Television | the m0vie blog

Hannibal: Coquilles (Review)

Posted on August 12, 2013 by Darren

I feel a little bad now. I spent a lot of time in Amuse-Boche and Ceuf complaining about the possibility that Hannibal might turn into a serial-killer-of-the-week procedural, at a time when the networks are over-saturated with that sort of forensic drama. However, Coquilles manages to be a pretty superlative hour of television despite feeling like a pretty conventional “catch the serial killer” story. The key is in the execution, with Coquilles serving as a rich character-driven drama that just happens to involve the hunt for a gruesome serial killer.

It also helps that the “angel maker” feels like a refugee from an early draft of a Thomas Harris novel rather than a bland psychopath of the week.

Served…

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Filed under: Television | Tagged: Bryan Fuller, christmas, Federal Bureau of Investigation, god, hannibal, hannibal lecter, Hugh Dancy, jack, Jack Crawford, laurence fishburne, Mads Mikkelsen, NBC, red dragon, serial killer, silence of the lambs, thomas harris, will graham | 2 Comments »

Star Trek – The Klingons: Starfleet Intelligence Manual (FASA) (Review)

Posted on August 12, 2013 by Darren

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

The sheer wealth of supplemental material which exists for Star Trek is often quite stunning. While nowhere near the marketing juggernaut that Star Wars is, the depth of the Star Trek brand can’t help but seem impressive. On top of the television show and movies, there are novels and comics, but it goes even further than that. Models, blueprints, Christmas decorations, action figures, and even china dinner sets. It is occasionally awe-inspiring, but also quite intimidating.

Still, it’s interesting to witness how this extended material has come back to influence the “core” of the franchise. It’s not unheard of for spin-offs and tie-ins to help develop a core property. Kryptonite and Jimmy Olsen were added to the Superman mythos, for example, following their popularity on the radio show. Here we have some background material prepared for the FASA Star Trek role-playing game that was popular during the 1980s. As with a lot of this sort of stuff, it’s not really “canon” or “continuity” in anyway that seems to count.

However, The Klingons: Starfleet Intelligence Manual is interesting because it world-builds the franchise, explicitly in reference to John M. Ford’s vision of Klingon culture in The Final Reflection.

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Filed under: The Original Series | Tagged: Diane Duane, Errand of Mercy, Final Reflection, Ford, Heart of Glory, John M. Ford, Klingon, Rihannsu, Star Trek Next Generation, StarTrek | Leave a comment »

Hannibal – Ceuf (Review)

Posted on August 9, 2013 by Darren

Ceuf is somewhat overshadowed by the controversy it generated, an episode of Hannibal pulled from broadcast following several national tragedies (including the Boston bombings and the Newtown tragedy). In the wake of these two high-profile incidents, it was felt that broadcasting the full episode so close to the events would have been a bit much. This move naturally generated a host on on-line commentary with various people adopting various positions on the topic of whether or not Bryan Fuller was right to pull the show from the air. In a way, Ceuf is far more interesting for what it ended up being than as a chapter of Hannibal.

Something to chew over…

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Filed under: Television | Tagged: arts, boston, Bryan Fuller, Buffy: The Vampire Slayer, Ceuf, Fuller, hannibal, hannibal lecter, Hugh Dancy, Jack Crawford, Molly Shannon, NBC, serial killer | Leave a comment »

Star Trek: Myriad Universes – Echoes and Refractions: The Chimes at Midnight by Geoff Trowbridge (Review)

Posted on August 9, 2013 by Darren

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

The death of Spock at the climax of Star Trek II: The Wrath of Khan is one of the definitive Star Trek moments. Pop culture has assimilated the moment, to the point where any half-decent nerd will identify “the needs of the many…” or “I have been and always shall be…” or maybe even “of all the souls I encountered…” It’s an absolutely massive moment for the franchise, where the film series dared to kill off the show’s most iconic and best-loved character.

It’s no wonder that the moment is such a strong focal point for those seeking to explore Star Trek. Star Trek: Into Darkness riffs mercilessly on that iconic scene, inverting it and counting on the iconography to generate enough emotional resonance for the film to get away with a fairly half-hearted homage. (The effects of The Wrath of Khan last until Star Trek III: The Search for Spock, while the consequences of the climax of Into Darkness don’t even last until the closing credits.)

So that famous sequence serves as an effective focal point of Geoff Trowbridge’s The Chimes at Midnight, which offers a parallel continuity of the Star Trek films in a universe where Spock died after the events of Yesteryear.

