe in Mulder and Scully. I want to believe in Chris Carter. But I’m looking for proof. Proof that the franchise that held the entire world’s attention for a few minutes in the mid- to late-nineties still has some life in it. Proof that a ridiculous complicated and illogical and poorly written final few seasons on the air had not sucked the marrow entirely from the bones of a once unique pop cultural entity. So, what does the movie give me? Not concrete proof, but a little hint of faith. The film is not as bad as the final two years of the show. That’s the good news. The bad news is that it isn’t as good as the first five.

"X" doesn't mark the spot...

"X" doesn't mark the spot...

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Non-Review Review: X-Men II

I wrote in my review of the original X-Men that the first film in the saga still holds up quite well, even after a decade of superhero movies built off the back of it. It is by no means as spectacular as some of those that followed, nor is it as bad as some of those that followed. X-Men II is something similar. It wasn’t quite as revolutionary, but it did jumpstart another style of summer blockbuster, arguably a subgenre of the type sparked by the original film: the bigger and better superhero sequel.

No need to get your claws out...

No need to get your claws out...

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Non-Review Review: Inglourious Basterds

I went to see Inglourious Basterds with my brother last night at the cinema in Swords. I’m not sure what either of us was expecting – I’d read enough reviews and opinion articles and am well-versed in the knowledge that trailers always lie to know that it wouldn’t be a straight-up Nazi-killing flick. In fairness to the misdirecting marketing campaign though, I’m not sure how you could advertise what Tarantino has produced here. What we’ve got is a film possibly unlike any other you’ve ever really seen. I’m still not entirely sure what to make of it, which is certainly a big indicator in the film’s favour.

Tarantino, you magnificent basterd, you...

Tarantino, you magnificent basterd, you...

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Non-Review Review: X-Men

It’s the movie that started it all. We wouldn’t have this tight-spandex-wearing superhero craze in Hollywood today were it not for Bryan Singer’s ambitious adaptation of the Marvel wonder team (okay, Sam Raimi’s Spider Man played a part too). I don’t know what’s more surprising: that it worked at the time or that it still holds together quite well today.

No claws for alarm...
No claws for alarm…

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Ultimate Spider-Man Collection (Hardcover Volumes #1-3) (Review/Retrospective)

In 2000, Marvel did something genuinely bold with one of its pop culture icons. Of course, the early part of the last decade saw a breath of fresh air at the House of Ideas, with iconic and influential (and occasionally iconoclastic) runs on books like New X-Men, Fantastic Four, Amazing Spider-Man, X-Statix, Punisher and other titles like Daredevil or Alias. However, the formation of the Ultimate line of comics was perhaps the most significant creative gamble taken at the time. The idea was simple, and the timing perfect. With Sam Raimi’s Spider-Man around the corner, and Bryan Singer’s X-Men proving that superheroes were the stuff of summer blockbusters, it seemed like a perfect opportunity to launch a line of books that would be easily accessible to new readers, free from decades of tangled continuity and plot developments.

And, appropriately enough, the character chosen to spearhead this new line was arguably Marvel’s most iconic character, Spider-Man.

spidey

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The Ultimates by Mark Millar and Bryan Hitch Omnibus (Review/Retrospective)

The Ultimates got me into comics. I’d read a couple beforehand, of course, and picked up a stray issue in the nineties, but it was The Ultimates that convinced me that superhero comic books could be something bold and innovative and clever, rather than generic and plain. Looking back, I think that The Ultimates stands as one of Marvel’s crowning accomplishments of the last decade, with only New X-Men and Daredevil ever really coming close. A lot of people argue that it’s the cynical world view that sets Mark Millar’s origin story apart, and gives it a broad appeal, but I’d disagree.

I think that Millar’s story doesn’t work because it dismantles the conventional superhero narrative through glib nihilism and cool apathy, but rather because it vindicates that ideal by passing it through a crucible. In many ways, The Ultimates is perhaps the most optimistic superhero story I’ve ever read, if only because the idealism is truly earned.

Holding out for some heroes…

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Non-Review Review: Romeo + Juliet

I’m baaaaack!

Is it a spoiler to say that Romeo + Juliet is a tragedy? You never know these days (I’m reminded of that great Simpsons’ quote, “It started out like Romeo & Juliet, but it ended up in tragedy” – I remember a few people being surprised when I laughed at that, leading me to explain the joke). Still, the opening monologue lays it all out on the table, as does the fact that Shakespeare only ever wrote comedies or tragedies – and this ain’t a comedy. Anyway, I must confess I hate the play, as I hate hell, all Montagues and thee. Okay, not really, but it was drilled into my head for my Junior Certificate exam (as Macbeth would be drilled into my head for the Leaving Certificate). I remember my English teacher – a very nice old lady, by all accounts – steadfastly refusing to show us the Baz Luhrmann ‘reimagining’ of the play. To this day I’m not sure if she made the right call. 

Get used to those wings...

Get used to those wings...

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Absolute Sandman: Volume III

All things must end. I have to admit appreciating this volume a lot more reading through it again. It’s odd that the penultimate volume in a collection should reward repeated reading more than the early editions, but so it is. All-in-all, the collection is possibly the weakest of the four, but only barely. It’s still a damn good read and an excellent chapter in a compelling saga.

Quoth the Raven, "Nevermore."

Quoth the Raven, "Nevermore."

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