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Out With the New: What’s Wrong With A Little Reimagining…?

I have to admit, I’m looking forward to The Muppets. That makes it all the more unfair that I’ll have to wait until 2012 to see it in a cinema – something that breaks my heart just a little bit. However, I’ve been fascinated by some of the discussions generated by the film, particularly with classic “muppet” staff coming out of the woodwork to comment on what they’ve seen of the rebooted muppets so far. Frank Oz has even offered some pretty harsh commentary:

“I wasn’t happy with the script,” he said about his decision to turn down the film. “I don’t think they respected the characters. But I don’t want to go on about it like a sourpuss and hurt the movie.”

There’s been quite a bit of focus around Fozzie the Bear’s “fart shoes” featured in one trailer:

“We wouldn’t do that; it’s too cheap. It may not seem like much in this world of [Judd] Apatow humor, but the characters don’t go to that place,” said one Muppets veteran. Another laments, “They’re looking at the script on a joke-by-joke basis, rather than as a construction of character and story.” Another is even concerned about stepping outside the established mythology saying that the upcoming film “creates a false history that the characters were forced to act out for the sake of this movie.”

I can certainly understand the feeling. However, part of me wonders if we are too concerned with preserving the “integrity”of classic franchises and stories, and if trying to limit the risks taken with them might ultimately be counterproductive.

Driving the franchise to ruin?

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Non-Review Review: Despicable Me

I think that, as a general trend, the quality of computer-animated films has increased significantly over the past number of years. I think there are a variety of reasons for this – the most obvious being that it seems to be easier to do, and so more companies are trying; but also because there’s an increasing body of work that offers hints on what to do and how to do it. While Pixar remain the undisputed champions of computer-generated animation, I think we’ve seen an increasing number of high-quality releases from all studios in the past few years. Despicable Mesees a new studio throwing their hat into the ring and it makes for an impressive debut. While there’s still room for improvement, Despicable Me is fast and fun, and remarkably uncynical for a children’s movie about super-villains.

Aiming for the moon...

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The Beginning of the End? Is It Too Early To Be Talking About “The Best of the Year”?

The New York Critics’ Circle has moved the date of their annual awards forward to 28th November. I don’t know about you, but that sounds like an awfully early date for a festival designed to celebrate the best of the year that has been – especially when you consider that the logistics of posting and counting votes. It’s a full month before the end of the year! How many films are yet to be screened at this point? It got me thinking about the “best of…” polls that we inevitably see as the year draws to a close? When do people start compiling those lists?

Well, I guess we can all cut this one out of our NYCC pools...

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Non-Review Review: The American

The American is a slow-moving introspective film. Director Anton Corbijn seems to be trying to evoke Sergio Leone, with the story of an American hired gun lying low in a small Italian village. Slow-moving and subtle, The American feels quite meditative for most of its runtime, although it does occasionally seem almost comatose. Still, George Clooney makes for a convincing leading man, adding a great deal of depth to an archetype we’ve seen countless times before. While it’s a little too slow for its own good, it’s never less than beautiful and often fascinating.

Beautifully shot...

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Vault-emort: Harry Potter and the Disney Vault: Won’t Somebody Think of the Children?

I’ve known about the “Disney Vault” ever since I started buying DVDs, well over a decade ago. It’s the reason why you can’t simply go into a movie shop and ask for a copy of every Disney movie, as the company regulates the titles coming in and out of release on various home entertainment platforms at any given moment, giving consumers only the smallest window of opportunity to pick up a given childhood classic before snatching it away for another six or seven years. While I have some serious problems with the practice, it’s a shrewd economic move, and I always wondered why Disney were the only studio to really do it.

Well, Warner Brothers recently announced that they’d be doing something similar, pulling the theatrical versions of the Harry Potter films from DVD and blu ray on the 29th December 2011. That leaves movie fans with only forty-eight days in which to pick up their copy of Harry Potter and the Deathly Hallows: Part II. I suppose this sort of development was inevitable, but it doesn’t mean I have to like it.

Will a lot of film fans feel a bit hallowed by the news?

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Is Captain Haddock the Ultimate Hero of Hergé’s Tintin?

I think it’s safe to agree that Captain Archibald Haddock was the breakout character of Hergé’s The Adventures of Tintin. Introduced in The Crab With the Golden Claws, one of three adventures to form the basis of Spielberg’s The Adventures of Tintin: The Secret of the Unicorn, Haddock has rarely been absent from the series in the time that followed. Indeed, Hergé even went back and wrote him into the end of a story (The Land of Black Gold) that he began before Haddock was even created. Haddock’s appeal seems to be incredible, with the blue-turtleneck-wearing sea-captain almost as iconic as Tintin and Snowy. Returning to the series for the first time in years, as the release of the new movie approaches, I couldn’t help but wonder if Haddock was the real hero of the series.

He'll never desert Tintin...

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Non-Review Review: The Ides of March

It’s very hard to make a movie about politics without feeling a little bit forced – as if you’re shoehorning in a particular viewpoint or an ideology, setting up strawmen for the movie to bulldoze over on the way to the final scene. It’s to director (and actor) George Clooney’s credit that The Ides of March manages to avoid seeming too preachy or too staged, instead opting to comment on the nature of political integrity, rather than accusing specific ideologies of having it or lacking it. Set within a Democratic Presidential Primary, the movie shrewdly avoids focusing on an ideological or political gap, instead contemplating the harsh realities of any political maneuvering.

Are the gloves coming off?

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Non-Review Review: The Adventures of Tintin – The Secret of the Unicorn

It’s Indiana Jones, but for kids! It’s fascinating that the collaboration of Steven Spielberg and Peter Jackson should produce something that feels much more like the earlier Indiana Jones films than Spielberg’s most recent collaboration with George Lucas. Adapting Hergé’s The Adventures of Tintin was always going to be a challenging proposition, and it’s to the credit of everybody involved that it turned out so well. While it’s not quite perfect, The Adventures of Tintin: The Secret of the Unicorn is undoubtedly Spielberg’s most entertaining family film since Jurassic Park.

Franchise launcher?

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Non-Review Review: Casino Jack

Casino Jack boasts a superb performance from Kevin Spacey in the lead role of Jack Abramoff. Unfortunately, that’s about it. I don’t mean that Casino Jack is a bad film, by any means, it’s just a purely functional one. It manages to take a bunch of interesting elements – a timely political plot, a bunch of fascinating supporting performances, a compelling lead character – and do absolutely nothing with any of them. Despite the rather wonderful potential to tell a parable for our time, the script is formulaic and bland, with nothing by the way of insight.

Jacked up...

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Non-Review Review: Music by Prudence

The first annual International Disability Film Festival is being hosted from the 20th through to the 23rd October, organised by Arts & Disability Ireland, in Dublin and Galway. I was honoured to be invited to the gala screening of the Oscar-winning HBO documentary Music by Prudence. You can read more information on the festival here.

Music by Prudence is an absolutely fascinating documentary from director Roger Ross Williams, looking at the band Liyana, fronted by Prudence Mabhena. The thirty-three minute documentary does a wonderfully effective job giving us a snapshot into the Zimbabwean band, composed of faculty and students from the King George VI Centre and School for Children with Physical Disabilities. The runtime is remarkably short, but Williams compensates by giving us a whirlwind introduction to the band’s lead singer, who has enough charm and wit to carry a far longer documentary. The band themselves provide a beautiful soundtrack, and there’s talk of them releasing two albums off the back of the film’s success.

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