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Non-Review Review: The War of the Worlds

Stephen Spielberg helmed something of a loose science-fiction trilogy in the early years of this century. A.I. and Minority Report are still relatively contentious (perhaps the former more than the latter) when it comes to discussing the place of his modern output in the context of his wider filmography. However, it’s the third film of the three which I’ve always been most fascinated with, despite the fact it has been mostly forgotten on his somewhat impressive list of accomplishments. Never afraid to stick up for a film that most people seem to have just shrugged their shoulders about, I’m going to stand up for the not-quite-so-little-but-not-so-big-you’d-notice-him guy. I think that War of the Worlds is the best film Spielberg has directed in the last decade.

This invasion hasn't got three legs to stand on...

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Daredevil by Ed Brubaker Omnibus, Vol. II

Still, it must have been nice for you, Murdock.

What?

To win this one. It seems like you really needed it.

– North and Murdock

There goes the whiniest superhero I ever met.

– Mr. Izo

I’ve said it before and I’ll likely say it again: Daredevil has had an amazing ten-year run under the stewardship of Kevin Smith, David Mack, Brian Michael Bendis and Ed Brubaker. It’s just been a really well-put together comic book which really works. one of the finest compliments of the book I’ve read, and one I sadly can’t take credit for, is that Daredevil mostly avoids the deconstruction which has been a fixture of many iconic runs, while also avoiding the pitfalls of nostalgia that typically define the reaction to deconstruction – instead, the book has found a third way: it has found a way to take the conventional tropes of the superhero genre, and use them to offer something relatively new and exciting, exploring the story potential inherent in ideas like a secret identity, or what happens when a vigilante creates a vacuum in crime. Ed Brubaker, who – if you ask me – has offered the most fascinating run on the character and has surpassed his work on Captain America, finishes his run here and closes a chapter in the life of the Marvel Universe’s most tragic superhero.

Stars in your eyes...

Note: This review will contain spoilers for the end of Brubaker’s run, if you aren’t already familiar with it. I’ll flag them beforehand, but consider yourself warned.

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Non-Review Review: Get Him to the Greek

I’m a big fan of Russell Brand but he seems to be somewhat overshadowed by Jonah Hill in Get Him to the Greek.  Hill easily steals the show and is the main reason this film is funny, I may even go as far as saying he’s the only reason this movie is funny.  Without Hill this movie may have fallen down, but luckily he keeps everything a float throughout the course of the film.

It's only rock'n'roll but we like it...

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Glass Houses: The Music of Philip Glass

I have the pleasure of checking out Philip Glass at the National Concert Hall tonight. Despite the fact that I know next-to-nothing about music, I’m quite fond of Glass’ rather wonderful compositions – mostly through pop culture osmosis. It seems that Glass is the go-to guy if you need something wonderfully emotional and catchy, yet grandiose and sweeping to accompany a given film. He’s done countless soundtracks, but these are the big “on-screen” moments which I think of when I think of Glass.

First up, Watchmen. There’s a wonderful sequence on Mars scored to Glass’ Prophecies and Pruitt Igoe, which is perhaps the best scene in the entire jumbled up and deeply flawed film, as the past and present collide to the ominous soundtrack and narration. However, I can’t find that, so watch the trailer instead.

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Non-Review Review: Hamlet 2

Ever thought Hamlet was kinda a downer, what with everybody dying and all? Well, you’re not alone. Failed actor and volunteer drama teacher Dana Marschz had the same notion. Drafting only his misfit bunch of drama students, he has decided to stage a play of his own, using it as a window to explore his own peculiar father issues through the window of a time-traveling Hamlet and a (rock me, rock me) sexy Jesus. The movie doesn’t perfectly capitalise on its downright hilarious premise, but it’s still a wonderfully entertaining story with a promising lead performance.

Sexy Jesus found his role greatly increased in the sequel...

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Why Del Toro Departing The Hobbit is a Good Thing…

The Hobbit is dead. Long live The Hobbit. Look, we all know it’s going to happen. Like the next James Bond film, the economics of the situation dictate that it must happen – a spin-off from The Lord of the Rings is too lucrative an opportunity to pass up, it’s an excuse to print money. Think of all the simple/theatrical/standard/deluxe/super/extended versions of the films have been released on video/DVD/HD DVD/Blu Ray. Now double that. So now you know why The Hobbit is going to happen, eventually. Unfortunately, I think we all know it’s not going to happen soon. And I’m here to tell you why Del Toro departing the film is actually a good thing.

Down the hobbit hole...

Note: This is part of a two-part article. Andrew over at the always wonderful Andrew at the Cinema is offering this article a jolly good rebuttal. Pop over and give it a read. Just make sure to spend a few minutes appreciating my flim-flam arguments before he pretty much destroys them with his advanced reasoning.

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Has Jonah Hex Killed the Comic Book B-Movie?

The reviews for Jonah Hex are not good. The box office for Jonah Hex is equally not good. I think it’s safe to say that there won’t be a sequel. But are the implications deeper than that? I’ve certainly read some suggestions that this might not just be a bad result for the bad ass, facially-scarred cowboy, but for fans of minor comic book characters in general:

Remember all those ambitious plans DC and Marvel’s film crews had to use their massive character libraries as movie R&D? After sub par returns for Kick-Ass, The Losers (two movies that deserved better box-office) and with Jonah Hex a near-certain bomb, fans may want to dial down those dreams of an Ant-Man or Booster Gold movie.

When the bell finally tolls in Hollywood for films based on B-list comic book characters – and you can bet Quasimodo is warming up in the bell tower — you might be able to blame Jonah Hex for being the tipping point.

So, has Jonah Hex killed any chance for lesser known characters on the big screen?

Has Jonah put a Hex on less popular comic book characters?

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Non-Review Review: Yes Man

Yes Man is a fairly standard romantic comedy with an inventive (but one-note) high concept. It does, however, have an ace in the hole: Jim Carrey.

Keep Pottering on...

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Who Do You Trust? Directors and Faith…

I remarked last week that I wholeheartedly trusted Christopher Nolan when he decided not to recast the Joker role in Batman 3, despite the fact that the character was rumoured to play a large in the planned sequel to The Dark Knight. However, it got me thinking as to what my reaction would have been had he announced that he was recasting the role, and that it was essential to the finale of his planned trilogy, and that (having worked with his star) Heath might even understand. I don’t know – I probably would have been a little skeptical and uncertain; I may even have hesitated at the suggestion. I accept, however, I probably would have trusted him on it. It’s a scarce commodity these days when the internet has given everyone a voice with which to trumpet their opinions and everybody has an opinion on everything. So, when should we trust a director? When do I trust a film maker, no matter what they choose to do?

Now that's trust...

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Non-Review Review: 88 Minutes

Remember when Al Pacino was great? Yeah, it was a while ago.

Wow, they're really trying to keep Pacino out of that taxi, aren't they? Not that I'd blame him for trying to get away from this film...

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