Posted on January 5, 2010 by Darren
It seems that the cast and crew took the entirely wrong message out of the hugely successful (commercially and critically) Casino Royale. A brilliant combination of fancy stunts and grittiness that called to mind the series’ recent challengers in the Bourne series, Royale reinvented Bond for the naughties, in much the same way as GoldenEye did for the nineties. Unfortunately, Quantum of Solace seems to be based around the assumption that the reaction to Casino Royale was based solely around the modern aspects of the film, rather than the fusion of the old with new, so Solace ends up being Royale without the knowing grin. And it’s a shame, because the knowing grin is part of what makes Bond Bond (perhaps moreso than gadgets, gizmos and world domination plots). Don’t get me wrong, the action in the sequel is nothing short of fantastic (possibly surpassing even its progenitor in the action sweepsteaks) and the movie is well put together, but it just lacks the firm sense of identity which defines the best of the Bond movies.
Bond admits he might be getting a bit old for these crazy college nights out...
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Filed under: Non-Review Reviews | Tagged: bond, casino royale, daniel craig, film, ian fleming, james bond, Movie, non-review review, quantum of solace, review | 1 Comment »
Posted on January 5, 2010 by Darren
Dying kids are a story device that should always be considered very carefully before you use them as a storytelling device. On one level it’s because it’s a very tough blow to deal the audience, but – on a more sophisticated level – because it can horribly misfire and seem like blatant emotional manipulation. Which, in fairness, all movie-making is – but you don’t want the audience cottoning on to that fact or you’re ruined. The illusion is shattered. Unfortunately My Sister’s Keeper isn’t smart enough to be aware of either of these risks in framing a story around a dying child suffering from cancer, so it smashes through both ideas like two large window panes before staggering blindly through the china shop of the tangental moral issues it raises. And yes, even those awkward and ham-fisted analogies I just fed you are more subtle than the movie itself.
Cameron Diaz really wants the part of Blofeld in Bond 23...
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Filed under: Non-Review Reviews | Tagged: abigail breslin, alec baldwin, cameron diaz, film, grief, jason patric, loss, Movie, my sister's keeper, non-review review, review | Leave a comment »
Posted on December 20, 2009 by Darren
Yes, it is as visually stunning as you have heard. No, the special effects and 3D don’t combine to give you massive headaches. No, you’re never really dizzy or disorientated. Yes, it is the most technically impressive movie since… well, Titanic. But, with all that said, there’s really very little here. Cameron might be a master chef, and is an expert at serving up meals that look incredible, but here it seems that he spent more time on the decoration than on the ingredients. The movies is easily the most incredible technical accomplishment of the decade, but does that really matter when the plot is not only recycled (in fairness, that suits the green tone of the movie), but recycled poorly? Is watching two-and-a-half-hours of visually stunning work enough if it can’t generate any sort of emotional investment?
I wish I could say it blue (geddit?) me away...
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Filed under: Non-Review Reviews | Tagged: 3d, aliens, avatar, avatar (film), Cameron, Fictional universe of Avatar, film, Jake, james cameron, Movie, na'vi, non-review review, pandora, review, sigourney weaver, titanic | 6 Comments »
Posted on December 17, 2009 by Darren
Last week it surfaced that Quentin Tarantino was invited to make Green Lantern before Martin Campbell took on the project. Being honest, I am actually more interested in what his Casino Royale would have looked like – he was interested in directing the project and keeping Brosnan in the leading role. It certainly would have been different from Campbell’s reimagining of the Bond series. But during the interview, Tarantino revealed that he might once have been interested in the idea of directing a comic book movie, but that has passed:
So there’s a little part of me that’s like, ‘Wow, if I was in my 20s, this would be the genre I’d want to specialize in’. But they weren’t making them then, or at least not the right ones. But there also is an aspect where I’ve kind of outgrown that a little bit.
I don’t think I’m alone in thinking that Green Lantern – with it’s massive space opera tapestry, inevitable reliance on hockiness that really won’t stand up to deconstruction and newl-emerged status as an A-list comic book hero – would not be ideally suited to Tarantino’s unique skillset. I racked my head thinking of some – Black Panther, Ant-Man, Starman – but I think I kinda settled on the hero would perhaps best suit his style. Daredevil.
Can Tarantino save Daredevil?
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Filed under: Movies | Tagged: adaptations, comic books, daredevil, daredevil sequel, films, frank miller, green lanter, kevin smith, Movie, quentin tarantino | Leave a comment »
Posted on December 14, 2009 by Darren
There’s nothing really wrong with this movie – per se. At least nothing that isn’t wrong in just about every comedy that’s been released in the past few years. Taken in context, Role Models is a slightly above average slice of amusement. It’s not particularly memorable, but it should bring more than a few smiles to you’re face, provided you’re not expecting anything groundbreaking. It’s a by-the-numbers comedy, the kind of movie which an average movie-goer could tell exactly what’s happening (and what’s going to happen), even with the sound turned off.
