The September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.
The Abandoned is a problematic episode.
It’s brave and provocative and challenging, but it’s also incredibly grim and cynical. In fact, it is probably the most relentlessly pessimistic episode of Star Trek: Deep Space Nine‘s third season. And, given the episodes surround it, that is quite an accomplishment. Deep Space Nine has subverted classic Star Trek storytelling before. The Maquis was really a watershed moment for the series, suggesting that paradise itself might be unsustainable – attacking Roddenberry’s utopia rather brutally.
However, The Abandoned pushes things even further. There’s a social and racial subtext to this episode that grounds it in the racial politics of Los Angeles in the mid-nineties. The story of a young angry drug-addicted killer can’t help but feel associated with the increased profile of Los Angeles’ gangland in the early-to-mid-nineties. Casting the episode’s young Jem’Hadar soldier using African American actors invites this comparison, something that director Avery Brooks himself has conceded.
The racial politics of The Abandoned are decidedly uncomfortable, but they are clearly meant to be. Still, there’s something rather cynical and pessimistic about the episode’s conclusion that this young boy cannot be saved from a life of brutality and violence.
Filed under: Deep Space Nine | Tagged: deep space nine, Dominion, ds9, gangs, Jem'Hadar, los angeles, nineties, Odo, race, review, serialisation, Sisko, Television, the abandoned | 6 Comments »























Star Trek: Deep Space Nine – Equilibrium (Review)
The September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.
Equilibrium is another troubled Dax episode. Dax is probably the hardest character on the Star Trek: Deep Space Nine cast to write for, if only because of the character’s central premise. “Well-adjusted functionally immortal alien slug inside a young woman’s body” is a nice character description, but it’s hard to ground a character-driven story in that. It’s tempting just to turn the Dax symbiote into a convenient macguffin that can drive various plots.
To date, Playing God is really the only Dax-centred episode of Deep Space Nine that has placed the emphasis on Jadzia rather than the slug inside here. (Although Blood Oath did at least try to deal with how a current Trill host deals with obligations incurred by past lives.) In Dax, the symbiote was a gateway to a pretty conventional and generic murder mystery story. In Invasive Procedures, the symbiote was something particularly valuable to be stolen and exploited.
The biggest problem with Equilibrium is that – like Dax and Invasive Procedures before it – the episode uses the Dax symbiote as a springboard to a story that is more driven by Sisko and Bashir than it is by Jadzia Dax. While Equilibrium does have a great hook and some biting social commentary, Dax feels more like a plot point than a character in her own right.
Shocking behaviour…
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Filed under: Deep Space Nine | Tagged: 1994, 1995, america, Anger, bitterness, class, Dax, deep space nine, ds9, ennui, equilibrium, reflection, René Echevarria, ron moore, social commentary, Trill | 5 Comments »