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New Escapist Column! On Overthinking “Jackass”…

I published a new In the Frame piece at The Escapist this evening. With the release of Jackass Forever this weekend, it seemed like a good opportunity to take a look at the cultural phenomenon.

It’s possible to look at Jackass as the intersection of three overlapping traditions in entertainment, particularly American entertainment: the freak show, the silent comedy and early reality television. There’s a fascinating and heady cocktail at play in this, and Jackass exists as a curious modern hybrid. There is sense of evolution here. There’s perhaps something to admire in the way that the cast of Jackass retain control of their narrative.

You can read the piece here, or click the picture below.

New Escapist Video! “Jackass Forever is Review-Proof… and Still Funny”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of Jackass Forever, which is in theatres now.

272. Dersu Uzala (#156)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Chris Lavery and Niall Glynn, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Akira Kurosawa’s Dersu Uzala.

On a routine survey mission into the Russian wilderness, Captain Arsenyev comes a cross a local tracker and hunter named Dersu Uzala. Dersu agrees to guide the expedition on their journey through the forest. An unlikely bond is forged between Arsenyev and Dersu, as civilisation begins its encroachment into this previously isolated space.

At time of recording, it was ranked 156th on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On How “Peacemaker” Turns Its Weaknesses Into Strengths…

I published a new piece at The Escapist last week. We’re doing a series of recaps and reviews of James Gunn’s Peacemaker, which is streaming weekly on HBO Max. The fifth episode of the show released last week, and it seemed like a good opportunity to take a look at the series.

Understandably, given that the show is built around a piece of established intellectual property and superheroes, much of the discussion around Peacemaker had focused on creator James Gunn’s earlier work on films like Guardians of the Galaxy, Guardians of the Galaxy, Vol. 2 and The Suicide Squad. However, with its (relatively) lower budget and scrappier aesthetic, Peacemaker arguably hews closers to Gunn’s earliest films as director, movies like Slither and Super. Enjoying incredible creative freedom and lack of ocersight, Gunn is reconnecting with the aesthetic of his earliest work.

You can read the piece here, or click the picture below.

New Escapist Review! “The Book of Boba Fett – From the Desert Comes a Stranger”…

I published a new review at The Escapist today. I’m reviewing new episodes of The Book of Boba Fett weekly, so this week I’m covering From the Desert Comes a Stranger.

Following on from Return of the Mandalorian, From the Desert Comes a Stranger is another episode of The Book of Boba Fett that is surprisingly uninterested in Boba Fett himself. It’s an hour of television that splits its time across two significant plot threads, and the differences between the two are instructive. One of those threads is at least basically functional, if largely unremarkable. The other thread exerts a much stronger gravity, and perhaps demonstrates the worst tendencies of modern Star Wars.

You can read the piece here, or click the picture below.

New Escapist Column! On the “The Book of Boba Fett”, “Now Way Home” and Nostalgia For Things That We Hate…

I published a new In the Frame piece at The Escapist this evening. With the most recent episode of The Book of Boba Fett leaning heard into nostalgia for Star Wars: Episode I – The Phantom Menace, and with Spider-Man: No Way Home bringing back Andrew Garfield from the Amazing Spider-Man movies, I tackled a question that has been bothering me for a while: why are fans nostalgic for things they hate?

Of course, there are fans out there who love The Phantom Menace and The Amazing Spider-Man movies, and more power to them. However, there is something interesting in how these nostalgic properties couch their nostalgia for these objects, layering it with distance and approaching it often indirectly – evoking not so much the object itself, but the faint fandom memory of the object. In many cases, it feels like such nostalgia is driven more by a sense of ownership and obligation than by any meaningful affection or appreciation.

You can read the piece here, or click the picture below.

New Podcast! The Spookies Podcast – “The Dark Knight And The Joker “

I was thrilled to be invited to join the wonderful Michael and Stephanie Little for an episode of their new podcast, The Spookies Podcast.

It was a fun conversation, in which I got to chat a little bit about The Dark Knight, one of my favourite blockbusters ever. The nominal topic of the conversation was the Joker himself, but it was a broad and wide-ranging discussion that ended up touching on everything from modern fandom to Christopher Nolan to the state of modern auteurism. I hope you enjoy.

You can listen directly to the episode below or by clicking here.

New Podcast! Your Feature Presentation – “Peacemaker is Wonderfully Weird and Fun”

The Escapist have launched a new pop culture podcast, and I was thrilled to join Jack Packard for the fourth episode. Jack and I get to talk about Peacemaker, which I am really enjoying.

271. Superman IV: The Quest for Peace (-#86)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Graham Day and Niall Glynn, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Sidney J. Furie’s Superman IV: The Quest for Peace.

It is a turbulant time in the life of Clark Kent. He finds himself considering selling the family farm. The Daily Planet has been brought out by an aggressive media conglomerate. A young boy has begun to question his faith in Superman, asking whether the Man of Steel can truly protect the world from the threat of nuclear annihilation. Tired of standing by as a passive observer, Superman decides to finally take action. However, an old enemy is lurking in the shadows, waiting to spring a trap of his own.

At time of recording, it was ranked 86th on the list of the worst movies of all time on the Internet Movie Database.

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New Escapist Column! On the “Planet of the Apes” Prequels as the Last Great Movie Trilogy…

I published a new In the Frame piece at The Escapist this evening. With the looming release of The Batman, it seemed like a good opportunity to take a look back at Matt Reeves’ other recent films. In particular, Reeves directed the last two films in the recent Planet of the Apes trilogy.

The recent Planet of the Apes prequels are the rarest of things: beautifully made and powerfully resonant blockbusters. The films are constructed with genuine artistry and craft, but – more than that – they speak to the particular moment in which they were released. These are films that against all odds manage to capture something of the soul of America on celluloid, beautifully encapsulating a deeply troubled era, and skilfully using their nostalgia in a way that deepens their themes and enhances their resonance.

You can read the piece here, or click the picture below.