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Non-Review Review: Little Fockers

I genuinely really enjoyed Meet the Parents. It’s a nice little movie that the family will occasionally get caught up in again if it just so happens to be on telly, a nice way to spend an hour or two that nobody can really object to. The sequel, Meet the Fockers, lost a lot of the appeal – but we still found it relatively unobjectionable. So, the third and final (hopefully) instalment of the franchise, Little Fockers, arrives and isn’t really that bad. It’s just not really any good, either.

Greg still don't know Jack...

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Non-Review Review: The Tourist

In theory, The Tourist should be great fun. After all, the last time we had a high-octane romantic adventure thriller, we ended up with the genuinely entertaining Knight and Day. And, if anything, Johnny Depp and Angelina Jolie should represent a large step-up from Tom Cruise and Cameron Diaz. Unfortunately, the movie doesn’t quite deliver. Mistaking twists for plot and assuming that strong leads can make up for underwritten roles, the film flails around rather randomly, alternating between a genuinely exciting little European thriller and fairly paint-by-numbers twist-a-minute adventure, it never manages to set a particular tone, and leaves its two actors struggling to stay afloat amid the rather wonderful Venetian scenery.

Tour of duty?

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Non-Review Review: The Firm

The Firm would be an entertaining little thriller, if it ran maybe half-an-hour shorter. John Grisham’s legal thrillers were pretty much the gold standard for lawyer-related movies during the nineties, with any number of movies adapted freely from his books (notably in the format of “The [insert noun here]” like “The Firm”, The Client, The Rainmakerand so on). It’s a shame, because I believe that The Firm might have, with a little judicious editing, had the capacity to be the best Gresham adaptation out there. Instead, it’s too bloated to really make an impact.

It's no coincidence that "lawyer" and "liar" sound so similar...

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Non-Review Review: Fletch

Fletch has endured as something of a cult hit, offering Chevy Chase perhaps the defining role of his career and striking a chord with modern comedy talents like Bill Lawrence and Kevin Smith interested in bringing the character to modern audiences. I have to admit, after seeing the original film featuring Chevy Chase as the fast-witted quick-talking investigative journalist, that I can certainly see what the appeal of Irwin M. Fletcher.

He's got a nose for this sort of thing...

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Non-Review Review: Jay and Silent Bob Strike Back

Jay and Silent Bob is a movie that runs hot and cold from scene to scene. More a collection of random jokes set against an ever-shifting premise than a fleshed-out over-arching story, the film frequently fluctuates between brilliantly and subversively hilarious, and just a little bit awkward. While the randomness of Kevin Smith’s original Clerks was a large part of the appeal, the mish-mash approach doesn’t work so well this time around. Part of it is, perhaps, that this movie does clearly have a plot (a roadtrip to Hollywood), but I think it might also be a question of the characters involved.

While Jay and Silent Bob work well in supporting roles, it seems perhaps a bit much to ask them to carry their own movie. It’s a criticism Smith seems to accept, even including it in the movie itself. “Bluntman and Chronic and their stupid alter egos Jay and Silent Bob only work in small doses, if at all,” an anonymous on-line “militant movie buff” writes about a fictious movie to star characters modelled on the pair. “They don’t deserve their own movie.”

Well, at least he’s self-aware.

The latest in the Jay and Silent Bob cycle?

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Non-Review Review: 1984

1984 is a solid adaptation of a classic novel, featuring a fantastic leading performance from John Hurt as Winston Smith. The movie (released to coincide with the year) suffered a bit at the time (and in retrospect) from not being the best adaptation of Orwell’s ground-breaking novel to make it the big screen in 1984-5 – being somewhat upstaged by Terry Gilliam’s masterpiece Brazil. While obviously not a direct adaptation of the novel (in fact, Gilliam has admitted he hadn’t even read the book at the time of release), the latter film explores the same core themes and ideas. However, virtually any film would pale in comparison when measured against a movie like Brazil (which ranks in my top ten films ever), and 1984 really deserves to be seen on its own merits.

Welcome to an edition of Big Brother where every room is a "Diary Room"...

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Non-Review Review: Whip It

Whip It is sort of an inverse version of the Billy Elliot story. In that film, a young boy horrifies his family by wanting to practice ballet. In this film, a young woman shocks her mother by becoming a roller derby celebrity. Featuring the directorial debut of Drew Barrymore, Whip It is a fairly formulaic and straightforward little coming-of-age and self-discovery movie with a quirky angle and a plucky protagonist, but it’s also rather well handled and quite charming.

Whipping the team into shape...

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Non-Review Review: Thor

A special thanks to the guys over at movies.ie for sneaking us into an advanced preview screening.

To paraphrase the immortal Odin-son, “I say thee yay!”

In other words, a great start to blockbuster season.

If I had a hammer...

Note: Those unfamiliar with Thor might like to take a look at my informal introduction to the mythos, but – to be honest – Branagh handles it well enough you’ve got nothing to worry about. I’ve also written a piece about the film over at ComicBuzz, if you want to check it out.

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Non-Review Review: Toy Story 2

For my money, Wall-E is perhaps the strongest Pixar film from an artistic point of view. The Incredibles is perhaps the most consistently entertaining. Finding Nemo is the most emotional. Truth be told, I could probably find a way to rank almost every Pixar film so that it was my favourite in some way or another, because they’re all pretty much that good (although I’ll concede that Ratatouille, A Bug’s Life and Cars were merely “good” or “very good”). So, having completely picked apart any lavish praise I could shower on the film, I have  a very special fondness for Pixar’s Toy Story trilogy.

Just say Jesse...

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Non-Review Review: Network

Network is a compelling condemnation of news television. The black comedy from Sydney Lumet is one of those great movies which actually feels more relevant now (thirty years after it was first released) than it did when it first appeared on the big screen. In particular, while some plot developments are clearly satire, it seems that quite a few moments in the movie seem a lot less ridiculous or fantastical in this day and age than they would have when originally written. It’s a rare movie that can do something like that, and the fact that it’s a lot easier to imagine some of the movie’s jokes coming to pass in this day and age only makes it all the more potent.

Beales appeal...

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