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Doctor Who: Smith & Jones (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Smith & Jones originally aired in 2007.

It’s only roentgen radiation. We used to play with roentgen bricks in the nursery. It’s safe for you to come out. I’ve absorbed it all. All I need to do is expel it. If I concentrate I can shake the radiation out of my body and into one spot. It’s in my left shoe. Here we go, here we go. Easy does it. Out, out, out, out, out. Out, out. Ah, ah, ah, ah! It is, it is, it is, it is, it is hot. Hold on.

Done.

You’re completely mad.

You’re right. I look daft with one shoe.

– the Doctor and Martha get off to a good start

I’d argue that Smith & Jones is Russell T. Davies’ most successful season-opener of Doctor Who. By its third year, Davies had firmly established the format of the show, to the point where he could successfully lose both of his leading actors. Christopher Eccleston had been replaced by David Tennant at the end of the first season, and Billy Piper had departed at the end of the second. Davies had demonstrated that the series could survive a cast rotation like that, and there’s a sense of looseness about Smith & Jones that suggests the show has really found its comfort zone.

The reason that Smith & Jones works so very well is not that it has an abundance of ambition. Its goal is relatively modest: to tell an enjoyable modern day adventure while introducing a new companion to the show. The beauty is in the execution. Smith & Jones races along, barely pausing to catch its breath, relying on Tennant’s abundant charisma, a constant flow of clever high concepts and a charming new companion to carry it through.

It works surprisingly well.

Standing in the Earthlight...

Standing in the Earthlight…

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Doctor Who: The Infinite Quest (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Infinite Quest was originally broadcast in weekly instalments on Totally Doctor Who in 2007.

… And then I’ll have my revenge! Revenge! REVENGE!

– just in case you didn’t get that Baltazar was evil

The Infinite Quest is a 45-minute animated episode of Doctor Who that was broadcast as part of Totally Doctor Who in 2007, during the third season of the revived show. It was written by Alan Barnes, who has written a number of Big Finish audio plays for Doctor Who, and was directed by Gary Russell. The animation was produced by Cosgrave Hall, who animated the missing episodes of The Invasion for its 2006 DVD release. So there’s a fairly considerable amount of talent involved in this project, which is notable as not only the first full-length animated Doctor Who episode to be broadcast on television, but is the first fully serialised story to be told since the show was revived. It was originally broadcast in chunks of three-and-a-half minutes.

Flight of fancy...

Flight of fancy…

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