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In Defense of Blockbusters: Are We Unduly Harsh on Big Budget Hollywood Movies?

I was just remarking how much I love cinema – how much I am predisposed to like a film – and I got thinking, why are we so harsh on big budget Hollywood films? Don’t get me wrong, the studio system produces its fair share of crap, but it seems to be the target of choice for any person looking to decry the death of modern culture. We’re assured, virtually everywhere, that the blockbuster is meant to be a cheap, disposable form of entertainment – and that it’s simply a “guilty pleasure”, if at all. I’ve noticed this trend quite a bit of late, as this is the time of the year that movie geeks look ahead to the summer season and realise… seemingly to their horror (though it can’t possibly be to their surprise)… that the summer is filled with big-budget mainstream blockbusters from wall-to-wall. Ignoring the fact that Hollywood’s annual cycle is highly predictable these days (save only the emerge of what I like to call “quirky March” in recent years), why is the arrival of the summer fare universally treated as a bad thing?

Swimming with sharks...

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Like a Good Kick in the Side: Sidekicks and Superheroes – a Childish Combination?

Let’s be honest, a lot of the early superhero movie adaptations – from Richard Donner’s Superman to Tim Burton’s Batman – played fast and loose with the source material that they were drawn from. There wasn’t really the same sense of fidelity that one sense at work in modern comic adaptations, the sense that modern audiences are geeky enough to accept concepts like superhero nostalgia or deconstructions of comic book heroism without having to “sanitise” them for mass consumption. There’s a sense that there’s relatively little that can be deemed “too geeky” or “too corny” for a mainstream audience, at least not if done in the proper manner. However, there is one concept which still seems a little too “out there” for popular audiences: that of the kid sidekick. Captain America: The First Avenger cast its sidekick as 27-year-old Sebastian Stan, rather than the teenager of the comics. Why are we so embarrassed by this one element of superhero lore?

Compare and contrast...

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Non-Review Review: A Somewhat Gentle Man

This film was seen as part of the Jameson Dublin International Film Festival.

A Somewhat Gentle Man was a very pleasant little surprise to catch on the last day of the Jameson Dublin International Film Festival. It’s a delightfully dark Norwegian comedy about a man recently released from prison, trying to make his way in the world.

He's got snowhere to go...

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Critical Predisposition: What Preconceptions Do You Bring Into Movies?

Over the last week, I had the pleasure to visit the Jameson Dublin International Film Festival. I saw a lot of films as part of that, and the reviews have been popping up all week. Anyway, they give out an audience award, which gave me occasion to actually score films. Regular readers here know that I am loath to try to objectively rank cinema, as it’s a very subjective medium and I have difficulty reconciling relative grades, but I went along with it. Anyway, they use a four-point scale and, long story short, I found myself using a lot of “3” grades, which is the second-highest rank. This kinda got me thinking: Am I a little too generous to films I really shouldn’t be? How do I approach the cinema? Do I look for things to love? Do I have a pre-disposed bias? Do I want to love films, even if they aren’t especially great?

Me, aged about eight...

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Non-Review Review: Rango

I quite enjoyed Gore Verbinski’s Rango, even though I was never quite sure what to make of it. While it isn’t quite as strong as the typical Pixar fare, the film compares rather well with some of Dreamworks’ better output over the last number of years.

A prickly customer...

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Non-Review Review: Lo Que Más Quiero (What I Love The Most)

This film was seen as part of the Jameson Dublin International Film Festival.

The movie that will quite possibly be forever known as “the longest 70 minutes of my life.”

This is actually one of the more interesting shots of the film...

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Non-Review Review: Preludio

This film was seen as part of the Jameson Dublin International Film Festival.

Preludio was an interesting second feature for Mexican director Eduardo Lucatero. After his debut with Corazón Marchito in 2007 – a relatively large-scale production for Mexican cinema – it seems strange for the director to move back to a film so minimalist. Preludio is a movie with one scene, two leads, five other actors (and not all of them are speaking roles), one set and one take. It sound like it has the making of an art house disaster, and yet the director manages to make it work.

Smoking buddies...

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Non-Review Review: Á Bout Portant (Point Blank)

This film was seen as part of the Jameson Dublin International Film Festival.

Point Blank is another one of those movies which snuck up on me a little during the Jameson Dublin International Film Festival. I wasn’t expected to do anything more than kill a couple of hours with a French film, but was surprised at how energetic and engaging this little action movie is. In fact, it calls to mind some of Luc Besson’s earlier work, which is always a good sign.

A shot of adrenaline...

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Podge & Rodge for the Irish Cancer Society…

I am big Podge & Rodge fan. I grew up on them, to be honest, with their own unique brand of toilet humour. So when I found out the pair were teaming up with the Irish Cancer Society to raise awareness of bowel cancer, I thought I’d post the video here. I think everyone respects and appreciates the work that the Irish Cancer Society do, and I remember – in college – that the production company behind Podge & Rodge were always eager to supply spot prizes for any fundraising table quiz we might put on. So, when they sent this on, I thought I’d share it.

A word of warning for any Americans stumbling across this video, Podge & Rodge are a… very Irish institution, and a very peculiar sense of humour. It’s the kinda thing that foreigners rarely get to see, so consider yourselves both warned and honoured. The clip is very not safe for work (only language, though).

Yes, they are a national treasure. In fact, there’s a whole bunch of iconic Irish puppets. Take, for example, the 2008 Irish entry to the Eurovision Song Contest:

Apparently those wacky Europeans didn’t react well to us making an even bigger mockery of their singing competition than normal. And in case any Americans reading this need an introduction to the Eurovision, this is fairly accurate parody of what a typical Irish entry to the Eurovision song contest looks like:

So ends our brief introduction to Irish Pop Culture 101.

The Four Horsemen of the Apocalypse at the National Concert Hall

This film was seen as part of the Jameson Dublin International Film Festival.

I was lucky enough to be in attendance for a gala performance of Rex Ingram’s 1921 classic The Four Horsemen of the Apocalypse at the National Concert Hall, complete with live accompaniment by the RTE Concert Orchestra – featuring a new soundtrack composed by Carl Davies. While the film is one of those classics I respect more than I enjoy, I have to give credit to the National Concert Hall for hosting the gala event.

An artist at work...

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