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Batman: The Animated Series – Two-Face, Parts I & II (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Two-Face is probably the most tragic of Batman’s foes. Appropriately enough, there are really two reasons why the character works so well as a Batman villain. The first is that he’s a perfect reflection for Bruce: he is one man with a dual identity; one half upstanding pretty boy citizen, the other a monster. The other is an element touched on here: he’s a friend who Bruce failed in a pretty profound way, a character who underwent a massive tragedy, and whose every subsequent appearance is a grim reminder of that failure. Interestingly enough, I think it’s fair to argue that Two-Face has often had difficulty matching the potential he offers as a Batman villain. While I think that the Two-Face episode of Batman: The Animated Series does an effective job encapsulating a lot what makes the character great, it also misses a vital element as well.

Face-Two-Face…

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Batman: The Animated Series – Feat of Clay, Parts I & II (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

One thing that always impressed me about Batman: The Animated Series was the way that it didn’t just restrict itself to the truly iconic members of Batman’s impressive pool of villains. Batman’s first-stringers are all iconic and brilliant characters in their own right. It would be easy enough to build a television how around characters like the Joker, Two-Face, the Penguin, Catwoman, Ra’s Al Ghul, the Scarecrow, Poison and the Riddler. However, the show didn’t do that. It didn’t restrict its airtime to those major-league bad guys. In fact, many second-tier villains actually received more compelling origins and development. Heart of Ice is regarded as one the show’s best episodes, despite featuring an almost forgotten nobody villain by the name of Mr. Freeze. So it shouldn’t be that much of a surprise that the creative crew were able to build a tragic and moving back story for Clayface.

It’s Clayface’s time to shine!

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Batman: Prey (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I actually have  a bit of a soft spot for Doug Moench’s Batman work. That is, of course, before he and Kelley Jones got shunted off to work on whatever insane Elseworlds concept they could concoct, like Batman: Haunted Gotham or Dark Joker the Wild. (Although I think Batman: Vampire wasn’t half bad.) I would really like a nice collection of the work that Jones and Moench did during the nineties – similar to the collections we’ve been seeing for artists like Jim Aparo or Marshall Rogers. I think the pair did a good enough job that they deserve one. (Although I’d rather Breyfogle and Grant first, please.) Still, I think there’s an argument to be made that Prey is perhaps the best of Moench’s Batman work, a story arc the writer did for Legends of the Dark Knight set in the early days of Batman’s career. It’s fascinating, because it’s a wonderful criticism of Frank Miller’s style of Batman writing, long before that school of thought became popular.

Bloody murder…

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The Knight is Darkest: Appeals to Fanboy Sanity…

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Really?

Really?

I’ve honestly never understood the internet’s problem with divergent opinions. Why are people so deeply threatened by an opinion that differs from their own? Rotten Tomatoes had to shut down their commenting system after a bunch of rabid fanboys took to protesting negative reviews of The Dark Knight Rises. It’s not a new problem. It happened with the release of The Avengers as well. And The Dark Knight. It seems that internet comic book fans are extremely prone to this sort of violently obsessive behaviour. I say this as somebody familiar with comic books and somebody who really loved The Dark Knight Rises: Why?

Why is an opinion different from yours threatening to you?

The long Dark Knight of the soul…

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Batman: Birth of the Demon (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

To celebrate the release of The Dark Knight Rises this week, today we’ll be reviewing the complete “Demon” trilogy, exploring the relationship between Batman and Ra’s Al Ghul.

Birth of the Demon is very much the odd one out of the Demon trilogy. Of the three stories, it is the only one not written by Mike W. Barr. It also is arguably the most reflective of the three stories in the series, focusing on the origin of Ra’s Al Ghul more than in any modern conflict with Bruce Wayne. Still, it all feels strangely appropriate that, more than a decade after his creation, Denny O’Neil should return to tell the back story of his most iconic addition to the Batman mythos.

Shadow of the bat…

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Non-Review Review: The Dark Knight Rises

If you’ve already seen the film, there’s a more in-depth, spoiler-filled version available here.

