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Brad Meltzer’s Run on Justice League – The Tornado’s Path (Review/Retrospective)

This January, I’m going to take a look at some of DC’s biggest “events.” This week I’ll be taking a look at Brad Meltzer’s impact on the DC universe.

Justice League has always been a bit of a funny little book. The concept is so straight-forward that you’d imagine it would be quite difficult to muck up. After all, it’s a series about DC’s most powerful and iconic heroes teaming up to do impossibly cool stuff and to look good while doing it. DC has been doing this long enough to have an idea of what works on the title and what doesn’t. While Justice League International has its fans, it’s hard to argue that the appeal of the Justice League wasn’t encapsulated by Grant Morrison’s hugely successful nineties run. As such, putting the big characters back on the title shouldn’t seem like a big event of itself – it should be the default setting. So it always seems to me a bit strange when DC relaunch the series with a big name writer and the iconic line-up, only for editorial to inevitably screw things up down the line.

Team photo...

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Grant Morrison and Mark Millar’s Run on the Flash – Emergency Stop & the Human Race

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, but – in the spirit of the character – we’re going to have a marathon run through Flash stories before we get there. Check back daily this week for more Flash-ified goodness… We’ll start with a tie-in to last month’s theme, with the time Grant Morrison wrote The Flash.

Wally, you are definitely spending too much time around Scottish people!

– Linda bends the fourth wall. Quite frankly (or should that be “Frank Quitely”, referencing Morrison’s long-term collaborator?), I’m surprised it’s still standing by the end of the run.

If you believe everything you read, it was actually Mark Waid’s landmark run on The Flash that inspired Grant Morrison to write Justice League in the first place, a run currently being collected in nice deluxe hardbacks. So, when Mark Waid took a year off from the title to pursue his own interests – including the graphic novel The Life Story of the Flash and JLA: Year One – perhaps comics’ most mind-bending Scotsman would make a logical choice to replace him on a character who has always had a bit of a surrealist bent. And Grant Morrison brought a friend with him – Mark Millar, now better known as the writer of Kick-Ass and The Ultimates, but who originally started out with a string of partnerships with Morrison through the nineties involving a prologue to Justice League and Aztek, along with many others. Their collaborations aren’t exactly looked back upon as comic book gold – despite the fact that the two of them, working separately, have redefined the superhero genre – but their year-long fill-in gap on The Flash is irrelevant and charmingly fun. Nothing more (unless you’re a continuity nut – in which case the pair tease several essential Flash concepts) and certainly nothing less (unless your comic book tastes don’t run towards the “wacky” end of the spectrum).

Chased by a shadow...

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Geoff Johns’ Run on Justice Society of America – The Next Age, Thy Kingdom Come (Parts I, II & III) & Black Adam and Isis

With the Justice Society of America perhaps the most high-profile title excluded from DC’s upcoming relaunch, I thought I’d bid them farewell by taking a look at writer Geoff Johns’ second run on the title.

The Justice Society of America is one of those titles that DC does so well, one based on legacy. Admittedly Marvel has made some attempts in recent years (The Immortal Iron Fist stands out as a big example, as does Ed Brubaker’s Marvels Project – focusing on the World War II heroes adopted into Marvel’s pantheon), but DC have always handled the nostalgia so well. In fact, the relaunch of the Justice Society of America was prompted by the outstanding success of James Robinson’s original superhero generational saga, Starman. This collection represents the first set of arcs from the third volume – writer Geoff Johns was a veteran from the second volume, which (along with his writing on Flash) brought him to mainstream attention. So he knows the cast of characters and their world inside out.

Pin-ups...

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Justice League International: Volume 4 (Hardcover) (Review/Retrospective)

In light of the massive DC reboot taking place next month, launching with a Geoff Johns and Jim Lee run on a new Justice League title, I thought I’d take a look back at another attempt to relaunch the Justice League, emerging from the then-recent Crisis on Infinite Earths.

Hm. Typical. Just as DC stops collecting Justice League International in these nice little hardcovers, I find that the series is getting back into the sort of swing and rhythm that I really loved about the superb first volume, but which became hard to maintain in equilibrium through the second and third collections. The last two books have veered just a little bit too much into sit-com territory for me. Don’t get me wrong, I like the humour that Giffen and deMatteis bring to the book, but I think it works better as a counterbalance to some nice superhero spectacle or drama, rather than being allowed to run free. The wonderfully wicked, occasionally subversive and often amusing sense of humour is in full effect in this collection, but it also features some nice character-centred storytelling, the type of refreshingly not-too-serious, but never completely out of control, approach that made the first few issues so damn appealing.

The new line-up...?

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Justice League International: Volume 3 (Hardcover) (Review/Retrospective)

In light of the massive DC reboot taking place next month, launching with a Geoff Johns and Jim Lee run on a new Justice League title, I thought I’d take a look back at another attempt to relaunch the Justice League, emerging from the then-recent Crisis on Infinite Earths.

Instructions, m’lord?

Keep him sedated and set course for —

For where, m’lord?

Quiet L-Ron… Don’t you know a dramatic pause when you hear one?

Set course for — Apokolips!

