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396. The Wild Robot (#154)

Hosted by Andrew Quinn, Darren Mooney, this week with special guest Deirdre Molumby, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Chris Sanders’ The Wild Robot.

On a remote island, a freak storm brings a surprise visitor: a top of the line service robot. Without any humans around to give her a task, the robot searches for purpose among the island’s animal inhabitants. She stumbles across a young gosling, taking on the task of raising the small bird. Although parenting is not part of her programming, this wild robot discovers that love is a powerful force.

At time of recording, it was ranked 154th on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On “The Last of Us” as a Character-Driven Apocalyptic Narrative…

I am doing weekly reviews of The Last of Us at The Escapist. They’ll be dropping every Sunday evening while the show is on, looking at the video game adaptation as the show progresses. To start with, though, a look at the series as a whole.

Although it takes a little while to get going, with its first two episodes largely given over to exposition and worldbuilding, The Last of Us is an incredible accomplishment from HBO. The show is clearly the result of a great deal of care and attention, and a substantial investment from the service. It’s a show that benefits from the best possible talent and from the freedom afforded to that talent, to find a distinct angle on the end of the world. It’s a charming, emotional and deeply moving character study at the end of the world.

You can read the piece here, or click the picture below.