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Stan Lee and John Romita’s Spider-Man – The Amazing Spider-Man Omnibus, Vol. 2 (Review/Retrospective)

I loved Stan Lee and Steve Ditko’s Amazing Spider-Man. In fact, I think it might be the most accessible Silver Age comic book that I’ve ever had the pleasure to read. However, all good things must come to an end, and Steve Ditko left the title after thirty-eight issues. As such, the title went through a transitional period, with John Romita Sr. taking over the art on the book. Romita would arguably end up a much more proactive guiding light on Amazing Spider-Man, doing a lot of work outside the main title that undoubtedly helped cement the character’s place in popular culture. There’s a wonderfully “sixties pop” feelings to the issues collected here, even if they feel a bit more conventional than Ditko and Lee’s collaboration. Still, it’s easy to see why The Amazing Spider-Man is among Marvel’s longest-running books.

Reflecting on a fun run…

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Dan Slott’s Run on The Amazing Spider-Man – Ends of the Earth (Review)

While Ends of the Earth might not work quite as well as Dan Slott’s other epic from his Amazing Spider-Man run, Spider-Island, it does succeed in playing to the writer’s strengths with the character. It seems like Slott is fascinated with how Spider-Man interacts with the world – both in terms of the other fictional constructs of the shared Marvel Universe, but also in how the character tries to make his world a better place through more than beating up bad guys. Apocryphally, Stan Lee once argued that comic book fans don’t want change, but “the illusion of change”, and Slott manages to do something which almost seems impossible. He offers a take on the web-crawling wonder that is by turns classic and yet boldly new.

The last sand…

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J. Michael Straczynski’s (and Mike Deotado’s) Run on the Amazing Spider-Man – The Best of Spider-Man, Vol. 4-5 (Review/Retrospective)

Opinion is somewhat divided on J. Michael Straczynski’s Amazing Spider-Man run. the general consensus is that started strong, but that it lost its way somewhere along, before culminating in the much-maligned One More Day arc that effectively wiped decades of character development for Peter Parker and his cast. More importantly for the author of One More Day, it also completely wiped out a large volume of his contributions to the character – which is a bit of a shame. Straczynski’s Amazing Spider-Man would get tied up in various crossover “event” storylines like The Other, Civil War and Back in Black, to the point where Straczynski’s run went from being driven by the author’s own ideas to being dictated by editorial whim.

The start of the writer’s work with artist Mike Deodato seems to be where Straczynski was placed on a somewhat tighter editorial leash, with Sins Past mangled in the back-and-forth between author and editorial, perhaps a sign of things to come. It’s telling that it remains one of the most controversial facets of Straczynski’s run, even today.

Is it still a blast?

Note: This review or retrospective covers Straczynski’s run with artist Mike Deodato up until the “Other” crossover event. It doesn’t take up the full fourth hardcover, but it starts with the Sins Past story arc. Just so you know.

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Venom: Circle of Four (Review)

If you had told me that I would enjoy a Venom collection quite this much, I would have laughed. I picked up the oversized hardcover collection of Circle of Four after enjoying Rick Remender’s Venom issues tying into the Spider-Island crossover. Which, I guess, is one of the benefits of such spin-offs and crossovers, I suppose. Anyway, intrigued by Remender’s take on the character, I was curious enough to take a look at this collection, featuring a crossover between Venom, Red Hulk, X-23 and the new Ghost Rider. Of course, two of those books had been cancelled by the time the crossover rolled around, so the whole “mini-event” was rolled up into Remender’s Venom. While Circle of Four isn’t necessarily a groundbreaking comic book storyline, or even a truly exceptional event, it does demonstrate that even the most conventional premise can work well in the right hands.

Back in black, baby!

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Ultimate Spider-Man – Vol. 12 (Hardcover) (Review)

You know, Jeph Loeb actually managed to make quite the impression on Marvel’s Ultimate line of comics. While his Ultimatum was intended to serve as a “shot in the arm” to a comic book line with waning sales and interest, it’s telling that Marvel organised another event almost directly afterwards, with The Death of Spider-Man serving to reorganise that fictional universe once again. This collection, the twelfth in the Ultimate Spider-Man line, sees author Brian Michael Bendis guiding the book between Ultimatum and The Death of Spider-Man. (Indeed, the next book in the set is the Death of Spider-Man omnibus collection.)

As such, it’s not too surprising that these fourteen issues feel a bit disjointed and uneven, as Bendis deals with the aftermath of one radical status quo change while gearing up for another. That said, I still think that Ultimate Spider-Man represents the single most consistent run on the title, and Bendis still manages to keep things interesting, even if this collection doesn’t quite compile the author’s strongest run of issues.

