Advertisements
    Advertisements
  • Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

  • Advertisements

Collapsing Into One Frame: Miami Vice, Time and Luck…

It’s that time.

Yeah.

Badges get flashed, guns come out. Arrests get made. That’s what we do.

So?

So, fabricated identity and what’s really up collapses into one frame. You ready for that on this one?

I absolutely am not.

Time and again, Michael Mann’s Miami Vice returns to the idea of images collapsing into a single frame.

It’s a recurring visual and thematic motif in Miami Vice. Around the midway point, the undercover police note the technique that smugglers are using to get past the complex array of checkpoints and scans set up to secure the border. “What’d you spot?” Tubbs asks their source at the Federal Bureau of Investigation. “Go-fast boats running that close?” Crockett muses looking at the footage. “On radar they look like one, not two.” The same technique is used later with the jet, which blurs on radar into a single image. More impressively, Mann accomplishes something similar with the camera. Two become one.

This theme of collapse is core to Miami Vice. Watching the film, there is a sense that everything is falling apart, that boundaries cannot hold. This is true of all barriers; the lines that Crockett and Tubbs try to create between their professional and personal lives, the walls set up among the different groups on the inter-agency taskforce, the borders that nominally exist to separate Miami from Cuba and the Dominican Republic. It arguably even applies to the boundaries that writers and artists try to impose upon story, with Miami Vice constantly threatening to collapse into itself.

The result is a challenging a provocative piece of work, an ethereal dream-like mediation that reads very much as the inevitable climax of Mann’s meditation on the themes of law and order. Mann’s protagonists typically work to maintain some structure on what they do, to prevent the barriers from completely caving under outside pressure. Miami Vice represents the film in which those boundaries come crashing down.

Continue reading

Advertisements

Non-Review Review: Dawn of the Planet of the Apes

Constructing a satisfying sequel is an artform unto itself. It is something that requires a great deal of skill. As with any aspect of filmmaking, building off an earlier film is a very difficult thing to do. Producing a sequel comes with its own set of artistic risks and challenges, its own obstacles and hurdles. Navigating those potential problems and finding a way to meet (and even surpass) expectations without straying too far from the framework of the original film is difficult.

As with making any movie, there are existing frameworks and structures that do a little help make navigating those problems a little easier. Perhaps the structure of Star Wars: The Empire Strikes Back is the most obvious example. Using the trust established by the first film, the ensemble are split up to carry different strands of the plot, revealing scattered pieces of a larger whole, before reuniting for an epic finalé. Bryan Singer used this approach for X-Men II and How to Train Your Dragon 2 also followed it.

Playing him for a chimp, eh?

Playing him for a chimp, eh?

Dawn of the Planet of the Apes is in an interesting position. It is a sequel to a remake; a remake of a film franchise that was originally iconic and influential, before dying a slow and humiliating public death as the series diminished and collapsed. Not only does Dawn of the Planet of the Apes come with the expectations of Rise of the Planet of the Apes, it comes with the revived expectations of the entire Planet of the Apes franchise; expectations restored by Rise of the Planet of the Apes.

Dawn of the Planet of the Apes chooses a very clever structure for this sequel, loosely following the sequel framework typified by Christopher Nolan’s work on The Dark Knight. This is a very clever approach, and it pays dividends. Dawn of the Planet of the Apes is an ambitious and exciting sequel, a wonderful post-apocalyptic epic and an engaging moral parable.

Going ape for it...

Going ape for it…

Continue reading