It’s here. Christopher Nolan has defied the law of superhero trilogies, which seemed so natural that it was akin to gravity. The Dark Knight Rises might not be the perfect piece of cinema, but it does perfectly wrap up Nolan’s Dark Knight trilogy, with enough grace, wit and intelligence to avoid the problems that faced other superhero threequels. While it falls a little short of The Dark Knight, mainly because of what it lacks rather than what it fails at, The Dark Knight Rises manages to make some telling observations about its central character, while proving an epic for our time.

The Dark Knight was the best mainstream film to explore the War on Terror, and The Dark Knight Rises might be the best movie about the social implications of the current economic strife – the philosophy of the “1%.” Finding a way to handle both the political allegory and the central character’s myth in under three hours is no small accomplishment, and Christopher Nolan once again demonstrates why he’s one of the best directors working today. Nobody blends blockbuster scale and aesthetic with sophistication and suspense nearly as well as Nolan.

The Dark Knight Returns?

Note: There will be some spoilers in this review. I won’t summarise the plot, but I will discuss some plot points. I won’t spoil any twists, but I may quote some dialogue. Don’t worry, I’ll warn you when I’m digging into the story itself below.

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Batman: Bride of the Demon (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

To celebrate the release of The Dark Knight Rises this week, today we’ll be reviewing the complete “Demon” trilogy, exploring the relationship between Batman and Ra’s Al Ghul.

Bride of the Demon is generally agreed to be the weakest of the Demon trilogy. Written by Mike W. Barr, with artwork from Tom and Eva Grindberg, it’s hard to argue that it isn’t the most conventional story in the set. While Son of the Demon and Birth of the Demon both justified their one-shot graphic novel status by telling fairly unique Batman stories, Bride of the Demon feels like an adventure that could have been written during Barr’s run on Detective Comics. That’s not to say that it isn’t an entertaining story, or that it doesn’t fit within the context of the trilogy, just that it feels relatively straight-forward and a tiny bit mundane.

Things are heating up…

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Batman: Son of the Demon (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

To celebrate the release of The Dark Knight Rises this week, today we’ll be reviewing the complete “Demon” trilogy, exploring the relationship between Batman and Ra’s Al Ghul.

Son of the Demon is an interesting graphic novel. Written by Mike W. Barr and illustrated by Jerry Bingham, it occupies a strange place in the Batman canon. A story in which Bruce allies himself with his old enemy Ra’s Al Ghul and marries the villain’s daughter, Talia, the story was all but forgotten for years until Grant Morrison unearthed it for his Batman run, reuniting Batman with the child fathered in this story. Son of the Demon has an intriguing premise, even if Barr’s execution feels a little clumsy and overwrought, and it makes for an interesting exploration of some of Batman’s deeper facets.

He shall become a bat…

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The Adventures of Batman & Robin – Bane (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I figured that, with The Dark Knight Rises being released this week, it was worth taking a look at another portrayal of the film’s villain, Bane. While the character appeared in the dire Batman & Robin, he also featured in an episode of The Adventures of Batman & Robin, the rebranded Batman: The Animated Series. While the portrayal of the villain is undoubtedly much better here than in that awful Joel Schumacher film, there’s still a lot of room for improvement, and a sense that the writers and producers weren’t entirely sure what to do with the character.

No Bane, no gain!

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Non-Review Review: Batman – Year One

 

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

With the release of The Dark Knight Rises just around the corner, it makes sense for Warner Brothers to capitalise on one of the greatest influences on Nolan’s trilogy. Frank Miller’s take on Batman – as defined in Year One and The Dark Knight Returns – was bold, brash, clever and iconoclastic. So it’s only fair that both stories are receiving animated adaptations for Warner Brothers. While Batman: Year One might be little more than a shot-for-shot and line-by-line adaptation of Frank Miller’s origin for the Dark Knight, there’s absolutely no shame in that. Year One is perhaps my favourite Batman story, and I think it’s one certainly worth telling.

“I shall become a bat…”

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