Spider-Men…

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Have a Look at Jill Thompson’s Sandman Movie Concept Art!

We’re big fans of Neil Gaiman’s Sandman here at the m0vie blog. It’s genuinely one of the masterpieces of the medium, and the perfect book to recommend to somebody who wants to see the very best work in the medium. There has been talk of adapting the story for film before, and I remember having nightmares about the damage that could have been done to it by an industry that hears “comic book” and thinks “superhero.” At one point Gaiman apparently read “not only the worst Sandman script I’ve ever seen, but quite easily the worst script I’ve ever read” attached to the project.

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J. Michael Straczynski’s (and John Romita Jr.’s) Run on the Amazing Spider-Man – The Best of Spider-Man, Vol. 3-4 (Review/Retrospective)

I honestly believe that had J. Michael Straczynski’s Amazing Spider-Man run ended with his collaborator John Romita Jr., his time on Marvel’s iconic web-crawler would have gone down as one of the great runs. Sure, it is flawed – sometimes significantly so. However, if you divorce it from Sins Past and the mess of crisis crossover tie-in issues and awkward continuity reboots that followed, Straczynski’s early run was bold, exciting and entertaining enough to get away with doing something relatively new to Peter Parker. Given that the run includes the five hundredth issue headlined by the hero, that’s quite an accomplishment in-and-of itself. It’s not perfect, and I don’t think it’s as strong as many of the runs happening simultaneously at Marvel, but it is an intriguing direction for the pop culture icon.

How many iconic villains do you spy dere?

Note: The fourth hardcover also includes the start of Mike Deodato’s run. I am going to cover those issues separately. This review or retrospective is going to be concerned with the second half of the collaboration between John Romita and J. Michael Straczynski, culminating in The Amazing Spider-Man #508.

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Dan Slott’s Spider-Man – The Amazing Spider-Man & Human Torch (Review/Retrospective)

The Amazing Spider-Man and Human Torch is a sweet little book, if just a little bit too nostalgic for my tastes. A five-issue miniseries, it allows Dan Slott to show us five vignettes exploring the relationship between Marvel’s iconic webhead and the youngest member of the Fantastic Four. Slott leans a little bit too heavily on continuity in places, trying too keenly to fit the story inside an established mythology, but The Amazing Spider-Man and Human Torch reads like an affectionate homage to the relative innocence of the Silver Age. I don’t doubt that Slott’s solid character work here helped secure the writer his current position as author of The Amazing Spider-Man, and the story is a fun (if light) look back on the hokey adventures of yesteryear.

At liberty to discuss it…

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Untold Tales of Spider-Man by Kurt Busiek Omnibus (Review/Retrospective)

I am of two minds about Kurt Busiek’s and Pat Olliffe’s celebrated Untold Tales of Spider-Man run. On the one hand, Busiek manages to affectionately evoke the spirit of those classic Stan Lee and Steve Ditko Spider-Man stories, without getting too bogged down in minor or confusing continuity. On the other hand, the stories feel somewhat trapped and confined by having to contort around the existing storylines. Naturally, for example, Busiek can’t resolve any plot threads he doesn’t keep exclusive to the book, and we all know how various situations unfold. It’s a strange cocktail, and it works slightly more often than it doesn’t work. It’s very much in the spirit of the author’s much-loved work on the Avengers, and there’s no denying the skill and love that went into crafting the issues collected here, but I find that I respect The Untold Tales of Spider-Man more than I love it.

They were on fire with this run…

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J. Michael Straczynski’s (and John Romita Jr.’s) Run on the Amazing Spider-Man – The Best of Spider-Man, Vol. 1-2 (Review/Retrospective)

It’s easy to forget just how iconoclastic that early parts of the new millennium were at Marvel. The comic company was in the midst of recovering from its bankrupcy, and was going throw a massive creative shake-up. Many would argue that the late nineties represented the company’s creative nadir, and there was a very definite sense of change in the air. Some of that change involved a radical restructuring of core concepts, placing them in the hands of more radical creators.

The early part of the last decade gave us Peter Milligan on X-Force, Grant Morrison on New X-Men and Garth Ennis on Marvel Knights: Punisher. It also saw a number of big-name creators working on these characters. Kevin Smith wrote the introductory arc of the new Daredevil book. While J. Michael Straczynski’s Amazing Spider-Man has a controversial and divisive legacy, it was a product of those times. While it was flawed even in its early days, it’s still a bold re-working of an iconic comic book mythos.

King of the swingers…

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