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Non-Review Review: Fahrenheit 451

It always struck me as strange that there should be such a fuss about adapting Fahrenheit 451. After all, a book about how great books are, and how they are inherently superior to anything that any other media can offer (film and television included) seems a strange choice of subject matter for a big-budget science fiction film. Still, Francois Truffaut’s 1966 adaptation isn’t all bad… just a little strange.

Book 'em, boys...

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Remember Me: The Box Office & Pop Culture Longevity…

I was reading an interesting article on Rope of Silicon which pondered whether Scott Pilgrim vs. The World was our generation’s iteration of The Big Lebowski. Much like the comparisons between The Social Network and Citizen Kane, it doesn’t matter whether the question is downright ridiuclous or even improper, it simple serves to illustrate the type of movie that people think of when they see these modern films. That people would even utter “Scott Pilgrim” and “The Dude” in the same sentence is a huge compliment to the latter, no matter what the literal result of the comparison. Of course, this is small comfort to the studio which is no doubt disappointed by the less than stellar box office returns. However, ignoring the obvious immediate and practical impact of box office receipts, do they speak at all to a film’s longevity?

Does the box office disappointment mean "game over" for Scott Pilgrim?

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Why The Social Network isn’t an “Outside” Choice for Best Picture…

I enjoyed The Social Network. Hell, I loved The Social Network. I think it’s easily one of the best films of the year. It has – deservedly in my humble opinion – generated a huge amount of buzz about the Best Picture Oscar. However, the more interesting facets of discussion measure the film against the other favourites, like The King’s Speech or Black Swan. A number of these arguments suggest that The Social Network deserves the Oscar because it is “more socially relevant”, even painting the Oscar voters at a crossroads – forced to choose between a modern film (The Social Network) and a classy but stuffy period piece (The King’s Speech). However, I find this argument rather disingenuous. While the Oscar voters in that situation would undoubtedly be choosing between two solid films, I think it clearly misrepresents the appeal of David Fincher’s deconstruction of the American Dream.

Will Academy voters be getting a friend request?

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Non-Review Review: The Social Network

Blessed are the geeks, for they shall inherit the earth.

– The Bible. It’s in the back somewhere.

I’m blogging about The Social Network. How post-modern is that?

Should it be the anti-social network?

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