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Filed under: The Original Series | Tagged: Chimes of Midnight, Cold War, Dominion War, kirk, Napoleonic Wars, Saavik, second world war, spock, star trek, Star Trek II: The Wrath of Khan, Star Trek III: The Search For Spock, Star Trek Into Darkness, star trek iv the voyage home, Star Trek: The Animated Series, Star Trek: The Motion Picture, StarTrek, Vietnam War, World War I, world war ii, Wrath of Khan | 4 Comments »

Star Trek – The Pandora Principle by Carolyn Clowes (Review)

Posted on August 8, 2013 by Darren

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

It’s amazing to think how much tie-in material the character of Saavik has generated, considering that she only appeared in three Star Trek films. There are regular characters who have never attracted the same degree of attention as Saavik. There’s probably a reason for this. After all, Saavik was introduced as an important character in Star Trek II: The Wrath of Khan. There’s even some speculation that she might have been originally intended as a replacement for Spock, had Leonard Nimoy decided not to return to the franchise. As such, she was introduced as a surprisingly developed character with a background rife with storytelling potential.

It’s a bit of a disappointment, then, that she was first re-cast as Robin Curtis in Star Trek III: The Search for Spock and then she was quietly shuffled off-stage at the start of Star Trek IV: The Voyage Home, never to be seen again. Perhaps that squandered potential is at the root of the fascination with Saavik. The Pandora Principle, the only Star Trek novel from author Carolyn Clowes, offers us an origin and a history for the character, building off hints and character attributes that were never even mentioned on-screen.

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Filed under: The Original Series | Tagged: Darkness, DVD, film, kirk, Leonard Nimoy, Motion Picture - Star Trek, Pandora Principle, Saavik, spock, Star Trek II: The Wrath of Khan, Star Trek III: The Search For Spock, Star Trek Into Darkness, StarTrek, Thursday, Tuesday | 10 Comments »

Hannibal – Potage (Review)

Posted on August 7, 2013 by Darren

Hannibal continues to move apace. Serialisation can often be a tricky beast, because it relies heavily on pacing. Reveal too much too fast and none of the plot beats carry enough weight. Drag out your revelations and your game-changing twists, and things feel too slow. The sense of progression is lost. On top of that, and something which is easily overlooked when it comes to serialisation, the key is to ensure that each episode exists as its own entity, while remaining a part of the whole. As often as one might use the “chapters of a book” analogy for episodes of The Sopranos or The Wire, this tends to ignore that each episode generally tended to be structured as its own entity. While a part of a larger story, each episode was its own self-contained unit of story.

Potage seems to suggest that Hannibal is finding its feet in the area, and carefully pacing itself. We are peeling back the layers on the eponymous psychiatrist at a pace that is neither too fast nor too slow. The evidence is mounting and his moves are becoming more brazen, but he retains his air of mystery. Since Lecter is a character who only really works with that sense of mystery, it’s a shrewd balance between progressing the plot and retaining the character’s appeal. Potage demonstrates the show has quite a knack for it.

The good doctor?

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Filed under: Television | Tagged: Abigail, Abigail Hobbs, Caroline Dhavernas, crime, drama, hannibal, hannibal lecter, Lecter, Mads Mikkelsen, NBC, serial killer, sopranos, Television, thomas harris, will graham, Wire | Leave a comment »

Star Trek (DC Comics, 1984) #7-8 – Saavik’s Story (Review)

Posted on August 7, 2013 by Darren

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

Star Trek comics are an interesting way of catching a glimpse at the franchise one-step away from the heart of production. While there are other forms of tie-in media, comics are produced on a monthly schedule. While scripts need to be written and art needs to be drawn, there’s less lead-in time required, meaning that contemporary Star Trek comics are often able to react dynamically to on-screen events. While novels might take up to a year from original pitch to the time they hit the stands, there’s something rather more urgent about tie-in comic books.

This is an issue for many tie-ins comics. For example, the syndicated Star Trek newspaper strip launched shortly before the release of Star Trek: The Motion Picture made a point to feature Ilia as a bridge officer on a relaunched USS Enterprise. She rather suddenly disappeared after those involved actually saw the movie and realised that she didn’t quite survive the adventure. Similarly, when it came to detailing the adventures of Kirk and company in the wake of Star Trek III: The Search for Spock, writer Mike W. Barr moved the crew over to the USS Excelsior, in accordance with writer Harve Bennett’s original plan.

That said, Mike W. Barr’s comic book origin story for Lt. Saavik holds up rather well, fitting quite comfortably with Carolyn Clowes’ origin for the character offered in the superb 1990 book The Pandora Principle. Of course, Barr’s origin sketches the broadest of outlines, and is clearly more preoccupied with crafting a pulpy space opera adventure.

Saving Saavik!

