• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

My 12 for ’13: Honorable Mentions

Over the next few days, I’ll be revealing my favourite twelve films of 2013. I suspect that it will be a slightly quirky and eccentric list – I doubt anybody but myself will agree on every choice, but I hope that encapsulates the diversity and brilliance of the year that we’ve had. Indeed, I was actually quite impressed with the quality of films that were released in 2013, from large tentpoles through to more intimate and low-key film-making.

In fact, I was so impressed that I thought I’d put together a list of brief honourable mentions of the films that didn’t quite make the cut for my top twelve films of 2013.

broken3

Continue reading

Jameson Cult Film Club: Predator

I had the privilege of attending last Tuesday evening’s Jameson Cult Film Club screening of Predator. It’s easy to take for granted the care a preparation that goes into these nights celebrating popular classic films, but the crew pulled out all of the usual stops for the evening, turning their city centre into something of a jungle. From improvised death traps (within health and safety regulations, of course) through to advice on movie etiquette translated from… whatever that noise is that Predator’s make, the evening was a fitting tribute to an eighties cult classic.

Again, the production team walked the line, balancing the need for spectacle carefully against the integrity of the film. Predator is a loud film by its nature, and the special effects on the location were well-chosen to turn the volumes up to eleven. The pyrotechnics display during the movie’s climax was just astounding, as were brief interludes of the Predator itself preparing for battle or cleaning up after one.

The guys at Jameson Cult Film have sent over some snapshots of the night. Check them out below and click to enlarge. In the meantime, feel free to register at their website for free tickets to their next event, which I am already looking forward to.

EK4G0958 Continue reading

Non-Review Review: The Hunger Games – Catching Fire

The Hunger Games: Catching Fire suffers from a problem comic to the second story in planned trilogies. It lacks its own clear arc or structure, instead serving as a little more (or perhaps a little less) than half a film. There’s no conclusion or resolution here, just a lot dangling plot threads and insinuations – the suggestion of a larger and grander conflict looming on the horizon that might offer some measure of closure.

While it improves on quite a few flaws from the first film, it ultimately feels rather hollow; like an extended trailer for The Hunger Games: Mockingjay.

Hungry for more?

Hungry for more?

Continue reading

Win! Tickets to a Jameson Cult Film Club Screening of Predator on November 19th!

Due to unprecedented demand, the Jameson Cult Film Club is returning to Dublin for an explosive  screening of the 1987 classic, PREDATOR, at a secret Dublin location on Tuesday 19th November 2013.

These free events are more than just your typical screening, as characters from the movie, live theatre and special effects timed perfectly with on-screen action help to create an electric atmosphere  throughout the movie.

Jameson Cult Film Club screening of Predator - 17.11.13

*Warning* – the Predator blends in with its surroundings, taking trophies from the  bodies of its victims as it goes along.

Continue reading

Jameson Cult Film Club Presents Predator! Tuesday 19th November 2013!

Due to unprecedented demand, the Jameson Cult Film Club is returning to Dublin for a special 25th anniversary screening of the 1987 classic, PREDATOR. Continuing on from this year’s successful screenings of Die Hard, Intermission and LA Confidential, the Jameson Cult Film Club promises to transport the audience right into the world of this high suspense, sci-fi thriller at a secret Dublin location on Tuesday 19th November 2013.

Jameson Cult Film Club screening of Predator - 17.11.13

Continue reading

Subtitle European Film Festival, Kilkenny, 25th November – 1st December 2013

I just got this press release about the upcoming SUBTITLE European film festival being held in Kilkenny towards the end of November. I’m always a fan of European cinema, and nothing beats the ethereal atmosphere of a film festival, so I thought I’d pass it on. You can find more details about the festival and their line-up on their website here. I particularly recommend Headhunters and A Hijacking if you can get to see them.

