art | the m0vie blog

Non-Review Review: Chicken With Plums

Posted on February 25, 2012 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2012.

As the follow-up to Persepolis, it doesn’t seem unreasonable to suggest that there’s a lot of expectations around Marjane Satrapi’s follow-up, Chicken With Plums. The second in her trilogy of graphic novels, Chicken With Plums might fall a bit short of the heights that its predecessor reached, but there’s no denying that Satrapi and her co-director, Vincent Paronnaud, have composed a truly beautiful film. In fact, I would go so far as to say that Chicken With Plums might be the most beautiful film that you will see this year – a bold statement for late February. There are some very fundamental problems with the movie, most stemming from the fact that it can never decide if it’s a story or a collection of anecdotes, but it’s held together by superb artistic direction and a charming central performance from Mathieu Amalric.

A man at peace, but with inner violin...

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Filed under: Non-Review Reviews | Tagged: art, Azrael, Chicken With Plums, dublin, film, Film festival, jameson dublin international film festival, Jameson Dublin International Film Festival 2012, Marjane Satrapi, Mathieu Amalric, Movie, non-review review, Persepolis, reivew, United States, Vincent Paronnaud | Leave a comment »

Non-Review Review: Monsieur Lahzar

Posted on February 23, 2012 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2012.

Monsieur Lehzar is a truly splendid piece of film-making, and a superb addition to the “teacher and class” subgenre, adhering to the type of mood and atmosphere that one expects from that sort of uplifting film, but with a little added nuance or bite to give it the edge. Adapted by director Philippe Falardeau from the play Bashir Lazhar by Evelyne De la Chenelière, it’s an impressively engaging film. It deals with fairly hefty themes in a way that never feels weighed down, or to sombre – providing a cautiously, rather than blindly, optimistic outlook on life.

Class act...

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Filed under: Non-Review Reviews | Tagged: Academy Award, art, Bashir Lazhar, Energy, Environment, Evelyne De la Chenelière, Falardeau, film, Filmmaking, Hanford Site, Monsieur Lazhar, Movie, non-review review, nuclear, Nuclear Waste, Philippe Falardeau, Quebec, Radioactive waste, review, Technology, United States Department of Energy | 4 Comments »

Non-Review Review: Solaris

Posted on February 21, 2012 by Darren

Can you tell me what’s happening here?

I could tell you what’s happening, but I don’t know if it would really tell you what’s happening.

– Chris Kelvin and Snow

Soderbergh’s Solaris is bold, challenging, brilliant, chaotic, unstructured, clever, obtuse, dense, frustrating, unsatisfying and fascinating. Frequently at the same time. The director’s adaptation of Andrei Tarkovsky’s incredibly dense science-fiction feature might not necessarily be for everybody, but there’s enough substance here for eager audience members to chew on. A film subscribing to the idea that less is more, it seems to take more joy in posing questions than in answering them. This will obviously frustrate those viewers who dislike that sort of ambiguity.

Well suited to this drama...

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Filed under: Non-Review Reviews | Tagged: Andrei Tarkovsky, art, arts, Chris, Chris Kelvin, film, god, IBM, literature, Mark Hurd, Movie, NASA, non-review review, Operating system, Oracle Corporation, review, science fiction, Soderbergh, solaris, space, Steven Soderbergh, Sun Microsystem, Technology | 6 Comments »

Non-Review Review: My Little Princess

Posted on February 21, 2012 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2012.

My Little Princess is a deeply disturbing piece of French cinema. It’s very hard to address the topic of the sexual exploitation of children in a way that doesn’t end up feeling exploitative itself. However, despite some moments of melodrama, Eva Ionesco’s creepy and unsettling character exploration is a fairly well-crafted film, one that leaves you feeling just a little bit dirty for even watching it.

Mamma Mia!

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Filed under: Non-Review Reviews | Tagged: art, arts, Arts and Entertainment, Cinema of France, Cultures and Groups, Diana Princess of Wales, Eva Ionesco, film, france, French, Gary Glitter, Ionesco, jameson dublin international film festival, Little Princess, Mother, Movie, Movies, non-review review, review, Violetta | Leave a comment »

Dude, Where’s My Midnight in Paris Blu Ray?

Posted on February 14, 2012 by Darren

I own a blu ray player. I still like to buy my blu ray and DVDs, even if I accept that Netflix might render that a thing of the past. However, I can’t help but feel that some of the distributors are shooting themselves in the foot in how they are handling the medium. I mean, Criterion have suddenly decided to region-lock their blu ray releases, making the highest-quality home media releases less accessible than the DVD editions of the same films. Last week, I went to pick up a copy of Woody Allen’s Midnight in Paris from HMV, making my weekly trip and, while the DVD was present, there was no blu ray to be found.

