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Non-Review Review: What If?

“Can men and women ever really be friends?” is so familiar that it’s practically a cliché. The line that exists between platonic male-female friendship and romantic entanglement was the engine that drove When Harry Met Sally, one of the best-loved romantic comedies ever produced. What If? covers familiar ground, charting the awkward friendship that develops between a young animator in a long-term relationship and a medical school drop-out working through his own issues.

To be fair, the tension between “romantic entanglement” and “platonic friendship” is somewhat undercut by the fact that What If? positions itself as a romantic comedy. The movie plots a familiar arc, hitting the expected plot points along the way. The structure is very clearly that of a romantic comedy, right down to the somewhat contrived (and inevitable) third act obstacles. Imposing the genre constraints of the “romantic comedy” upon a film like this cannot help but suggest an obvious answer to the  driving question.

What If? works despite the familiarity. That is largely down to the charm of its two lead performers. Daniel Radcliffe and Zoe Kazan play well off one another, creating a wonderfully intimate dynamic that suggests genuine affection rather than simply superficial attraction. What If? is a light comedy, but one that is executed with sufficient charm and wit.

Why can't we be friends?

Why can’t we be friends?

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Non-Review Review: Planes 2 – Fire and Rescue

It’s the eyes.

When computer-generated animation first emerged, the hardest part was the eyes. Figures could be rendered in a completely photo-realistic fashion, right down to individual strands of hair, but the eyes were always a problem. If the eyes weren’t right, the animated characters – no matter how thoroughly rendered – inevitably felt like they were beckoning us into the uncanny value. The opposite was also true; cartoonish figures and inanimate objects could be imbued with incredible humanity if the eyes were right.

All fired up...

All fired up…

The computer-generated animation in Planes 2: Fire and Rescue is certain competent. It is not cutting edge, but computer-generated animation has reached a point where it doesn’t have to be cutting edge to work effectively. There are action sequences, there is physical comedy, there are stylised insets. While Planes 2: Fire and Rescue doesn’t break new ground, it is relatively polished.

However, it’s the eyes. A stylised decision in keeping with the world established in Cars, the planes have eyes that look like two-dimensional drawings on the windscreen. It’s a very simple representation of the eyes. It is also a decision that undoubtedly makes them a lot more toyetic. The planes can move their wipers and control the height and width of their windscreens to generate all sorts of exaggerated expression. However, the eyes never seem more than stickers, unable to convey depth or nuance.

Flying so low...

Flying so low…

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Non-Review Review: Dawn of the Planet of the Apes

Constructing a satisfying sequel is an artform unto itself. It is something that requires a great deal of skill. As with any aspect of filmmaking, building off an earlier film is a very difficult thing to do. Producing a sequel comes with its own set of artistic risks and challenges, its own obstacles and hurdles. Navigating those potential problems and finding a way to meet (and even surpass) expectations without straying too far from the framework of the original film is difficult.

As with making any movie, there are existing frameworks and structures that do a little help make navigating those problems a little easier. Perhaps the structure of Star Wars: The Empire Strikes Back is the most obvious example. Using the trust established by the first film, the ensemble are split up to carry different strands of the plot, revealing scattered pieces of a larger whole, before reuniting for an epic finalé. Bryan Singer used this approach for X-Men II and How to Train Your Dragon 2 also followed it.

Playing him for a chimp, eh?

Playing him for a chimp, eh?

Dawn of the Planet of the Apes is in an interesting position. It is a sequel to a remake; a remake of a film franchise that was originally iconic and influential, before dying a slow and humiliating public death as the series diminished and collapsed. Not only does Dawn of the Planet of the Apes come with the expectations of Rise of the Planet of the Apes, it comes with the revived expectations of the entire Planet of the Apes franchise; expectations restored by Rise of the Planet of the Apes.

Dawn of the Planet of the Apes chooses a very clever structure for this sequel, loosely following the sequel framework typified by Christopher Nolan’s work on The Dark Knight. This is a very clever approach, and it pays dividends. Dawn of the Planet of the Apes is an ambitious and exciting sequel, a wonderful post-apocalyptic epic and an engaging moral parable.

Going ape for it...

Going ape for it…

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Non-Review Review: Deliver Us From Evil

Deliver Us From Evil is a film where ambition seems to outpace ability. A wonderfully surreal blend of cop action movie with exorcism horror, the movie manages to score a few clever juxtapositions – even if it never seems to decide whether it’s gloweringly serious or wryly ironic. While Deliver Us From Evil never finds the right balance of po-faced gravitas and witty self-awareness, it is a surprisingly enjoyable ride.

After all, it is very hard to hate a film where a demonic presence seeks to establish itself upon the world using the music of The Doors as a recurring motif.

