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Critics Just Wanna Have Fun: Why I Dislike the “They Don’t Get It” Argument…

I like to think I am open minded. Just a few weeks ago, I published an article defending big budget blockbusters from their detractors. However, I find myself growing frequently frustrated when it comes to fans using the old “critics don’t like fun” argument to defend a given movie from any sort of meaningful debate and criticism. It happens a few times a year, most spectacularly with Transformers: Revenge of the Fallen back in 2009, but also this year with Sucker Punch. The film has received a critical lambasting, but fans are always quick to rush to the internet to critique the critics, claiming things like “they don’t get it” and “they don’t understand” or nonsense like that.

And, you know what? That’s just plain wrong.

Movie for suckers?

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No Man is an Island: The Ending of Shutter Island…

I’ve probably said too much in my review of Shutter Island already, but the ending of the film merits discussion on its own, away from the chance of spoiling the viewing experience for anyone – much like I did with the ending of Inglourious Basterds.

Maybe Elias Koteas can shed some light on the ending...

Note: As the title and text directly above imply (or explicitly state), this post is about the ending of a movie currently in major release that you may or may not have seen. Reading ahead may ruin your enjoyment of the film if you haven’t already seen it. You have been warned.

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Is V About Obama?

We caught V last night on TV3. I’m still disappointed no high definition channel is offering it – though, judging by the special effects quality, we weren’t missing much. We’re all fairly undecided on the show, which is a fairly solid reissue of a cult classic, rather than an attempt at a redesign. Don’t expect anything as smart or insightful as Battlestar Galactica and you should be relatively pleased. I think we’ll give this at least a season pass, and then review after that. Anyway, it was hard to watch the remake without the obvious themes playing in my head. Is V a criticism of what the media have dubbed Obama-mania?

v5

The New Republicans?

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Actors & Politics: A Dangerous Combination…

There is an interesting article in The Guardian written by Samantha Morton, which lauds Nicole Kidman’s decision to announce that Hollywood treats women as sex objects and Matt Damon’s announcement that he won’t do excessively violent films. They are both valid points for discussion, but I’m never quite sure what to make of it when an artist makes a public anouncement like that, clearly politicising their work. Anyone who neede Nicole Kidman to tell them that Hollywood treats women as objects obviously hasn’t been paying attention to any film released ever, and I doubt anyone will be particularly surprised to here Matt Damon won’t turn up as a lead in Saw. That’s not to diminish their observation, but part of me is always uncomfortable abou the increasing politicalisation of actors and celebrities in our culture.

kidman

Not kidding around...

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The Ambiguous Ending of The Usual Suspects…

This post is somewhat prompted by an interesting discussion over at MCarter’s review of The Usual Suspects, concerning the ending. Some people remarked that while they were impressed with the ambiguity of the film, they thought that the ending was just a little bit too clear cut. I have no problem with a definite ending to a film, but I’m not so sure that The Usual Suspects is as open and shut as it might seem. But wait! you protest, as someone who has seen the film, That ending was fairly clear. Maybe it was. But maybe it wasn’t.

The highest quality photo of the "real" Keyser Soze...

The highest quality photo of the "real" Keyser Soze...

Note: Seeing as how this is a discussion on the ending of The Usual Suspects, it will obviously contain spoilers on the film. Don’t read this if you haven’t seen the movie. Really. Go, rent or borrow or buy the movie, watch it and come back – and give us your thoughts. The Usual Suspects is a movie you owe it to yourself not to ruin.
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