A long, dark midnight of the format...

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Filed under: Movies | Tagged: art, Black Dynamite, Blu-ray and HD, Blu-ray Disc, david lynch, DVD, home, home video, Midnight in Paris, Movie, netflix, paris, United States, Woody Allen | 4 Comments »

Win Tickets to the Jameson Cult Film Club Screening of Reservoir Dogs…

Posted on February 11, 2012 by Darren

Thanks to the wonderful folks over at The Jameson Cult Film Club, we have a lovely prize to give away. Two tickets to the Jameson Cult Film Club screening of Quentin Tarantino’s Reservoir Dogs during the Jameson Dublin International Film Festival. For those unfamiliar with the brilliance of the Jameson Cult Film Club, the group stage immersive cinema screenings in interesting locations around the city. To get an idea, check out the excellent job they did with Ridley Scott’s Alien. The location of this screening is top secret, but it will take place Tuesday February 21st. And Michael Madsen, aka Mister Blonde, will be in attendance at the screening.

We have a pair of tickets to give away, more information after the jump.

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Filed under: Movies | Tagged: art, film, Film festival, jameson cult film club, jameson dublin international film festival, Michael Madsen, Movies, quentin tarantino, Reservoir Dogs | Leave a comment »

BAFTA Best Picture Brochure Covers…

Posted on February 7, 2012 by Darren

It’s a shame that the Oscars can never do something quite as a nice as this. Indeed, looking at the BAFTA Best Picture nominees, I can’t help but think that the British Academy of Film and Television has crafted a far more representative list of the best films of 2012. As with years past, the august group have crafted a unique piece of art around each of their five nominees, each intended for their awards brochure, and trying to capture the essence of the nominee in question. Arguably they manage to do a better job than most of theatrical posters for these films. Check them out below and click to enlarge.The five covers below have been designed by Eda Akaltun & StudioSmall (heartagency.com & studiosmall.com)

Filed under: Movies | Tagged: Academy Award, Academy Award for Best Picture, art, BAFTA, British Academy, British Academy of Film and Television Arts, martin scorsese, Movies | 2 Comments »

For the Love of Film 2012: Alfred Hitchcock Film Preservation Blogathon

Posted on February 6, 2012 by Darren

I’m delighted to announce that I’ll be taking part in this year’s For the Love of Film blogathon, organised by the Self-Styled Siren, Ferdy on Films and This Island Rod. A celebration of classical cinema, the event hopes to raise money to preserve and restore classic films that would otherwise be lost to the ages. This year, from the 13th May through to the 18th, bloggers from around the world will contribute articles on classic film, hoping to raise awareness and to raise $15,000 to make The White Shadow available to stream live for anybody with internet access. I am honoured to announce that the m0vie blog shall be proudly participating.

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Filed under: Movies | Tagged: alfred hitchcock, art, Birds, film, Filmmaking, Graham Cutts, hitchcock, Movie, North by Northwest, steven spielberg, The White Shadow, Tippi Hedren, White Shadow | 5 Comments »

Perfectly Random: Channel Surfing In The Digital Age…

Posted on January 24, 2012 by Darren

NetFlix have arrived in Ireland. Minor complaints about their selection of films aside, it’s time to rejoice as a film fan. Living here in Ireland, it can’t help but feel like we’re a bit behind the times when it comes to cinema. After all, our release schedule tends to lag behind that of our American cousins, with The Muppets only arriving on our shores next month. Still, as excited as I am at the prospect of having an entire universe of film and television at my very command, I can’t help but feel a slight sense of trepidation going forward. I know that this isn’t the end of the digital era of television, but it will undoubtedly affect the way I consume my films. And, while I’ll laud the amount of choice at my fingertips, I reckon I’ll miss the delightful randomness of channel-hopping in the digital age.

Getting on board with new media models...

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Filed under: Movies | Tagged: art, channel surfing, digital, digital television, film, information age, Ireland, Movies, muppets, netflix, sopranos | 2 Comments »

Alan Moore’s Run on Swamp Thing – Saga of the Swamp Thing (Books #3-4) (Review/Retrospective)

Posted on January 16, 2012 by Darren

This January, I’m going to take a look at some of DC’s biggest “events.” You can probably guess which event I’m leading into, but I don’t want to spoil it…

I have never read Swamp Thing before. This trip through these lovely (but sadly not oversized or filled with extras) hardcover editions of Alan Moore’s iconic run on the title has been my first encounter with the character. This is Moore’s longest tenure on a mainstream comic book, and the one which introduced him to the mainstream. What’s astounding here is not only how Moore manages to offer something which still stands up as something unique and challenging, but also offers a fairly exciting and well-written book on his own terms.