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My 12 for ’14: Dawn of the Planet of the Apes and Talkin’ ‘Bout a Revolution…

With 2014 coming to a close, we’re counting down our top twelve films of the year. Check back daily for the latest featured film.

The world has always seemed like it was on the cusp of something – like there was a powder keg ready to errupt. The infamous “doomsday clock” has never been further than seventeen minutes from midnight, and – outside of that brief moment of post-Cold War euphoria – mankind has always been living within a quarter-of-an-hour from the end of existence as we know it. Nuclear weapons. Global warming. Biological warfare. Economic collapse. All possible world-enders.

The new millennium has been dominated by the threats of terrorism and of global warming, unconventional opponents that can difficult to engage. However, 2014 brought its own particular brand of uncertainties and discomforts. In February, a revolution in the Ukraine sparked a political crisis in Europe, pushing Russia to loggerheads with Europe and the United States. Since August, Ferguson has been simmering away, the imagery of the protests burnt into the collective unconscious. The Syrian Civil War has faded from the front pages.

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The word “revolution” seemed to simmer away in the background, with certain young activists actively travelling to Ferguson in search of their own revolution. Writing in Time magazine, Darlena Cunha compared the trouble in Ferguson to the civil unrest which gave rise to the American Revolution. Demonstrating no shortage of self-importance, actor and comedian Russell Brand published his own manifesto – helpfully titled Revolution – in whish he pledged to lead a global revolution.

“The revolution can not be boring,” Brand advised readers. They seldom are. Revolutions are typically bloody, brutal, violent, horrific. There is a reason that wars of independence tend to be followed by civil wars and internal strife. Although the idea of revolution holds a romantic allure, history demonstrates that revolutions seldom help those most in need of assistance. “Meet the new boss,” the Who teased on Won’t Get Fooled Again, “same as the old boss.” Dawn of the Planet of the Apes is a harrowing and compelling exploration of revolutionary bloodshed.

dawnoftheplanetoftheapes3 Continue reading

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Non-Review Review: Dawn of the Planet of the Apes

Constructing a satisfying sequel is an artform unto itself. It is something that requires a great deal of skill. As with any aspect of filmmaking, building off an earlier film is a very difficult thing to do. Producing a sequel comes with its own set of artistic risks and challenges, its own obstacles and hurdles. Navigating those potential problems and finding a way to meet (and even surpass) expectations without straying too far from the framework of the original film is difficult.

As with making any movie, there are existing frameworks and structures that do a little help make navigating those problems a little easier. Perhaps the structure of Star Wars: The Empire Strikes Back is the most obvious example. Using the trust established by the first film, the ensemble are split up to carry different strands of the plot, revealing scattered pieces of a larger whole, before reuniting for an epic finalé. Bryan Singer used this approach for X-Men II and How to Train Your Dragon 2 also followed it.

Playing him for a chimp, eh?

Playing him for a chimp, eh?

Dawn of the Planet of the Apes is in an interesting position. It is a sequel to a remake; a remake of a film franchise that was originally iconic and influential, before dying a slow and humiliating public death as the series diminished and collapsed. Not only does Dawn of the Planet of the Apes come with the expectations of Rise of the Planet of the Apes, it comes with the revived expectations of the entire Planet of the Apes franchise; expectations restored by Rise of the Planet of the Apes.

Dawn of the Planet of the Apes chooses a very clever structure for this sequel, loosely following the sequel framework typified by Christopher Nolan’s work on The Dark Knight. This is a very clever approach, and it pays dividends. Dawn of the Planet of the Apes is an ambitious and exciting sequel, a wonderful post-apocalyptic epic and an engaging moral parable.

Going ape for it...

Going ape for it…

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Watch! New Dawn of the Planet of the Apes Trailer!

Rise of the Planet of the Apes was a surprise cinematic treat in 2011, the second reboot of a franchise that had gone quite some time without a palpable hit. The movie was rare joy, rather cleverly anchoring its high-concept science-fiction premise in an engaging tale of a family divided, featuring a fantastic central performance from Andy Serkis as the somewhat forebodingly named “Caesar.”

It’ll be interesting to see if Dawn of the Planet of the Apes can match that quality, but the trailer looks like it hits the right notes – the word “family” gets repeated quite a bit, suggesting that the larger scale doesn’t mean we’ll drift too far from the themes of the original. While James Franco doesn’t look to be returning outside a small cameo on digital camcorder (although let’s not rule things out), the cast looks pretty solid. It’s a nice (nominal) lead role for Jason Clarke, and it’s always good to see Gary Oldman being unhinged.

Anyway, check out the trailer below.