Suit up!
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Filed under: Non-Review Reviews | Tagged: Bobb'e J. Thompson, Christopher Mintz-Plasse, comedy, jane lynch, Movie, non-review review, paul rudd, review, role models, sean william scott | Leave a comment »
Posted on December 9, 2009 by Darren
I’m a little torn about this film. On one hand, it’s nice to know that Sam Raimi has more than simply half-a-dozen Spider-Man movies left in him, on the other hand, this feels like it’s what The Evil Dead would look like in the era of CGI. And that’s not necessarily a compliment. At the very least, Raimi immediately reestablishes his creditionals as a unique film maker – I don’t think anyone has a vision quite like him. While he has the same difficulties finding the perfect balance of black comedy and horror that he had while making the Evil Dead trilogy. It doesn’t always work, but it benefits from being new and relatively exciting.
A grave matter...
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Filed under: Non-Review Reviews | Tagged: alison lohman, black comedy, dark me to hell, film, horror, Movie, non-review review, review, sam raimi | Leave a comment »
Posted on December 5, 2009 by Darren
While watching Star Trek with my family over the weekend, I noticed something. Something small, probably insignificant. But you know how things are. They grab you and they stick in the back of you mind like a piece of thread, slowly unravelling over time until all of a sudden you have some sort of epiphany. My epiphany is this: what if Spock – as imagined by JJ Abrams – is Superman? Yes, the four-colour comic book character. Or – at the very least – a stand-in for him? It might not be as crazy as you think…
Okay, it’s probably as crazy as you think. But hopefully not crazier.
The world's favourite aliens...
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Filed under: Movies | Tagged: jj abrams, krypton, Movie, richard donner, star trek, superman, vulcan | Leave a comment »
Posted on November 30, 2009 by Darren
You have to admit that the premise, at least, is intriguing. Maybe the execution is less so, but the basic premise (a martial arts movie directed by maestro wordsmith David Mamet) deserves at least a little consideration. In fairness, the movie plays its cards pretty well. It’s populated with kind of deceit and self-deceit which we have come to expect from the characters which Mamet presents to us on a regular basis. It’s a grim and dark and seedy world, even underneath those bright lights. The problem is that the movie’s core appeal (articulated in its title, premise and marketing) of a martial arts movie simply cannot deliver in that environment. These two facets of the movie lock themselves in mortal combat like two prize fighters in the ring: Mamet’s cynicism and human drama facing off against the requisite showiness and razzle-dazzle of martial arts. At one point a character suggests that the money is in a draw (since a rematch is a huge moneyspinner), and maybe that’s why we get no winner here. We don’t even get an entertaining struggle.
The blows come as quick as the dialogue and are almost as sharp...
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Filed under: Non-Review Reviews | Tagged: david mamet, film, martial arts film, Movie, non-review review, play, red belt, redbelt, review, tim allen | Leave a comment »
Posted on November 29, 2009 by Darren
Is just me, or are the Judd Atapow machine comedies getting crasser and crasser? Sure, The 40-Year-Old Virgin and Knocked Up weren’t exactly incredibly clean pieces of comedy, but they certanly demonstrated far more maturity than most of the recent output from that particular comedy factory – for better or worse. It’s just hard to find bodily function jokes and profanity funny for their own sake, and – if that is the measure of humour these days – that sort of humour is a dime-a-dozen these days. That’s not to say that Step-Brothers is entirely without charm (it has more than a few engaging moments), but just that it seems to think that appealing to the lowest common denominator is a legitimate form of comedy when it can’t think of anything better to do.
Brothers in arms...
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Filed under: Non-Review Reviews | Tagged: adam mckay, comedy, film, funny, john c. reilly, man-child, manchild, Movie, non-review review, review, step-brothers, stepbrothers, will ferrell | Leave a comment »
Posted on November 28, 2009 by Darren
I have to admit, I have a soft spot for Tim Burton and Michael Keaton’s Batman. I mean, I hate what the series became with Batman Forever and Batman & Robin, but I think that Burton managed to craft a unique and yet suitable visual and design aesthetic for the character and his world, while Keaton managed to embody a tragic Batman who really seems quite distinct from most iterations either before or since. While I wouldn’t argue this take on Batman should be “definitive”, or that it fits as comfortably as Nolan’s Batman Begins or even Batman: The Animated Series, I do think it’s a valid and intriguing exploration of one of pop culture’s most enduring and evolving characters.
Full moon…
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Filed under: Non-Review Reviews | Tagged: batman, batman 1989, batman 89, Christopher Nolan, danny elfman, green goblin, jack nicholson, joker, michael keaton, Movie, non-review review, review, tim burton | 3 Comments »
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