The press release is below.

headhunters

Continue reading

Non-Review Review: Turbo

Turbo is the best animated movie of 2013, well worth coming out of your shell to see. It’s probably the best Dreamworks film since Kung-Fu Panda and the best CGI animated feature since Toy Story 3. Indeed, Turbo manages to evoke a lot of the charming early Pixar films, in particular channelling Ratatouille, as we follow the adventures of one common unloved animal who decides that “good enough” is not quite good enough.

Stop the clock...

Stop the clock…

Continue reading

Non-Review Review: The Fifth Estate

The ink is still fresh on The Fifth Estate, although perhaps that is too outdated a metaphor. The code is yet to be debugged might be more appropriate. History has yet to really decide what it will make of Julian Assange and Wikileaks. Cyber freedom fighters, the internet generation’s Woodward and Burnstein? Or reckless and disconnected kids failing to realise that writing on screen can have very real consequences? “Editing reflects bias,” we’re reminded early in the film, perhaps a concession that that the movie can’t get the necessary distance to offer a definitive (or even especially nuanced) take on Assange and his revolution.

The Fifth Estate comes down quite hard against Assange, essentially reducing Benedict Cumberbatch’s white-haired technological genius to something like a Bond villain. Director Bill Condon struggles to make typing code look sexy with laboured metaphors. And yet, despite that, there’s a willingness here to engage with something big and bold and important, however clumsily the script grapples with the implications of Wikileaks.

The result is something far more compelling that the dire Diana. Diana was a film so close to its subject that it couldn’t muster any enthusiasm or offer anything approaching a challenging opinion. The Fifth Estate is too close to its subject matter, and it clumsily stumbles into obvious bias and slant, but it’s still an intriguing attempt to parse a new media that it seems Hollywood doesn’t really understand.

He's Assange one, that one...

He’s Assange one, that one…

Continue reading

Non-Review Review: The Call

The Call is one-half knock-off of the underseen and underrated Cellular, a delightfully pulpy high-concept thriller which perhaps felt a little bit too similar to Phone Booth. The Call is also one-half knock-off of Silence of the Lambs, with the second half of the film in particular feeling like one of those psycho killer thrillers that were oh-so-popular in the mid- to late-nineties, but which became less popular in the post-CSI era. The Call has a delightfully ropey central premise, a high-concept for the mobile age, straining all manner of credibility and suspension of disbelief.

However, the problem lies in the execution. The Call wallows in heightened melodrama, struggling to sustain its central premise by trying to make us “feel” for the central characters in the most coy and manipulative of manners. Director Brad Anderson’s intrusive style doesn’t help matters too, seemingly unsure whether he’s making an action movie, a psychological horror or a high-concept thriller, and so instead tries to mash the three genres together with limited success.

Holding the line...

Holding the line…

Continue reading

Jameson Film Club: Die Hard Double Screening!

Due to popular demand, the Jameson Cult Film Club is returning to Dublin for their biggest and most electrifying double screening to date. Continuing on from this year’s successful screenings of Intermission and LA Confidential, the Jameson Cult Film Club promises to transport the audience right into the world of the high suspense action classic, Die Hard (1988), which will be screened at a secret Dublin location on Tuesday 17th and Wednesday 18th September 2013.

Jameson Cult Film Club screening of Die Hard

If you want to get your ‘Hans’ on some tickets, register now on www.jamesoncultfilmclub.ie. These free events are more than just your typical screening, as characters from the movie, live theatre and special effects timed perfectly with on-screen action help to create an electric atmosphere throughout the screening.

DH-265

The venue is only revealed to ticket holders and will be completely transformed into a series of sets from the film.  DJ Aidan Kelly will be spinning the sounds from the movie before and after the screening while guests are treated to ‘Yippee-Ki-Yay’ burgers and refreshing Jameson, Ginger and Lime long drinks.

Die Hard DVD Jameson-CFC-Landscape-WHITE copy

jameson drinkaware 1 line 18pt