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Filed under: Comics, The Original Series | Tagged: DataTrak International Inc., Klingon, Lieutenant commander, Mike W. Barr, Motion Picture - Star Trek, Redemption (Star Trek: The Next Generation), Romulan, Saavik, Sarek, spock, Star Trek II: The Wrath of Khan, Star Trek III: The Search For Spock, Star Trek Online, star trek: the next generation, StarTrek, Trek | 4 Comments »

Star Trek: To Reign in Hell – The Exile of Khan Noonien Singh by Greg Cox

Posted on August 6, 2013 by Darren

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

I feel like I’m in the minority because I didn’t much care for Greg Cox’s The Eugenics Wars: The Rise and Fall of Khan Noonien Singh, Vol. 1 & 2. The books had an absolutely great premise, and Cox had a very clever way of explaining how the Star Trek universe could have had a major conflict between genetically-engineered supermen in the 1990s, despite the fact that their version of the 1990s looked a lot like ours. However, Cox became bogged down in shout-outs and continuity references and character cameos. Despite the seemingly epic scope of the story, it seemed like 20th century Earth was inhabited by twenty people who all knew one another.

In contrast, To Reign in Hell has a much less ambitious and exciting premise, but the novel also reigns in some of Cox’s excesses. While the author’s taste for continuity sometimes overwhelms the narrative, he is somewhat restrained in how heavily he cane lean on what came before. While Cox’s prose is still a little prosiac, and his narration a little ham-fisted, he at least has a bit more room here to develop Khan as a character. Without the crutch of feeling the need to reference every 20th century character ever to appear in Star Trek, Cox can focus on his leading man.

Well, mostly.

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Filed under: The Original Series | Tagged: Cox, Greg Cox, james t. kirk, khan, Khan Noonien Singh, kirk, Leonard McCoy, List of Star Trek planets (C–F), star trek, Star Trek II: The Wrath of Khan, Starfleet, Wrath of Khan | Leave a comment »

Hannibal – Amuse-Bouche (Review)

Posted on August 5, 2013 by Darren

Second episodes can be tough. Pilots tend to establish the core themes and characters of a show, offering a very clear blueprint going forward and perhaps hinting at the direction that you want to take things. They are grand mission statements, couched in broad terms and delivered with a sense of novelty. Second episodes are a bit less exciting. They are about putting that plan into action, defining the edges a bit, expanding outwards where necessary and refining as needed. It’s with the second episode that you really get a sense of what a show is going to be like in a more practical week-to-week sense.

By that measure, Amuse-Bouche works quite well at giving us a sense of putting the show’s feet on the ground and helping prepare us for what lies ahead for the rest of the season.

It’s growing on me…

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Filed under: Television | Tagged: Amuse-Bouche, anthony hopkins, Bryan Fuller, business, chris carter, Clarice Starling, Crawford, Criminal Minds, god, Graham, hannibal, hannibal lecter, Hobbs, Hugh Dancy, NBC, serial killer, silence of the lambs, texas, thomas harris, will graham | Leave a comment »

Star Trek – Crucible: Spock – The Fire and the Rose by David R. George III (Review)

Posted on August 5, 2013 by Darren

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

The second part of David R. George II’s epic Crucible trilogy, The Fire and the Rose, can’t quite measure up to the charm and warmth of the first instalment in the series, Provenance of Shadows. George’s Crucible trilogy is a breathtakingly ambitious piece of work. Celebrating the fortieth anniversary of Star Trek with a trilogy of novels, each grounded in The City on the Edge of Forever and each based around a different member of the show’s leading trinity. The Fire and the Rose is still a very smart and well-constructed read, but it stands in the shadow of the first of George’s three books.

I suspect that at least part of the reason The Fire and the Rose doesn’t work as well is down to the subject. Leonard McCoy is a vitally important Star Trek character, but he was also a relatively under-developed one. While he was one of the leading trio on the original show, he was never as popular as Kirk and Spock, and never garnered the same amount of attention. (Notwithstanding solid work done by writers like Diane a Duane.) So McCoy was a relatively blank canvas for George to develop.

In contrast, Spock is the face of Star Trek. He was part of the first episode of Star Trek ever produced. He appeared in the most recent film released. Although DeForest Kelley christened Star Trek: The Next Generation with a cameo in Encounter at Farpoint, Leonard Nimoy’s visit to the spin-off earned a full two-parter in Unification. As such, Spock is a character who has been developed and explored and expanded by countless writers over the franchise’s long history.

Quite frankly, it’s hard to imagine there’s too much left to say about him. George tries quite hard, and find a nuance or two, but The Fire and the Rose feels more like an attempt to consolidate what we already know of Spock.