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For the Love of Film 2012: Alfred Hitchcock Film Preservation Blogathon

I’m delighted to announce that I’ll be taking part in this year’s For the Love of Film blogathon, organised by the Self-Styled Siren, Ferdy on Films and This Island Rod. A celebration of classical cinema, the event hopes to raise money to preserve and restore classic films that would otherwise be lost to the ages. This year, from the 13th May through to the 18th, bloggers from around the world will contribute articles on classic film, hoping to raise awareness and to raise $15,000 to make The White Shadow available to stream live for anybody with internet access. I am honoured to announce that the m0vie blog shall be proudly participating.

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Non-Review Review: Wayne’s World 2

I have to admit I have a soft spot for Wayne’s World 2. It’s not a patch on the original film, but there’s something so charming about Mike Myers’ creations that it’s hard not to enjoy the film, even if the number of misfiring jokes is compounded by a sense of “been there and done that.” More than that, though, the sequel features any number of original and hilarious moments that have managed to bleed out into wider popular culture. While it’s nowhere near as brilliant as the first film, it’s a still a fairly entertaining watch.

There's no need to feel down...

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Non-Review Review: Man on a Ledge

I was at the launch of the Jameson Film Fest last night, so Ciaran bravely jumped in to review Man on a Ledge for me. What a ledge(nd).

Man on a Ledge has a fairly simple premise. Nick Cassidy (Sam Worthington), a former policeman, is pushed to the ledge of a Manhattan hotel in an attempt to clear his name after he was convicted of stealing a 40M$ diamond from David Englander (Ed Harris), a well established real estate investor. Nick demands to talk to officer Lydia Nercer (Elizabeth Banks), who was unsuccessful in her last negotiation with a suicidal cop, in order to form a large crowding the street below. This crowd acts as a distraction while Nicks brother, Joey (Jamie Bell), and Joey’s girlfriend Angie (Genesis Rodriguez) break into one of David Eglander’s buildings, which is located across the road. The plan is to steal the diamond and prove Nick’s innocence.

Exactly what it says on the tin...

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Jameson Dublin International Film Festival 2012 Highlights

The Jameson Dublin International Film Festival have released their programme for 2012. Taking over the city centre from the 16th through to the 26th of February 2012, the team have been working tirelessly to put together a schedule offering something for everybody. I have to admit, I’m quite looking forward to a number of these films, and have included some of my own choices and preferences below.

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Non-Review Review: Chronicle

Chronicle is a fascinating deconstruction of the American superhero myth – the notion that “with great powers comes great responsibility”, as Stan Lee once wrote (albeit in a more convoluted fashion). Much like Fox’s other major release this week (Martha Marcy May Marlene), it represents an impressive theatrical debut from a young director who hopefully has a long and distinguished future ahead of him. While there are elements of Chronicle that do lack a bit of polish, it’s a compelling and engaging film, one that succeeds at picking apart some of the core assumptions of the superhero genre.

He's got the power!

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Non-Review Review: Martha Marcy May Marlene

The feature debut from director Sean Durkin, Martha Marcy May Marlene, is a shockingly powerful piece of cinema. Deeply unpleasant and uncannily unsettling, Durkin’s debut is occasionally a bit awkwardly paced, but is intensely gripping for most of its runtime. While the film is making waves for a breakout performance from Elizabeth Olsen, it’s John Hawkes who steals the show as the enigmatic and sinister cult leader, known only as Patrick.

A cult film...

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Non-Review Review: Young Adult

Young Adult is a good film, even if it falls short of greatness. It has a wonderfully engaging premise, and a set of truly wonderful leading performances from Patton Oswalt and Charlize Theron. It is also, for most of its runtime, a very compelling and brave examination of a very flawed protagonist. For the first two-thirds of the film, it invites us to follow a truly loathsome lead character, one with very few redeeming features. Unfortunately, this rather gutsy set-up is undermined by a fairly shallow attempt to justify and rationalise her flaws in the movie’s third act.

Homecoming queen?

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Non-Review Review: Tucker and Dale vs. Evil

Tucker and Dale vs. Evil is probably the funniest movie I’ve seen in a long time. I’ll admit that I probably skew a little bit towards it, what with being a fan of cheesy horror movies and a sucker for a high concept comedy, but Eli Craig’s cinematic debut feature is a masterful comedic deconstruction of the conventional horror film, daring to turn genre conventions on their head and ask: why do we always side with the college students in these sorts of films?

What a waist...

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Non-Review Review: Paul

Paul is a charming little film. It’s not the most consistently hilarious comedy of the year, and it occasionally gets a little bit too hung up on a particular joke, but it does have a few chuckles and an affable quality that allows it go down easy. There’s a genuine sense of affection in the film, following two British nerds and the eponymous alien escapee on a road trip across America, but there’s also enough of a bite the film never wallows too much in sentimentality. It’s hard to find a single quality that Paul excels in, but it has a broad enough mesh of qualities that it makes for a pleasant enough viewing experience.

Ap-paul-ling behaviour...

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Non-Review Review: My Cousin Vinny

My Cousin Vinny still works after all these years, I think, because it’s pretty broad and universal in its humour. It’s essentially two types of fish-out-of-water film blended together, simultaneously documenting a street-smart guy tangling with the red tape of legal bureaucracy, and offering a standard city-slickers adventure with “Noo Yawker” Vinny and his girlfriend adjusting to life in the Deep South. My Cousin Vinny is funny and frank, but never offensively so. It’s aware that it’s trading in caricatures and stereotypes, but never seems too mean in its portrayal of anybody.

Giving the legal system the fingers...

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