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Jameson Film Club: Die Hard Double Screening!

Due to popular demand, the Jameson Cult Film Club is returning to Dublin for their biggest and most electrifying double screening to date. Continuing on from this year’s successful screenings of Intermission and LA Confidential, the Jameson Cult Film Club promises to transport the audience right into the world of the high suspense action classic, Die Hard (1988), which will be screened at a secret Dublin location on Tuesday 17th and Wednesday 18th September 2013.

Jameson Cult Film Club screening of Die Hard

If you want to get your ‘Hans’ on some tickets, register now on www.jamesoncultfilmclub.ie. These free events are more than just your typical screening, as characters from the movie, live theatre and special effects timed perfectly with on-screen action help to create an electric atmosphere throughout the screening.

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The venue is only revealed to ticket holders and will be completely transformed into a series of sets from the film.  DJ Aidan Kelly will be spinning the sounds from the movie before and after the screening while guests are treated to ‘Yippee-Ki-Yay’ burgers and refreshing Jameson, Ginger and Lime long drinks.

Die Hard DVD Jameson-CFC-Landscape-WHITE copy

jameson drinkaware 1 line 18pt

Jameson Cult Film Club: interMission

The Jameson Cult Film Club screening of interMission was a wonderful evening, as usual. Converting a warehouse at the end of Hanover Quay into the film’s MegaMart, the gang provided the usual celebratory screening atmosphere. Appropriately enough, brown sauce seemed to be the theme of the event, with crates serving as make-shift tables, bottles served along with tasty grub for those looking to customise their burgers.

(I will confess, though, that I did not see anybody mixing brown sauce with their Jameson, although I’m sure some adventurous soul out there made an attempt.)

Click to enlarge...

Click to enlarge…

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Non-Review Review: interMission

interMission is a fantastic piece of Irish cinema, a broadly accessible exploration of intersecting and overlapping life in Dublin with a witty script lending the film some distinctly Irish flavour. The structure owes a little bit of a debt to Tarantino’s Pulp Fiction or even Altman’s Short Cuts, capturing a variety of perspectives on life from a reasonably-sized ensemble who only occasionally overlap with one another. It’s a funny, clever, well-acted and well-directed slice of life.

Drive of your life...

Drive of your life…

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Win! Tickets to the Jameson Cult Film Club screening of Intermission!

Brown sauce in your tea? Delish! The Jameson Cult Film Club returns to its home setting of Dublin for an electrifying screening of the gritty Irish crime flick interMission, on Tuesday June 18th.

Jameson Cult Film Club - Intermission

This event promises to transport the audience right into the world of this cult classic for an unforgettable viewing experience.  Attendees lucky enough to nab tickets to this event will be treated to much more than a typical screening, as actors, live theatre and special effects timed perfectly with on-screen action help to create an electric atmosphere throughout the screening.

Re-live the suspense, comedy and drama of this crime caper from the moment you arrive at Dublin’s ‘Mega Mart’ – the secret location revealed only to ticket holders.

Check out www.jamesoncultfilmclub.ie for more details and register to win FREE tickets to the screening on June 18th.

For your chance to nab one of two pairs of tickets to the screening, then simply complete the below quote from the movie and fill out your name and contact details.

Entrants must be over 18 years of age. Contact details will not be used for any purpose other than to contact the winners. Good luck!

The Competition is now closed. Winenrs will be notified shortly. Thanks for entering!

cultfilmjameson drinkaware 1 line 18pt

Watch Out! The James Cult Film Club is Doing Intermission, 18th June 2013, Dublin!

I’m a big fan of the Jameson Cult Film Club. It exists as an ode to classic movies, finding a way to stage beloved classics in a way which encourages audiences to re-engage with them. Transforming a piece of Dublin into a set from the film, hiring actors to bring certain key sequences to life, even serving appropriate snack food, these events are a joyous celebration of pop cinema.

Their next film will be interMission, which is one of my favourite Irish films of the past decade. It feels appropriate to celebrate the movie’s tenth birthday with a celebratory showing at a secret location in the cinema. It’s a great choice, and it’s always a good excuse to celebrate a quality piece of Irish cinema.

intermission1

Anyway, we’ll hopefully have some tickets to give away in the next week or so to the showing on the 18th June. As with all the Jameson Cult Film Club screenings, the event is free of charge – which is quite nice, I have to say. Tickets are randomly raffled off, and you can sign up as a member at the Jameson Cult Film Club website. If you want some examples of their good work, we’ve got some photos from their screenings of The Blues Brothers, Silence of the Lambs and L.A. Confidential, among other things.

