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Should Marvel Look at Merging Some of Its Smaller Projects?

There’s been a lot of buzz generated about the new “shared universe” that Marvel is generating on-screen in the run up to The Avengers, being released in 2012. It has generated fantastic buzz and discussion given there are only really two scenes that have been screened suggesting how the the format might work: the presence of Samuel L. Jackson at the end of Iron Man, welcoming Tony Stark into a wider “universe” and the one-scene appearance of Robert Downey Jnr. at the end of The Incredible Hulk. Undoubtedly next year’s Iron Man 2 will feature even more treats (as will Thor and Captain America: The First Avenger), but it’s interesting to see the fuss that two tiny scenes have generated. I really do think that Marvel are on to box office gold here, and I also think it’s an interesting (and honest) attempt to transfer the medium of comics to film. However, these are all playing into one giant box office buster. Might it be worth taking the same concept and applying it to some of Marvel’s smaller screen franchises?

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Fighting over top billing...

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What is the Fixation With Slasher Movies?

Seriously. John Carpenter pretty much invented the genre back in the 1970s, and it has been with us ever since. But why do we get so many really terrible variations on people doing bad and gruesome things to other people year-in and year-out. You’d magine that every possible object that exists for a killer to hide behind has been hidden behind and every possible note that could be reached by a high-pitched scream has been reached by a high-pitched scream. And yet here they are, again and again and again. What’s the dealio?

I'm not even sure he's the scariest Myers around...

I'm not even sure he's the scariest Myers around...

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Have We Stopped Making Children’s Films For Children?

The three biggest children’s films under discussion at the moment are Pixar’s Up, Wes Anderson’s The Fantastic Mr. Fox and Spike Jonze’s Where The Wild Things Are. These three films have generated a debate about who exactly family entertainment should be aimed at, and whether are not there are themes (rather than content) which should be taboo for films that would appear to be aimed at children. More importantly, these three films have sparked a flurry of complaints or criticisms from adults who claim they are far too mature for younger audiences. So, are we really only making these films for big kids?

Watch out, here comes the Politically-Correct-allo!

Watch out, here comes the Politically-Correct-allo!

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Non-Review Review: Kill Bill, Vol. 1

Kill Bill is an epic, but personal, work for Quentin Tarantino. It’s his Gangs of New York – a movie he’s clearly wanted to make in his own way for a very long time. It’s a tour through the cinematic locales which inform his filmmaking – though he uses Tokyo and Texas, and other names of real life locations, the film isn’t set in anywhere that really exists, or ever could exist, outside his own imagination. Kill Bill is a darkly violent and ultimately juvenile film, but one that was clearly well-loved and properly nurtured. It never ceases to impress, even while it makes you flinch.

Not quite mellow yellow...

Not quite mellow yellow...

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George Lucas Planning a Trilogy of Trilogies

Everyone loves a good, juicy rumour and this is about as juicy as it gets. Apparently George Lucas is working on a new trilogy of Star Wars films in order to capitalise on the 3D film-making craze – apparently remastering the originals isn’t all he had in mind. This sounds like something resembling a mixed blessing to anybody with particularly strong feelings about the original trilogy, but there is one grain of hope: apparently Lucas won’t be directing.

Maybe by the time he makes them, technology will be able to generate good performances from bad actors...

Maybe by the time he makes them, technology will be able to generate good performances from bad actors...

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Thor And Internal Consistency…

I am growing more and more excited about Thor as every little snippet of rumour leaks out about casting. Which is odd, because Thor is one of the movies coming out on the road to The Avengers which I really don’t care that much about. It’s a superhero movie about a guy with a really big hammer – I don’t want to see that version of Thor. On the other hand, my interest was piqued from the moment that Kenneth Branagh was announced as director. Kenneth Branagh’s Thor I am interested in seeing. Particularly if it stars Robert deNiro and Jude Law. Still, my inner nerd remains skeptical about positioning a film based on myths and magic so firmly as a cornerstone of the on-screen Marvel universe.

What's the point of being the God of Thunder if you can't use it to dramatic effect every now and again?

What's the point of being the God of Thunder if you can't use it to dramatic effect every now and again?

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Non-Review Review: Ghost Town

I love Sky Anytime. It gives me the opportunity to watch stuff I would normally miss at a time that suits me. This weekend, for example, I sat down for Saturday lunch and decided to see what was available to watch. I found Ghost Town, a movie which never really became large enough to warrant a cinema trip and my family’s Gervais-aversion ruled out a rent. So, I switched it on and I was reasonably impressed with this modern spoof on the ghost story subgenre. There’s nothing too strange or startling or new here, but it’s a solidly entertaining comedy and a more than pleasant diversion.

Dead people see him...

Dead people see him...

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The “Twitter” Effect

I don’t have a twitter account. Until earlier this year, I didn’t have a blog. I’m not a slow technological adapter, but I don’t pretend that I am the fastest either. I don’t do facebook, linkedin or bebo, among others. Apparently I am way behind the times. Anyway, it’s always fun to watch the sociological impact of these new multimedia methods of keeping in touch and how they find themselves harnessed (whether intentionally or not) to the service or detriment of established traditional media. Paranormal Activity is the latest movie to benefit the Twitter Effect.

Is it a phantom effect?

Is it a phantom effect?

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Growing Old in Hollywood…

Is it possible for an actor to age gracefully? The Guardian has been very fruitful in providing food for thought this week and the article that grabbed my attention today is a discussion of Heath Ledger’s potential had his life not been cut so tragically short. I don’t intend to dwell on what could have, should have or would have been, but the article does raise some interesting assertions about the ageing of great actors:

If you want to propose Pacino, De Niro and Nicholson as the outstanding figures of the 70s and 80s, who can be resigned about what has happened to them? They have become pastiches of what they once were.

So, is that what really awaits our truly great actors at the end of their careers?

Grumpy - but cool - old men...

Grumpy - but cool - old men...

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Non-Review Review: Love Happens

The screening of Up was sold out. That’s my story and I’m sticking to it.

"You know what the difference between you and me is? I'm not wearing any socks."

"You know what the difference between you and me is? I'm not wearing any socks."

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