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Non-Review Review: The Mummy

Maybe there’s a reason I’ve got ghosts and ghouls on my mind despite the fact that Halloween is approaching and the first Nightmare on Elm Street trailer was just released. I happened to catch The Mummy playing on Sky movies on Sunday night and it was one of those rare films that the family just dropped everything and started watching, despite the fact we’ve seen it before. Ignoring the law of diminishing returns that affected the sequels, The Mummy is solid action-adventure-horror romp that stands equally well as a companion to Raiders of the Lost Ark as it does as a subconscious herald of the coming wave of remade creature features.

Oh, mummy!

Oh, mummy!

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Non-Review Review: The Boat That Rocked

This is a movie that ends with a rendition of the classic Bowie pop number Let’s Dance, because it couldn’t fit it anywhere in its linear narrative amid all the time-specific pop and rock tunes. The movie has quite a bit in common with that most financially successful of songs from the Thin White Duke. It’s light, it’s breezy and it’s catchy, with just a hint of some extra darkness that is rarely found among its light and fluff compatriots. It’s also the work of an intensely talented artist (and, indeed, artists) who probably should be doing more innovative and important work, but we almost can’t blame them because it’s so much fun. Almost.

Quite a board walk...

Quite a board walk...

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The Little Horror Movies That Can…

Next month is October, which means Halloween, so I’ll be taking a closer look at the horror genre (both with reviews of movies and my own unique style of commentary), but the success of the new Paranormal Activity on a budget of less than $15,000 (and I thought District 9 was cheap) has got me wondering: why is it that low-key horrors are so scary?

There's been a lot of activity around Paranormal Activity this weekend...

There's been a lot of activity around Paranormal Activity this weekend...

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Non-Review Review: State of Play

Ah, the good old conspiracy thriller theory movie is alive and well, it would appear. For those not quite up-to-date on Hollywood’s fascination with sequels, remakes and adaptations, State of Play is a remake of the classic BBC miniseries of the same name. Following an old-fashioned investigative reporter as he attempts to investigate the death of a Congressman’s aide, he finds himself getting drawn closer and closer to a lion’s den of corruption and defense contractors. It’s a solid conspiracy movie elevated by superior performances that doesn’t really live up to its potential.

Russell Crowe attempts to explain the plot twists of State of Play to a confused Ben Affleck...

Russell Crowe attempts to explain the plot twists of State of Play to a confused Ben Affleck...

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Paul Dini’s Run on Detective Comics – The Heart of Hush

Batman’s rogues gallery is a strange one. Thanks to the character’s absorption into popular culture (by the live action series, the cartoons, the movies), he has a fantastically strong and well-recognised selection of villains – to the point where people who haven’t picked up a comic book wonder whether The Riddler will be the villain in the next Batman film. He has tonnes of opponents who are easily recognised by the public and are wide and diverse, many that any other comic book character would kill for. However, once every few years the powers that be will attempt to introduce a new major villain into the character’s life – for example Grant Morrison populated his own run on the title with new enemies (and the Joker). Very occasionally these are succesful – Bane is a fairly well-known addition to the ensemble, despite only arriving about fifteen years ago, and Victor Zsasz remains the most recent bad guy to be featured in Nolan’s movies – but mostly these are failures – like Orca or KGBeast. Here Paul Dini is attempting to move the most recent major bat baddie from the latter category into the former. Does it work?

Eye see you...

Eye see you...

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Batman: The Man Who Laughs

What we have here is an interesting companion story to Alan Moore’s seminal The Killing Joke, a sequel of sorts to Frank Miller’s classic Year One, a direct follow-on to the two Matt Wagner miniseries Batman and the Monster Men and Batman and the Mad Monk and a bit of an introduction to Jeph Loeb and Tim Sale’s The Long Halloween. That’s one hell of a nexus to find your story at the centre of, even if you weren’t trying to tell the definitive first encounter story between Batman and the Joker. So, does Brubaker pull it off?

What a Joker...

What a Joker...

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Are Bloggers Critics?

Is any profession less secure than film criticism? Really. I mean, I was depressed about the box office success of Transformers 2 as well and was disappointed no one heeded you, but I didn’t begin to doubt my very profession. Similarly I was upset that G.I. Joe: The Rise of Cobra was marketed around film critics, but I didn’t become openly petty about you guys not seeing the film for free. This time, it’s the fact that critics are being grouped with bloggers that has prompted a rather severe reaction from some quarters. Is there any point to be made?

The film critic on new media...

The film critic on new media...

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Still Dead Set on Deadpool…

Looks like Robert Downey Jnr. isn’t Hollywood’s only two-franchise man at the moment – apparently Ryan Reynolds as Deadpool is still on the cards, at least according to the character’s creator. This is interesting not just because Reynolds will be the leading man in two major superhero productions (and possibly franchises) in the coming years, but also because he will be the first leading man to work with both DC Comics and Marvel Entertainment at the same time. Sure, he was in Blade III, but we don’t count that. It never happened. And I doubt he’d disagree with us on that.

Apparently Green Lantern's secret identity is Deadpool...

Apparently Green Lantern's secret identity is Deadpool...

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Tommy Tiernan and the Art of Self-Censorship…

Ah, an Irish comedian has said something stupid and distasteful that has garnered massive media attention. Whodda thunk? This time quintessential Navan man Tommy Tiernan chose to make an ill-considered joke about efficiency and the Holocaust at Electric Picnic. Yep. As you can imagine – this being the country that now has an anti-blasphemy law – everyone has jumped all over it, and they’re right to. In fairness, most commentaries have been fairly reasoned, but I still roll my eyes when people talk about how we should have laws to stop these sorts of things. Yes, he shouldn’t have said what he said. But he should be able to.

Up to his neck in it...

Up to his neck in it...

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Non Review Review: Cliffhanger

I picked up Cliffhanger on bluray because it was €9 and because I’d never seen it before. My aunt and uncle both suggested that the film would look absolutely stunning in high definition – and they were right. Say waht you (and even I) will about Renny Harlin’s storytelling ability or his difficulties with actors, he does shoot good scenery. The scenery gives the best performance in the film, with the aerial photography give a huge sense of scale to proceedings. Nice mountains, shame about the movie.

No, don't let go! Being in the movie isn't THAT bad...

No, don't let go! Being in the movie isn't THAT bad...

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