L-Ron and Lord Manga

The third volume of Justice League International is certainly more consistant than the one directly previous. Giffen and deMatteis are – with the exception of a final-issue tie-in to Invasion – free to tell their own story featuring their somewhat eclectic cast. The series has swung heavily in the direction of humour, with the issues increasingly becoming a collection of gags with the occasional nice set-piece rather than conventional super-hero stories with a greater-than-usual dosage of humour. Admittedly, some of the humour (and set-ups) feel a little tired and dated, but it’s still not a bad little series.

Licence to Thrill...

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Justice League International: Volume 2 (Hardcover) (Review/Retrospective)

In light of the massive DC reboot taking place next month, launching with a Geoff Johns and Jim Lee run on a new Justice League title, I thought I’d take a look back at another attempt to relaunch the Justice League, emerging from the then-recent Crisis on Infinite Earths.

I loved the first collection of Justice League International (even though I don’t think the book was called Justice League International yet). It was the perfect example of fun self-aware superhero comics that didn’t need to wallow in grime and darkness to feel confident in themselves. It was wry and cheeky, but still sincere enough that it never seemed too cynical. And, in fairness to Giffen and deMatteis, they actually told some good stories with nice grasps on the characters involved. This second collection can’t help but feel a little bit lighter, somehow, less significant – too tied up in other things to have enough fun on its own terms. Which is a shame.

Built on a solid foundation...

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Justice League International: Volume 1 (Hardcover) (Review/Retrospective)

In light of the massive DC reboot taking place next month, launching with a Geoff Johns and Jim Lee run on a new Justice League title, I thought I’d take a look back at another attempt to relaunch the Justice League, emerging from the then-recent Crisis on Infinite Earths.

Once upon a time — there was a Justice League of America. But that was another era, when the world could afford borders and boundaries. When heroes could claim national loyalties and feel justified in their claims.

But in today’s world there’s no longer room for borders or boundaries. The walls between nations have to fall if our planet is to survive. So, for the new era — a new league: Justice League… International!

– Introducing the Justice League International, Justice League #7

Unlike the upcoming Johns/Lee relaunch of DC’s most famous superhero team, or even Grant Morrison’s tenure on JLA, it’s clear from the outset that Justice League: International was never going to be a powerhouse team. As the introduction states, in the wake of the massive restructuring of the DC Universe following the near-reboot of Crisis on Infinite Earths, many characters were tied up in events in their own titles. George Perez was working on Wonder Woman, while John Byrne was putting his own slant on Superman in Man of Steel. So the only returning iconic Justice League founding members were Batman and the Martian Manhunter. The team had to make do with Guy Gardner as the resident Green Lantern. It wasn’t exactly an all-star line-up, to be honest.

The Unusual Suspects?

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I’m A Marvel… or Am I A DC? I Can Never Tell…

I’m about half-a-year behind on this, I must confess. Back in January, the wonderful Katie over at Stories That Really Mattered asked a bunch of bloggers to come out in favour of one of the two major comic book companies, with an open invitation for other members of the community to participate. I’d like to pretend that I took so long to consider my own response because I’m cool (and cool people arrive late to the hottest parties), but the truth is I’ve just been a bit run off my feet these past few months. I was never cool, but I’ve learned to accept that.

However, in this season of blockbuster comic book movies, I thought it might be interesting to reflect on whether I am a bigger fan of Marvel, or DC. Given how close both are to my heart, expect a fair bit of waffle. Okay, a bit morewaffle than usual.

Let's not cloud the issue...

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Justice for the JLA: Warner’s New Stand-Alone Superhero Team-Up…

News broke during the week that Warner Brothers are planning a new Justice League movie, apparently for 2013. Reportedly Ryan Reynolds has not been approached to play the Green Lantern in the film, and – based on comments from both film makers – it’s unlikely that Zack Snyder’s Superman reboot or The Dark Knight Rises will play into the film in any meaningful way. One might consider that something of a marketing faux pas, as that would represent a fairly intense lead-in into the movie (as opposed to the four-odd years Marvel has been teasing The Avengers). Indeed, it has been suggested that the proposed Justice League movie might stand entirely on its own two feet, completely distinct from the superhero movies that Warners are churning out. If this sounds familiar, it’s because this was exactly the plan with the company’s last aborted attempt at a Justice League film.

Justice for all?

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Justice League Unlimited – For the Man Who Has Everything

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. We’re winding down now, having worked our way through the nine animated features, so I’m just going to look at a few odds-and-ends, some of the more interesting or important episodes that the DC animated universe has produced. The one adaptation of his work Alan Moore is actually happy with is well worth a look.

Van, when you were born, it was the happiest day of my life. When I first saw your beautiful little face, your tiny fingers squeezed my hand so tight, like you never wanted to let go. I’ve watched every step, every struggle…I-I’ve… but, Van… Oh, Rao help me… but I don’t think you’re real. I don’t think any of this is-is real…

– Superman confronts the fact that none of this is real

Alan Moore is one of the best comic book writers out there – and he’s perhaps the greatest writer ever to work with the character of Superman. Whatever Happened to the Man of Tomorrow? is an oft-referenced fond farewell to the Silver Age Superman (which prompted a similar storyline for Batman with Neil Gaiman’s Whatever Happened to the Caped Crusader? in the wake of the character’s recent “death”), but I’ve always preferred his one-shot story For The Man Who Has Everything. Adapted into animated form as one of the first episodes of the relaunched Justice League Unlimited series.

Super-dad!

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