I’m normally quite wary of offering whole-hearted unqualified endorsements on the blog, but it’s really something I’d recommend that every cinephile should try at least once. And, if you’re reading this from outside of Ireland, feel free to check out interMission for a decidedly Irish piece of cinema. Only In Bruges really comes close to it – and that really falls into the quasi-ambiguous “Father Ted” category of “is it an Irish piece of entertainment?”

intermission

In the meantime, I’m off to make myself some tea. Maybe even with brown sauce.

Non-Review: Reported Missing (Die Vermissten)

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Die Vermissten feels almost like a Clint Eastwood film by the way of David Lynch. If that sounds like a pretty strange combination, it really is. When his 16-year-old daughter disappears, divorcee Lothar is initially reluctant to investigate. He tries to convince his ex-wife that she’ll turn up, while trying to explain to his new girlfriend that he has a daughter. Eventually determining to conduct his own inquiries into the disappearance of his child, Lothar discovers that the incident isn’t quite isolated, and that there’s something much larger going on here.

Missing vital evidence...

Missing vital evidence…

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Non-Review Review: White Elephant (Elefante Blanco)

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Elefante Blanco is visually stunning. Director Pablo Trapero makes excellent use of the film’s setting to construct compelling and powerful images, as characters get lost amid the slums or wander through the ruins of the long-abandoned shell of what might have been the largest hospital in South America. Unfortunately, for all the visceral and visual energy that Elefante Blanco packs, it feels remarkably shallow and trite in its portrayal of life inside those slums, and the challenges facing two priests trying to help the community get back on their feet.

Don't worry, we can build on this...

Don’t worry, we can build on this…

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Non-Review Review: The Summit

This film was seen as part of the Jameson Dublin International Film Festival 2013.

The Summit is a powerful exploration of the infamous loss of eleven lives within 24 hours on K2. This is the largest disaster in the history of K2 mountaineering, and – as The Summit concedes – that we won’t necessarily ever know the full details behind this tragic loss of life. However, while the incident serves as a bit of a flashpoint, one big event that it is impossible to overlook, The Summit drops an absolutely fascinating piece of information early one, and one which contextualises that horrible accident.

Apparently one in every four people to make it to the summit of K2 doesn’t make it back down.

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Dario Marianelli at the National Concert Hall (Jameson Dublin International Film Festival)

This event was part of the Jameson Dublin International Film Festival 2013.

I’ve argued it before, but one of the best parts of the Jameson Dublin International Film Festival is the way that it isn’t just confined to the cinemas. The feast of fine Irish and international cinema is something that any film fan can celebrate, but the capital city itself becomes a hotbed for the celebration of film as an artform. So there’s all manner of wonderful extras going on – from classes in film criticism to workshops with Robert Towne, to the Jameson Cult Film Club screening of L.A. Confidential. The National Concert Hall typical does a nice job of getting into the mood, hosting celebrations of the sound of cinema. In the past, for example, they hosted the newly-written live musical accompanyment to The Four Horseman and a tribute to Danny Elfman.

This year, they invited composer Dario Marianelli over to showcase and introduce several selections of music from his distinguished career. It’s always a fantastic time to recognise and to celebrate Marianelli’s work, but to host the composer in Dublin less than a week before the Oscars is a very rare pleasure indeed.

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Non-Review Review: Le Capital

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Thanks to Costa-Gavras, Le Capital looks amazing. It’s crisp, it’s vibrant and it’s beautiful. For a movie about financial corruption, it moves along relatively quickly and with a lot of visual flair. The problem with Le Capital, though, is that it’s really a very simplistic version of a story we’ve all seen countless times before. A person assumes a large amount of power, only for that power to have a potentially corrupting influence. Okay, Marc Tourneuil is already a successful executive when good fortune thrusts him into the role of CEO of one of France’s largest banks, and he’s certainly not naive when he negotiates his salary and bonus scheme, but Le Capital hints early on that there is some level of decency to Tourneuil before the wealth and influence start chipping away. As such, as the movie explores his corruption and the way that power erodes him, Le Capital feels like an engaging modern telling of a story that we’ve already heard quite frequently.

Byrne the bondholders...

Byrne the bondholders…

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