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Memories of a Multiplex: The Gaiety Cinema, Sligo

I took a trip down to Sligo with the better half at the weekend there. I grew up in the city, but I haven’t found myself visiting too often. There’s something strange about returning to the town where you grew up. Everything seems smaller, even if there are far more shopping centres and recognisable brands around the place. It was good to go back and to see it all again. And my better half was so kind that she suggested that we go to the local cinema and catch a screening. And so we attended a showing of The Fighter at the Gaiety Cinema Sligo.

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Geoff Johns’ Run on The Flash – Rogues, Crossfire & Blitz

What with Geoff Johns returning to write The Flash, I figured I’d dig out some of the old collections of his first run on the title – arguably the run which brought the writer to the attention of comic book readers everywhere. In a run spanning five years, Johns managed to not only offer a suitably impressive successor to Mark Waid’s run on the title, but also tell his own boldly unique story. In a way, the writer’s time on the title can be broken down into two distinct halves – in fact, the final issue collected here is consciously a transition, with the universe being massively re-written and the status quo irrevocably altered. This collection represents the end of that first half, in which Johns was paired with artist Scott Kolins. I think it’s fair to say that the pair made magic on the title.

The Rogues take the opportunity to chill out...

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Non-Review: Lover’s Jump

I had the pleasure of checking out Lover’s Jump, a short film directed by Mark McCombe. It’s a short piece, clocking in at under four minutes – the writing is efficient, but perhaps a little busy (if only it seems that there’s quite a lot going on to fit into four minutes). I won’t spoil it for you by discussing the plot – only to suggest that it is well worth your time. The film distinguishes itself on the technical front, featuring a superbly haunting soundtrack from Rich Keyworth underscoring McCombe’s atmospheric direction. Despite the limited runtime, McCombe efficiently establishes mood – he creates a wonderful impression through a series of carefully chosen shots complimented by the eerie music in the background.

McCombe is undoubtedly aided by his lead actor, Laurence Fuller, who conveys a lot through controlled and restrained body language. There’s a lot of ways to read the scene when it opens, and Fuller manages to keep it open-ended without seeming indecisive. I’m not entirely sure what to make of the short’s ending – it seems so much about mood and emotion that it seems counter-intuitive to stick a twist in (given that there’s really only about a dozen lines of dialogue in total). I suppose that’s probably an unfair criticism to make, given the time constraints – but it still struck me on watching it.

Setting the bar...

Still, it’s the intensity of the short which really makes it work – it conveys a sense of foreboding and dread effectively within four minutes, to the point where the actual dialogue and plot seem almost perfunctory. I can see great things on the horizon for McCombe. He’s certainly skilled. His approach is relatively minimalist, but he gets a lot of impact for that. It’s well worth your time if you can get a look at it. I suspect it will be appearing as a special feature on the DVD of McCombe’s directorial debut soon enough.

Non-Review Review: The World Is Not Enough

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The World is Not Enough is a mess of a film, even by the standards of the Bond films. It proposes some interesting ideas and has some neat concepts, but there’s also some really stupid moments thrown in as well. If Tomorrow Never Dies was Pierce Brosnan doing tribute to later Sean Connery films, this him stuck in homage to Roger Moore – a few smart and emotional moments scattered over a large serving of camp, like vanilla pods mixed into the most bland vanilla ice cream you could imagine. It’s not a terrible film, but it’s so wildly inconsistent that it’s far less satisfying than generally weaker instalments.

That's the crushing weight of expectation, right there...

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Non-Review Review: A View to a Kill

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

A View to A Kill is not fondly remembered. In fact, it frequently finds itself listed amongst the dregs of the Bond films when the time comes to rank the worst of the British secret agent’s on-screen adventures. Truth be told, I find that rather harsh – I’d argue that it’s a significantly stronger effort than The Man With The Golden Gun, at least – as well as possibly Octopussy and Moonraker. After all, both Roger Moore and Christopher Walken look like they are having such a ridiculously good time.

Not quite a towering accomplishment…

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On Second Thoughts Re-View Review: The Town (Extended Cut)

Sometimes when I see a movie a second time, I see a little bit more. Sometimes it’s watching an alternate cut or something, but it can be as simple as watching the movie a second time and knowing how it’ll end the whole way through. So I thought I’d try something new. I’d make notes on what I thought of certain films when I saw them a second time – let’s call it a “re-view review”, eh? Maybe they’ll become a semi-regular fixture.

When I first caught The Town, I admitted to being a bit disappointed with it. It was a good film, but it wasn’t quite as consistently brilliant as many people had led to me to believe. Don’t get me wrong – I enjoyed it (get more of my thoughts on it by checking out the review) but it just seemed like something was missing from the film, even if I didn’t know what. So, when dad returned from the video shop with it on Friday, we all sat down to watch the special “extended cut” of Ben Affleck’s film. And I absolutely loved it.

Hamming it up a notch...

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Non-Review Review: The Man With The Golden Gun

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The Man With The Golden Gun is frequently derided as the worst film of the Roger Moore era, guilty of taking all the excesses of the period and turning them up to eleven. Being honest, I’m not entirely convinced. Don’t get me wrong, it’s a bad film – one of the worst Bond films – but I’m not entirely convinced that it is as universally disappointing as Moonraker or as ridiculously underwhelming as Octopussy. There is, I’d argue, very possibly one tiny little gem buried amid this trainwreck of a Bond film – the man with the golden gun himself, as played by Christopher Lee.

This foe is going to put Bond through his paces…

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Non-Review Review: Austin Powers – The Spy Who Shagged Me

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

I have to admit that I’m quite fond of Austin Powers: The Spy Who Shagged Me. Perhaps it’s the way that the film vindicated its direct predecessor – although Austin Powers: International Man of Mystery did very well on video, the sequel made more money at the box office in its opening weekend than the original film did during its entire theatrical run. Sure, watching the film one can spot the cracks developing which would completely envelop the franchise when the third film, Austin Powers:  Goldmember, was released. However, while it’s probably not quite as good as the original, it’s still a damn entertaining film.

Time to put the franchise to bed...

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10 out of 10: The Ten Best Movies of the Year

Contrary to popular opinion, I was actually relatively impressed with 2010 as a year in cinema. It was no 2008, with a consistent string of impressive hits (both big and small). However, it wasn’t as bitterly disappointing as 2009 was, with letdown after letdown. Sure, there weren’t that many hugely successful sequels or reboots, but the vast majority of them weren’t soul-destroying wastes of film. So I’m quite happy. This year I actually had to cut several items from the list to get it down to a perfect ten.

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10 for 10: Top Ten Movie Moments of the Year

Tomorrow, I’ll be revealing my top ten movies of the past year. It should be a fairly straightforward list, and – to be honest – there won’t be too many surprises on it. Anyway, I thought I’d put together my list of the top ten “moments” from the past year. As ever, I’m Irish – so I’ve yet to see the major crop of Oscar nominees – but it’s worth keeping in mind that there isn’t really a major overlap between this and the list of the best pictures. Some of the best movies didn’t have iconic moments, while some of the best moments were in otherwise lackluster films. Some good movies had great moments, and some great movies had simply okay moments. So, with the rules out of the way, let’s get this countdown under way!

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