The writing's on the wall...

The writing’s on the wall…

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Non-Review Review: Transformers 4 – Age of Extinction

Transformers: Age of Extinction is not a movie. It is a pneumatic drill. It is sustained bombardment. It is an attempt to force the audience into submission by bounding them. There isn’t a moment of the film where Michael Bay allows silence or mood. Even the establishing shots are offered through swooping camera shots – up, down, in, out. There’s no sense of place or time or character. It’s an extended music video, set to the percussion of cannon fire.

A Prime time?

A Prime time?

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Non-Review Review: Begin Again

Music is absolutely wonderful. It’s a method of communication that has the tremendous ability to bring people together, and to help set mood and tone. Of course, there’s all sorts of delightful complications to it – although songs may capture a particular moment in the life of the songwriter, as if trapping emotions in amber, they also capture particular moods and moments for the person listening to the music. A snippet of a song overhead faintly on a radio through an apartment wall can serve as a gateway back in time.

Although – speaking strictly scientifically – smell is the sense that leads most directly to memory, music has perhaps the strongest emotional resonance. Beloved songs provide a snapshot of something as transcendental as sensation and atmosphere. It is very hard to put these sentiments into words, to articulate through language. A guitar chord struck at the right time in the right rhythm, or a syllable stressed in one direction rather than any other, can say so much in such a small space.

Begin Again is a charming romantic ode to the power of music, beautifully and elegantly capturing the romance of song.

Playing along...

Playing along…

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Non-Review Review: How To Train Your Dragon 2

How To Train Your Dragon 2 is a staggeringly beautiful piece of work. Every frame of the movie is elegantly crafted and beautifully composited. It’s a wonderful example of how computer-generated animation is every bit as artistically valid as the classic hand-drawn style. The vistas are breathtaking, the choreography is stunning, the design work is elegant. It’s a wonderful piece of animation that is never anything less than visually amazing.

Structurally, How To Train Your Dragon 2 is well-constructed – perhaps a little too well-constructed. It’s a wonderful demonstration of just how fantastic the sequel structure established by The Empire Strikes Back can be when applied well. The sequel is meticulously put together, carefully and precisely calibrated to strike the right notes at the right time with the right intensity. As far as constructing a sequel goes, How To Train Your Dragon 2 is following some impressive blueprints.

There are moments when it feels like How To Train Your Dragon 2 adheres a little too rigidly to formula, but given how well it pays off, it’s easy enough to forgive.

Sky hopes...

Sky hopes…

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Non-Review Review: Jersey Boys

Jersey Boys looks and feels pretty much exactly how you might expect a musical directed by Clint Eastwood to look and feel.

Adapted from the Tony-Award winning hit musical, it is awash with nostalgia. Jersey Boys provides an account of the career of Frankie Valli from his early days in the local neighbourhood through to induction in the Rock and Roll Hall of Fame in the nineties. The film is shockingly traditional in terms of construction, adhering rigidly to the formula for a successful musical bio-pic, from the early grifting to the eventual discord to the heart-felt reunion epilogue, complete with questionable old-age make-up for the cast.

Jersey Boys hits all the expected notes, but never quite brings the house down.

Sign of the times...

Sign of the times…

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Non-Review Review: The Fault in Our Stars

The Fault in Our Stars is a wonderfully constructed teenage romance, featuring a fantastic central performance from Shailene Woodley as Hazel Grace Lancaster, a sixteen-year-old cancer patient dealing with her own mortality. She bumps into Augustus Waters at a support group meeting. Augustus is another survivor, and the two immediately hit it off. While The Fault in Our Stars is fairly predictable, and hits relentlessly on the expected emotional beats, Woodley’s performance is strong enough to elevate the film.

Scott Neustadter and Michael H. Weber’s adaptation of John Green’s best-selling novel avoids wallowing too heavily in melodrama. Despite a few missteps, The Fault in Our Stars feels like a much more genuine and thoughtful exploration of loss and tragedy than films like My Sister’s Keeper or Death of a Superhero or Now is Good.

Getting into the swing of things...

Getting into the swing of things…

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Non-Review Review: Oculus

Oculus is torn between two extremes. On the one hand, it’s an ambitious horror film that engages with questions of perception and subtext, while throwing all manner of horror tropes together to form something of a horror movie stew. On the other hand, it rather quickly devolves into a fairly generic horror film that coasts on gore to unsettle the audience and always takes the easiest possible scare. Oculus is at its best during its muddled and exposition-filled opening acts.

While certainly flawed, these segments have an endearing substance to them. In contrast, Oculus is at its worst in the obligatory third act run-around.

All work and no play makes Rory Cochrane a dull boy...

All work and no play makes Rory Cochrane a dull boy…

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