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Despicable Me 2 Trailer

Universal Pictures Ireland just sent on this trailer for Despicable Me 2, the sequel to the very soldi animated film starring Steve Carrell. This time, Carrell is joined by Al Pacino, which I am actually quite excited about. There’s no denying Pacino’s contributions to modern cinema, but at this point in his career Pacino is at his best when he’s gloriously chewing down on the scenery. Given his voice can be downright bombastic (“HOOO-ah!”) at times, casting him as an over-the-top supervillain in an animated film seems pretty ideal.

The trailer doesn’t offer any hints to Pacino’s role. Instead, like the Ice Age trailers, it focuses more on the engaging supporting characters – “the minions.” I like the minions, if only because they lend themselves well to broad physical comedy, in a way this isn’t really all that challenging but is quite effective. The trailer doesn’t really offer anything new in that regard, but it’s still charming enough. Silly golf clothes are always funny, and Tubular Bells always brings a smile to my face. Check out the trailer below.

Requiem For a Genre Star: Michael Massee and Familiar Faces In Small Roles…

With Jamie Foxx in contention to play Electro in the sequel to The Amazing Spider-Man, I got thinking about the teaser in the middle of the credit sequence. In the small scene, a mysterious visitor confronted Curt Connors about what Peter Parker did or did not know about his father. He got a single line, and was couched in shadow. My less cynical side suggests that this was an attempt to play up the mystery of the character so his inevitable appearance in the sequel would make sense. My more pragmatic side figures that it was to leave the role open for the production team to hire a big-name actor for the character’s appearance in the next film in the series. That is, after all, why all the shots of Norman Osborn in The Amazing Spider-Man were careful not to reveal any facial features. Perhaps they can be digitally reinserted into the first film when the role is cast next time around?

However, this short sequence is a bit disappointing, if only because I was able to recognise the actor appearing, only for a second, cloaked in darkness. He was Michael Massee. And I feel a little sad that this means he likely won’t be playing a significant role in the sequel.

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Jameson Cult Film Club: Jaws (November 27th)

If you’re a regular visitor, you’ll know that I’m a massive fan of the Jameson Cult Film Club. They stage screenings of classic films in unconventional locations, enhancing the experience and even occasionally bringing scenes from the film to life. They’ve announced that their next film will be Steven Spielberg’s Jaws, screening on the evening of the 27th November at a top secret city centre location. The event promises all the fun of a day on the beach at Amity Island – with barbecues and refreshments, and a fantastic atmosphere. The best part, though? Is that tickets to the event are absolutely free. Coupled with their sponsorship of the Jameson Dublin International Film Festival, I think that Irish film fans have a lot to be thankful for – they really do a great job supporting the love of film in the city. (And outside it to boot.) Just head on over to their website to apply for free tickets.

If you don’t make it along, the film is now available on blu ray and I hear (from reliable sources) that the picture and sound quality of the original summer blockbuster is absolutely astounding in the format.

If you aren’t familiar with the Jameson Cult Film Club, check out some photos from past screenings: Alien, The Blues Brothers, Reservoir Dogs and Silence of the Lambs. It really is all top notch, and comes very highly recommended.

Non-Review Review: Conan the Barbarian (1982)

The 1982 Conan the Barbarian is one of what might be described as the “pop culture epics” of the eighties, a decidedly cheesy and campy take on an epic mythology – like Masters of the Universe or Flash Gordon. To be fair, John Milius’ adaptation of Robert E. Howard’s pulp hero holds up considerably better than most similar efforts to get an epic pulp product to screen. It’s still more than a little campy and cheesy, and more than a little dated. It still takes itself, perhaps, a little too seriously. However, it’s also a more thoughtful and considerate film than most give it credit for, and exceptionally nuanced in its portrayal of themes and ideas that most critics and pundits casually dismiss.

