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Non-Review Review: The Shining

My mum can’t watch horror films. She just can’t. Even if they aren’t that scary. Even if they are horror-comedies or versions of stories she’s heard before. She can’t even be in the same room when they’re on – even if nothing actually horrific is happening. It turns out that – in her youth, while an au pair in Belgium – one of her friends convinced her to see a movie playing in the local cinema. A film about a family in a hotel over the winter, starring Jack Nicholson. That movie scared her to death, and has arguably scared her ever since.

That movie is – if you haven’t gathered from the title of this post and the plot description – The Shining.

Baby, it's cold outside...

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Non-Review Review: What Lies Beneath?

What we’ve got here is a solid, old-fashioned ghost story with more restraint and grace than any number of Hollywood shockers. A slow, moody and intense look at the collapsing marital relationship between Claire and Norman Spencer after their daughter goes to college, it takes its time getting were it’s going, but manages to seem a classy flick.

I was also shivering a bit after watching the movie...

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Non-Review Review: Last House on the Left (2009)

Wes Craven is a very odd man. On one hand, you have the luminary who gave us the breathtakingly original slants on the horror movie which we saw in A Nightmare on Elm Street, New Nightmare and the Scream franchise, along with his talent as a straight-forward thriller director in Red Eye. On the other hand you have the king of schlock, the man behind pointless gore fests like the original Last House on the Left or The Hills Have Eyes or even Dracula 2000. And, on a third severed hand you’d probably find lying around his trailer somewhere, you have the Wes Craven who wholeheartedly approves and supports schlokier remakes of his schlokiest films. Like this, the remake of Last House on the Left.

lasthouse

The only thing to fear is the quality of the movie itself...

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Non-Review Review: Into The Storm

In my defense, I haven’t seen the original 2002 movie The Gathering Storm, to which this movie serves as a sequel – but I think the movie (as a historical piece) stands very well on its own two feet. Besides, aside from the producers (the brothers Scott, obviously attempting to follow Spielberg into the World War II market) and writer (Hugh Whitemore), the series has little in common with its illustrious predecessor. The director is new. The roles have been recast. If it weren’t for the linking theme of the word ‘Storm’ in the title and the fact that this movie picks up where the other left off (at least chronologically), there would be nothing to really tie it down. So, with the confession that I have not seen the original made-for-TV movie, what did I think of Into The Storm?

churchill

Cry Havok! And let slip the insurance-selling dogs of war!

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Non-Review Review: W.

Oliver Stone famously rushed just about every aspect of this production in order to get it into cinemas before last year’s November election. Does that affect the movie? It does and it doesn’t. It doesn’t in that Stone seems to have a clear image of the President in his head and it’s perfectly captured on screen. It does affect the movie in that Stone has to choose an arbitrary cutoff point for his movie, since he can’t end it with the end of Bush’s presidency. So he chooses the re-election of George W. Bush in 2004 to serve as the film’s ending. That point arguably suits the central thesis of Stone’s psychological profile of the man, butit also serves to make that thesis seem heavy-handed or forced. The other side of that coin is that I doubt the Stone would have been able to market and sell the film for a few years after the end of the Bush administration, and the fact that so vintage a diretcor as Stone can still make such a raw and energetic film is a testament to his abilities (that some of us may have doubted after World Trade Centre and Alexander).

bush

Misunderestimate at your peril...

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Non-Review Review: Up

Pixar, how I love you. If Up isn’t the film of the year so far, it’s pretty damn close. Don’t let the fact it’s a far more conventional film than Wall-E fool you – it is just as emotionally honest (it is odd how true to human feelings Pixar can be while running with more outlandish ideas). Pixar have always dealt with real experiences through metaphor – from the fear of middle-age in The Incredibles to the concerned single-parenthood of Finding Nemo – but this movie is particularly upfront about what it’s dealing with. That honesty is almost as endearing as the magical imagination which elevates the film like so many helium-filled balloons.

Almost a clear sky...

Almost a clear sky...

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Detective Abberline, I Presume?

The second trailer for The Wolfman hit the interweb yesterday. I’m still on the fence about this one. On one hand, there’s a classic monster movie, Anthony Hopkins and Benecio del Toro. On the other hand there’s Joe Johnson (the dude who directed Jurassic Park III) and what looks like fairly dodgy CGI. The twice pushed-back release date isn’t filling me with confidence for this kick-start to the monster movie genre either. Still, one aspect of the film intrigues me, amid all the forest scenery, interesting make-up and scenery-chewing going on. It’s the ever-fantastic Hugo Weaving appearing as Detective Francis Abberline. Don’t worry if the name doesn’t ring any bells, I’m fairly sure you’ve seen him somewhere – he’s been played by Sir Michael Caine and Johnny Depp amongst others. The problem is he’s constantly upstaged by his most frequent co-star:

Jack the Ripper.

On the scent...

On the scent...

 

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Non-Review Review: The Silence of the Lambs

A modern classic. The finest portrayal of one the greatest villains ever created. Only the third film to win all of the “big five” Oscars. The first horror film to win the Best Picture Oscar. The movie which kickstarted Hollywood’s grim fascination with gory and sexually frustrated serial killers and those who hunt them. The movie which energised an ageing veteran’s career and confirmed one of Hollywood’s youngest female actors as one of its greatest stars. One of the most often referenced and quoted movies ever made.

It’s pretty good.

I bet his favourite book is To Serve Man...

I bet his favourite book is To Serve Man...

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Non-Review Review: No Country For Old Men

It’s a funny world. But it has always been a funny world and it’s arrogant to presume that the world waited until we got here to go and get itself in a mess. Sure, some of us carry the fire off into that night, but it’s a very cold and very dark night and all we have is faith that there is an even greater fire out there waiting for us. No Country For Old Men is a stunning film – an odd fusion of the Coen Brothers with Cormac McCarthy which manages to say a hell-of-a-lot without weighing itself down with too much exposition or dialogue. It’s a great film which realy stands out even amongst the Coens’ already-impressive filmography.

Yes, it's a silencer. On a shotgun.

Yes, it's a silencer. On a shotgun.

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Non-Review Review: Love Happens

The screening of Up was sold out. That’s my story and I’m sticking to it.

"You know what the difference between you and me is? I'm not wearing any socks."

"You know what the difference between you and me is? I'm not wearing any socks."

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