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Non-Review Review: Sunshine

Sunshine is a science-fiction movie. Well, duh, you proclaim, looking at the screenshots or having read the plot synopsis, it’s about a bunch of people in space flying to the sun. Of course it’s science-fiction! It’s hardly a comedy or musical! However, I’m talking about something more essential than its setting or its superficial elements. Although the story of a bunch of astronauts planning to reignite the dying star at the centre of our solar system may distract you, Sunshine works so well because it grabs the sorts of philosophical ideas at the heart of the best science-fiction: it’s an exploration of the conflict between the rational and the irrational, the logical and the emotional and the place of man and his understanding of the world around him. It’s movie that is far smarter than it pretends to be.

Going for gold...

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Paradise Lost & Found: Milking Milton

Sometimes you hear a movie pitch and you think “man, that’s a good idea”. This is not one of those ideas. Apparently Hollywood has run out of modern fantasy books and comics to adapt and have set their eyes to a somewhat higher brow work: Milton’s Paradise Lost. I loved that book in secondary school almost as much as I loved Dante’s Inferno (the rest of The Divine Comedy I could take or leave, to be brutally honest). Anyway, you’d think I would be rejoicing at the news of the adaptation, but my cynical nature betrays itself here. You see, here is exactly what the producers had to say about the proposal:

…the project tells the story of the epic war in heaven between archangels Michael and Lucifer, and will be crafted as an action vehicle that will include aerial warfare, possibly shot in 3D.

Yes, it’s a 3D “aerial warfare” movie. I’m waiting for the announcement that Sam Worthington will play Satan and Vin Diesel will play the “one day away from retirement” Archangel “my friends call me Gabe” Gabriel.

That pitch meeting obviously didn't go well...

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Who Do You Trust? Directors and Faith…

I remarked last week that I wholeheartedly trusted Christopher Nolan when he decided not to recast the Joker role in Batman 3, despite the fact that the character was rumoured to play a large in the planned sequel to The Dark Knight. However, it got me thinking as to what my reaction would have been had he announced that he was recasting the role, and that it was essential to the finale of his planned trilogy, and that (having worked with his star) Heath might even understand. I don’t know – I probably would have been a little skeptical and uncertain; I may even have hesitated at the suggestion. I accept, however, I probably would have trusted him on it. It’s a scarce commodity these days when the internet has given everyone a voice with which to trumpet their opinions and everybody has an opinion on everything. So, when should we trust a director? When do I trust a film maker, no matter what they choose to do?

Now that's trust...

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Non-Review Review: The Road

Fire is a recurring image in the work of Cormac McCarthy. Particularly the notion of a generational line “carrying the fire” and being the good guys. There’s a moment at the end of No Country For Old Men, another adaptation of McCarthy’s work, where the tired sheriff played by Tommy Lee Jones shares a weird dream he’s been having with his wife, where he finds himself walking down a long road, and he passes his father – who is carrying a torch. It’s a powerful image, which really cuts to the heart of the piece. For those wondering what that road and that torch may actually look like… well, there’s this.

The Road less traveled...

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Battlestar Galactica: Season 4

I don’t want to be human! I want to see gamma rays! I want to hear X-rays, and I — I want to — I want to smell dark matter! Do you see the absurdity of what I am? I can’t even express these things properly because I have to — I have to conceptualize complex ideas in this stupid, limiting spoken language! But I know I want to reach out with something other than these prehensile paws, and feel the solar wind of a supernova flowing over me! I’m a machine, and I could know much more, I could experience so much more, but I’m trapped in this absurd body! And why? Because my five creators thought that God wanted it that way!

– John Cavil, No Exit

We could feel a sense of time, as if each moment held its own significance. We began to realise that for our existence to have any value, it must end. To live meaningful lives, we must die and not return. The one human flaw that you spend your life times distressing over – your mortallity – is the one thing which makes you whole.

– Natalie Faust, Guess What’s Coming to Dinner

There’s a moment in the show which perhaps best symbolises the sense of trepidation that I felt in sitting down to watch the final episodes of the show. We had alread witnessed three phenomenal years, so wasn’t it worth getting worried about the endgame? Admiral William Adama sits in a chair beside the dying President Laura Rosalin, his favourite book in hand. He reveals that he’s never finished it. And yet it’s still his favourite book. Because finishing it would be to acknowledge that it was the end – there was nothing afterwards. You had experienced how good it had been, but that was in the past. There is another familiar sense of dread that must be acknowledged: What if the ending doesn’t live up to expectations? What if it disappoints? How can it not?

From the look of it, Giaus was about as confused as I was when he found out how this was going to end...

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Battlestar Galactica: Season I

All of this has happened before… and will happen again.

With that line articulated by the Cylon Leoben Conroy in the episode Flesh and Bone, the producers and writers lay their cards on the table. Time is cyclical. Maybe for the grand design of human history, but most definitely for storytelling. Battlestar Galactica is possibly the most wonderfully dense and layoured piece of popular culture which I have had the joy of savouring since first cracking open Neil Gaiman’s Sandman. It’s magical, it’s mystical, and it’s wonderful. How Ronald D. Moore turned a kitsch footnote in television science fiction history into this, I will never know. I am just thankful.

battlestar

Time's Arrow is cyclical...

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