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Non-Review Review: The Fault in Our Stars

The Fault in Our Stars is a wonderfully constructed teenage romance, featuring a fantastic central performance from Shailene Woodley as Hazel Grace Lancaster, a sixteen-year-old cancer patient dealing with her own mortality. She bumps into Augustus Waters at a support group meeting. Augustus is another survivor, and the two immediately hit it off. While The Fault in Our Stars is fairly predictable, and hits relentlessly on the expected emotional beats, Woodley’s performance is strong enough to elevate the film.

Scott Neustadter and Michael H. Weber’s adaptation of John Green’s best-selling novel avoids wallowing too heavily in melodrama. Despite a few missteps, The Fault in Our Stars feels like a much more genuine and thoughtful exploration of loss and tragedy than films like My Sister’s Keeper or Death of a Superhero or Now is Good.

Getting into the swing of things...

Getting into the swing of things…

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David Lynch’s Rock of Ages (Trailer)

Occasionally I stumble across something in the wilds of the internet that I just have to share. Here is a rather interesting fan made trailer examining something all of us have wondered about: what if Rock of Ages were directed by David Lynch? Okay, maybe not all of us. But some of us. Probably. Anyway, it’s a work of bizarre brilliance, so check it out. I especially like the liberal application of Roy Orbison.

Non-Review Review: Little Fockers

I genuinely really enjoyed Meet the Parents. It’s a nice little movie that the family will occasionally get caught up in again if it just so happens to be on telly, a nice way to spend an hour or two that nobody can really object to. The sequel, Meet the Fockers, lost a lot of the appeal – but we still found it relatively unobjectionable. So, the third and final (hopefully) instalment of the franchise, Little Fockers, arrives and isn’t really that bad. It’s just not really any good, either.

Greg still don't know Jack...

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Non-Review Review: Jurassic Park

Jurassic Park is one of the “big” blockbusters which defined the nineties. It’s easily recognisable and has thoroughly entrenched itself deep in popular culture – along with Independence Day or Terminator 2. Also, like the two aforementioned films, it’s actually quite good. Of course, coming from director Stephen Spielberg, the man who invented blockbuster cinema with Jaws, can’t hurt. 

I call him "Rex"...

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