Steeling himself…

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Non-Review Review: Argo

Argo might not seem like it, with the action unfolding amidst the Iranian embassy siege and the stakes involved in the rescue of six hostages, but it is something of an affectionate love letter to cinema from Ben Affleck, who is emerging as one of the most talented actors-writers-directors of our time. From the moment that the grain scratches across the retro Warner Brothers logo to the closing credits where fact and fiction compare and contrast, Argo feels like a celebration of movie magic. Perhaps it’s a little tooself-congratulatory at points, as films made by Hollywood about Hollywood tend to be, but Affleck’s direction keeps the movie surprisingly focused. The film maker does an exceptional job wringing real tension from a true story – no small accomplishment, and a testament to his ability.

Standing out from the crowd…

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Infinite Crisis: The OMAC Project (Review)

This month I’m taking a look at DC’s massive “Infinite Crisis” Event. Although it was all published in one massive omnibus, I’ll be breaking down the lead-in to the series to tackle each thread individually, culminating in a review of the event itself. Check back for more.

Infinite Crisis was certainly an ambitious project in scope. With the bulk of the major tie-ins collected in a gigantic 1,500-page omnibus, you really get a sense of just how expansive this gigantic crossover was. It’s remarkable how thematically consistent (and yet tonally distinct) so many of these tie-ins were, but The O.M.A.C. Project makes for a suitably grand opening to this gigantic epic crisis crossover, perfectly encapsulating a lot of the core themes that DC seem to have been striving for, while setting up an interesting central conflict.

What do you call a Corps of One-Man-Army-Corps?

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Non-Review Review: Silver Linings Playbook

It’s very hard to find a movie that deals with mental illness in a compassionate way, let alone without descending into cheap emotionally-exploitive hokum. The story of Pat Solitano, coping with his “undiagnosed bipolar” disorder by returning home, Silver Linings Playbook manages to be sincere without being cheesy, to be warm without being soft and to be human without being melodramatic. Returning to his parent’s house, Pat stumbles across Tiffany, another “broken bird” dealing with her own personal issues. Silver Lining Playbook is the story of two extremely damaged people helping one another in the most human way possible.

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Non-Review Review: The Candidate (1972)

The Candidate is that rare movie that is anchored firmly in its own time, released in June 1972, but remains relevant through until today. Writer Jeremy Larner won an Oscar for his screenplay, and his portrayal of election politics seems worryingly plausible. The Candidate is remarkably frank about its politics, but also in its depiction of the system. There’s no pussyfooting around for fear of alienating the audience with hostile political ideas, instead the film embraces its political position and runs from there. While it feels like it was written in the shadow of the then-looming 1972 Presidential election, it does seem to be quite applicable to modern politics.It remains relevant, perhaps an illustration of how little has changed.

If anything, it seems like The Candidate is relatively tame compared to current political realities.

“I came here to chew gum and get elected… and… well, I’m not out of gum.”

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Non-Review Review: People Like Us

People Like Us has an endearingly earnest premise and a solid enough cast, but it’s let down by clumsy writing and somewhat awkward direction. People Like Us is never sure whether it’s only getting started or nearing an emotional resolution, to the point where it seems like there’s a string of false endings in this under-two-hour feature. Chris Pine and Elizabeth Banks make for two endearing leads, but they find themselves struggling against an overly melodramatic script and direction that never seems to entirely trust the cast.

A close shave…

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Non-Review Review: The Monster Squad

The Monster Squad is an affectionate celebration of the monster movies of yesteryear, written from the point of view of a generation that grew up with the Universal Horror monsters. When Dracula conspires with his monstrous brethren to conquer the world, it’s up to a gang of plucky kids and their knowledge of horror movie tropes and clichés to stop the lord of the vampires from swaying the balance of good and evil once and for all. It’s an understandably cheesy celebration of those old monster movies, one that benefits from never taking itself or its subject matter to seriously. However, there’s a deep and abiding affection to be found in The Monster Squad, a polite and endearing salute to the iconic monsters of the thirties (through the fifties) from a generation that has its own scary subjects to worry about.

Staying under wraps…

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