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Non-Review Review: The Hardy Bucks Movie

This film was seen as part of the Jameson Dublin International Film Festival 2013.

I’ll be the first to admit that I’m not a massive fan of The Hardy Bucks. Still, it’s hard not to smile at an Irish success story that seen a bunch of lads fooling around on YouTube, brought them to national television and launched a feature film. The Hardy Bucks Movie isn’t revolutionary. It’s not a work of comedy genius for the ages. Quite a lot of it feels overly familiar, an Irish spin on the “young men go wild abroad” subgenre that has proven popular in the past number of years. And yet, despite that, there’s a quaint charm to The Hardy Bucks Movie that makes it reasonably entertaining. The lads from Castletown has survived the transition to the big screen with their dignity – such that it is – intact.

The naked truth...

The naked truth…

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Non-Review Review: Side Effects

This film was seen as part of the Jameson Dublin International Film Festival 2013.

On one level, Side Effects is a deliciously pulpy medical thriller, with the kind of zig-zagging twisty plot that you’d expect from a Michael Crichton novel. It’s more than satisfying on these terms, almost serving as a feature-length pilot for an imaginary medical drama starring Jude Law. After all, with House off the air, there’s a clear gap in the market for a smooth English actor playing the lead in an unconventional medical drama. If he is sarcastic, all the better. While the genius of the early years of House came from mashing up the medical subgenre with the police procedural to produce a then-unique hybrid, Scott Z. Burns instead blends the medical drama with a decidedly more trashy and sordid thriller to provide a satisfyingly twisty drama.

However, on another level, Side Effects teases issues that are far more interesting than the movie it eventually becomes. It’s very frustrating when your red herrings feel like they’d produce a more thoughtful or insightful piece of cinema than the final story. Side Effects broaches topics that mainstream cinema hasn’t really engaged with, and the opening scenes flirt with the idea of providing an entirely different film. It’s not always fair to judge a film for what it isn’t, but the problem is that Side Effects sets up a much more tempting and intriguing look at medicine than we get with the final product.

Love isn't the only drug...

Love isn’t the only drug…

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Non-Review Review: The Place Beyond the Pines

This film was seen as part of the Jameson Dublin International Film Festival 2013.

The Place Beyond the Pines is a movie best seen without the weight of expectations. The safest thing I can probably say about The Place beyond the Pines is that it’s a compelling study of the multiple relationships between fathers and sons. Writer and director Derek Cianfrance has crafted a beautiful piece of cinema here. Running almost two-and-a-half hours, it makes the most of its extended runtime to draw the audience into the film, and to craft a rich and multi-faceted world the remains so intimate that actions ripple and consequences can’t be completely avoided, even if they can be temporarily evaded.

There's a lot riding on this...

There’s a lot riding on this…

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Non-Review Review: Cloud Atlas

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Cloud Atlas is a bold, imaginative, creative, frustrating, original, inventive, exhausting and ambitious piece of work. It’s a film that really forces the audience to collaborate, to try to force the pieces of story on the screen to fit together into a structure that is both rewarding and unique. Coming out of the film – which has been dubbed “the most expensive indie movie of all time” – I was left with the impression that Cloud Atlas is a film where everybody is going to hold a slightly different perception of what the film is, and what it’s about. I can very honestly say that Cloud Atlas is quite unlike any other film I have ever seen, and that sense of experimentation and the sheer skill to force the narrative into a shape that makes some sort of sense, unique to almost each viewer, is one massive accomplishment.

Sweet music...

Sweet music…

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Non-Review Review: Mea Maxima Culpa – Silence in the House of God

This film was seen as part of the Jameson Dublin International Film Festival 2013.

It’s very hard to know how to react to the seemingly bottomless pit of sex abuse allocations that have surfaced against the Catholic Church over the past couple of decades. Mea Maxima Culpa reveals that not only does the institutional abuse reach far into the past of the religious organisation, but that the Vatican was aware of these betrayals and violations of trusts for forty years. Mea Maxima Culpa is brutally candid in the way that it exposes the steps that the Catholic Church took to insulate and protect itself from these allegations and insinuations, even pointing out that most modern concessions and apologies are more concerned about the violation of the sanctity of the priesthood than with the damage done to the victims.

