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Non-Review Review: Paul

Paul is a charming little film. It’s not the most consistently hilarious comedy of the year, and it occasionally gets a little bit too hung up on a particular joke, but it does have a few chuckles and an affable quality that allows it go down easy. There’s a genuine sense of affection in the film, following two British nerds and the eponymous alien escapee on a road trip across America, but there’s also enough of a bite the film never wallows too much in sentimentality. It’s hard to find a single quality that Paul excels in, but it has a broad enough mesh of qualities that it makes for a pleasant enough viewing experience.

Ap-paul-ling behaviour...

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Non-Review Review: Anaconda

Anaconda is a B-movie. It’s not a homage to a B-movie, or a love letter to that type of film. It’s not a nostalgic throwback, or an attempt to capture some of the elements of those old cheesy productions. It actually is a B-movie. There’s no real attempt to execute the film in a manner that rises above those, or even captures that type of filmmaking at its best, it’s just a solid example of what a B-movie might look like, were it produced today. It’s hard to argue that Anaconda is a good film – and I’ll readily concede that it’s actively a badone – but there is some charm to be found it, if only from the way that all the hyper-trashy elements seem to come together in what appears to be a perfect storm of creature feature cheese.

I always had a crush on Jennifer Lopez...

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Non-Review Review: The Warrior’s Way

I don’t think that pulpy nostalgia lends itself particularly well to cinematic reimagining. We’ve seen a variety of high-concept mish-mashes on the big screen in the past decade or so. There was a time when Freddie vs. Jason was confined to the bargain basement of your local DVD store, but we’ve seen major theatrical releases like Cowboys & Aliens or Aliens vs. Predators in the past number of years – all based around the idea that you can pit a cool concept against another cool concept and the resulting movie will be “super-cool.” Essentially an opportunity to answer the age-old question of “who would win in a fight between cowboys and ninjas”, The Warrior’s Way has a few really enjoyable and gleefully silly moments, but they tend to get lost in the midst of an overly-stylised and too-heavily-green-screen-ed moments, with a skilled cast unable to inject life into a range of characters who are struggling to reach the second dimension.

Give it a stab?

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Four Minutes of Green Lantern from WonderCon..

Now we’re talking.

I am very excited about Warner Brothers’ upcoming Green Lantern, despite some of the difficulties with the first trailer. This second batch of footage has significantly restored my faith, even if it doesn’t address all my concerns from the last footage (bad dialogue and a god-awful comic relief character). At least the CGI looks better, even if there’s still work to do on the costume. Here’s hoping they can pull it together before the release date in June.

If you’re looking for an introduction to the character, why not have a look at our handy introduction.

I like the tone of it much better. It’s less “generic superhero” (which was a dumb approach in a market over-saturated with superhero films) and more “epic space opera”, which I hope might set it apart from the competition. I always though that the “space opera” angle would be the right one to push with the character, as it has a wonderful Star Wars vibe to it.

Non-Review Review: Tangled

Disney’s 50th animated feature film is something of a return to traditional values. Despite the surrounding discussion about whether this would be Disney’s last “princess” fairytale film or whether boys would respond to the story of Rapunzel, the movie is assuredly old school in its style. Although the way that it has been handled by the studio betrays a stunning insecurity about it, it’s self-assured a good old fashioned fairytale at heart. Though it moves away from hand-drawn animation to computer-generated imagery (though it’s reportedly heavily influenced by the old-school approach to animation), it couldn’t be more of a traditional Disney film if it tried. After so many attempts to update, subvert, revise, deconstruct or play with that classic formula, sometimes it’s nice to be served a traditional film, straight-up.

Go on, let your hair down!

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Non-Review Review: Tron Legacy

I admired the original Tron perhaps because of what it attempted rather than because of what it accomplished. It was brave and bold, and it demonstrated more than any other film of its time what was possible with computer-generated imagery – it was a statement of intent and a proof of concept. However, it was also somewhat awkward and clunky – to the point that several sequences in the movie had to hand-animated rather than digitally modelled, because time and technology worked against the crew. It was very much a movie of its time, held back by the status of the industry at the time – and yet inspiring a whole new generation of film-goers and film-makers as to the possibilities. It seems only fitting, perhaps, that Tron: Legacy took so long to make it to the screen – those impressionable young future movie-makers have come of age in the thirty years since the original. In many ways, the sequel feels like a debt is being repaid – here’s a chance to see the original and daring vision as it was imagined all those years ago.

I haven't got a Clu...

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