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Non-Review Review: Monsters vs. Aliens

I do quite like Monsters vs. Aliens, even if it feels like it’s trying to do too many vastly different things are once. It’s too goofy and silly to be a genuinely emotional morality tale about appreciating those different than us, while also being too sentimental to work as a sort of a goofy hokey monster mash nostalgia trip. One gets the sense that it could have been a much better film had it opted for one approach rather than the other, instead of trying to straddle the middle ground between them. It’s a shame, because it has some genuinely impressive sequences and warm sense of respect and good humour for all those classic creature features, but it just ends up feeling too much like a standard cookie-cutter modern animated film.

It's a Monster Mash!

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Non-Review Review: The Guard

“Good to go,” an Irish drug smuggler remarks as the plan comes together for a big delivery. His English colleague derisively remarks, “I f**king hate that. Americanisms. ‘Good to go’!” It’s hard not to read small moments like this as a bit of self-reference on the part of John Michael McDonagh, as the film takes every opportunity to reflect on the Irish fascination and digestion of American pop culture, as contrasted against the somewhat unique national character. Sparkling with witty dialogue and packed with sharply-observed commentaries on Ireland and its relationship with our bigger Atlantic cousin, The Guard is a clever little film that is well worth your time.

Once upon a time in the West...

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To The Devil His Due: Why I Don’t Begrudge Classic Actors “Selling Out”…

I happened to catch a few minutes of Anger Management on television last night. Not enough that I’d feel comfortable reviewing it, but enough to remember most of what I needed to about the movie – which was a perfectly standard Adam Sandler comedy notable for affording the comedian the opportunity to play opposite Jack Nicholson. Nicholson who was an autopilot for the most of the film, but managed to deliver one of the most awkwardly creepy-and-hilarious moments in recent cinematic history as his eyebrows urge Sandler’s character to deliver the line, “I’m sorry I was so rude before… but… it’s difficult for me… to… express myself… when I am on the verge of… exploding in my pants.” Aside from that surreal perv-y old man moment, Nicholson seemed to be in the film mostly for the pay check, which seems to be a recurring trend these days for all manner of respected veteran actors. It’s easy to label performances by Al Pacino in Righteous Kill and 88 Minutes or Robert DeNiro in Little Fockers as classic actors “selling out”, but is it really that big a deal? Is it something we can begrudge these one-time icons?

Most of his paychecks get made out to "Jack Nicholson's eybrows"...

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Non-Review Review: The Sorcerer’s Apprentice

The Sorcerer’s Apprentice is a movie that really works very much better than it really should. It’s clunky, predictable and standard box office fare, hardly designed to provoke or probe the extremes of the human imagination. It opens with a clunky exposition-filled narration which crams an entire franchise’s worth of back story into what should be a simple and straight forward tale, which even Ian McShane’s distinctive tones can’t completely elevate. From there on out, its by-the-numbers and fairly straight-forward. On the other hand, the movie has something that the vast majority of other summer blockbusters are seriously lacking in.

And that thing, my friends, is Nicolas Cage.

Cage certainly takes some balsy roles...

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Non-Review Review: Drive Angry

I really liked Drive Angry, which feels like cinematic junk food. It’s not especially well-made, it’s not good for you, but damn if it isn’t just a little bit tasty. It’s not art, it won’t make you think, and it isn’t going to appear on too many “best of”lists. However, it’s the dirtiest, trashiest, most ridiculously over-the-top adventure that I’ve seen in quite some time. It might have felt like the engine was going to pull right out of the body, but it was a heck of a ride.

When you Cage the Beast, the Beast gets angry...

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Can a Good Film Be Too Long?

Man, I watched Apocalypse Now Redux last weekend, and my butt is still a little bit numb. Clocking in at well over three hours, I couldn’t help but find my attention wandering, despite the fact that I was deeply interested in the story unfolding in front of me. Terrence Malick’s Tree of Life, which I am very much looking forward to, hasn’t opened over here yet, but there are already rumours circulating at a cut of the movie over six hours long. As much as I want to see the film, and as much of the director’s vision as I might want to take in, I can’t help but feel that 360+ minutes might just be too long for a single sitting.

You could nearly grow a tree during the length of Malick's proposed six-hour cut...

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Non-Review Review: The League of Extraordinary Gentlemen

The League of Extraordinary Gentlemen is a wasted opportunity. The superb graphic novels by Alan Moore are among the best that comics have to offer, and even the basic concept of picking a variety of public domain character to base an action adventure around has a sort of pulpy thrill to it. It could have been a very witty and a very clever film, or it could have just been an effective big-budget blockbuster. In the end, unfortunately, the film is neither – it ends up feeling more like a waste of effort for all involved.

I feel like shredding this film...

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Non-Review Review: Transformers 3 – Dark of the Moon

Here’s the thing: I don’t really expect a lot from Transformers: Dark of the Moon. It’s a movie about two rival factions of robots who engage in civil war on Earth. It’s not the stuff of epic tragedy or cinematic masterpieces. It’s designed to offer knock-down brawls, superb CGI, stunning action and a handful of fist-pumping moments. I’m cool with that. I don’t expect any more than that, and – to a certain extent – the movie meets my basic needs. However, despite a superb supporting cast and some superb special effects, the movie feels a little too self-important and po-faced to ever really engage. The final forty minutes are something to behold, but there’s just too much mundane plotting and pompous pseudo-philosophical rambling in the first two hours to really justify it.

Jump in my car...

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Pixar and the Weight of Expectation…

Well, it probably had to happen. I know it’s probably not statistically impossible, just highly improbable – but I guess that I always knew (deep down) that Pixar’s batting average was too good to last. I mean, I (at the very least) really like all of their films, and I genuinely love the majority of them. And that fact is borne out by the Rotten Tomatoes ratings of the various films. The vast majority rank in the 90% to 100% range, something any studio would kill for: Toy Story (100%), A Bug’s Life (91%), Toy Story 2 (100%), Monsters Inc (95%), Finding Nemo (98%), The Incredibles (97%), Ratatouille (96%), Wall-E (96%), Up (98%), Toy Story 3 (99%). Even the single film that ranks lowest, the only one not in the range, still had mostly positive reviews, Cars with 74%. However, Cars 2 looks to have bucked that winning trend, with reviews that not only fall far short of Pixar’s impressive average, but is actually pretty negative.

I can’t help but feel more than a little bit sad.

Do Pixar need to get in gear?

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Non-Review Review: Flightplan

Truth be told, I think part of the reason I have a soft spot for Flightplan is simply because Jodie Foster doesn’t make enough films. She’s an actress who devotes so little time to major releases of late that each of her movies is a gem of itself. That’s not to argue that she shouldn’t spend time with her family or pursue other interests, it’s just an acknowledgement that she’s really one of the best actresses working today and – sadly – works all too infrequently. She’s an actress who can add a high level of quality to what might otherwise be a mundane production, and here she manages to turn a rather disappointing thriller into an enjoyable hour-and-a-half of entertainment.

Aisle watch Jodie Foster in anything...

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