Mea Maxima Culpa is rough and overwhelming at times, but it’s hard to fault the documentary for this candid approach to the most uncomfortable subject matter. It’s well-constructed, thoughtful and also quite affecting – a powerful piece of documentary cinema that really exposes the true extent of a problem that has only been acknowledged in the past decade or so.

meamaximaculpa6

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House of Cards (US, 2013): Chapter 5 (Review)

Friends make the worst enemies

– Frank Underwood

There is a sense now that House of Cards has figured out what it wants to be and how it wants to go about being that sort of thing. After the first three episodes were surprisingly non-committal, the fourth and fifth episodes make it clear that Frank has a plan for revenge against those who betrayed him, one that stretches a bit further than scuttling Michael Kern’s chance to be Secretary of State. There’s a wonderfully understated moment in the middle of this fifth episode where it looks like Frank has finally figured everything out, the pieces have aligned in such a way that he is positioned to speed up what is likely to be a pretty far-reaching payback scheme.

A name you can trust...

A name you can trust…

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Doctor Who: The Infinite Quest (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Infinite Quest was originally broadcast in weekly instalments on Totally Doctor Who in 2007.

… And then I’ll have my revenge! Revenge! REVENGE!

– just in case you didn’t get that Baltazar was evil

The Infinite Quest is a 45-minute animated episode of Doctor Who that was broadcast as part of Totally Doctor Who in 2007, during the third season of the revived show. It was written by Alan Barnes, who has written a number of Big Finish audio plays for Doctor Who, and was directed by Gary Russell. The animation was produced by Cosgrave Hall, who animated the missing episodes of The Invasion for its 2006 DVD release. So there’s a fairly considerable amount of talent involved in this project, which is notable as not only the first full-length animated Doctor Who episode to be broadcast on television, but is the first fully serialised story to be told since the show was revived. It was originally broadcast in chunks of three-and-a-half minutes.

Flight of fancy...

Flight of fancy…

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Non-Review Review: Broken

This film was seen as part of the Jameson Dublin International Film Festival 2013. It was the opening gala.

Broken is that rarest of beasts, a suburban ensemble drama that manages to merge charming humanism with gritty reality. Mark O’Rowe’s adaptation of Daniel Clay’s novel is filled to the brim with humour and joy, but isn’t afraid of the darker shades of emotion. It’s unflinching and occasionally brutal, a candid exploration of the intersecting lives of those inhabiting a small close. However, this honesty lends the film credibility in its lighter moments. The smiles, the giggles and the laughter that come from many off the movie’s more human moments feel earned, and there’s a wonderful sense of balance to Broken, as if to concede that life cannot be composed of entirely happy moments, nor entirely sad. That’s the wonder of it all, and Broken skilfully manages to combine those extremes into a single charming and engaging coming of age drama.

A close call...

A close call…

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Look! Quentin Tarantino Death Chart!

Vanity Fair have published this chart of the deaths in Quentin Tarantino’s film – breaking down each film in the director’s filmography by number and method of death. Yes, there is a lot of fire in Inglourious Basterds. It’s interesting to examine, if only because it is (generally speaking) a lot less bloody than I would have expected. I didn’t realise that Kill Bill, Vol. 1 only had 62 on-screen deaths. (That said, I did expect Kill Bill,Vol. 2 to have a much lower count – 13 sounds about right.) Anyway, check it out below.

tarantino-death-chart

Doctor Who: Shada (2003) (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Shada originally broadcast on the BBC website in 2003.

Doctor, a fool would realise that it was written in code!

Skagra, this thing is written in code!

– Skagra and the Doctor have some communication difficulties

Has a failed Doctor Who story every haunted the collective consciousness in the way that Shada does? There’s a wealth of adventures that were proposed and never produced, from the last Master story that never happened in The Final Game, through to the laundry list of unproduced adventures that would have made up Colin Baker’s second season if the show hadn’t been parked by the BBC. However, Shada is something different. So different, in fact, that it has been told quite a few times. In fact, it might be the only Doctor Who story I end up covering twice.

This was a webcast version, a very simply animated version of the tale produced for the BBC website, using an audio play adapted from Douglas Adams’ original script by Big Finish, the fan collective who produce a range of celebrated audio plays for the classic series. Starring Paul McGann, the Eighth Doctor who never really got a chance to develop the role in live action, it’s an interesting glimpse at what might have been.

Lost in time...

Lost in time…

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