March | 2022 | the m0vie blog

New Escapist Column! On How “Star Trek: Picard” Offers “The Next Generation” a Glimpse Through “A Mirror, Darkly”…

Posted on March 10, 2022 by Darren

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Picard, which is streaming weekly on Paramount+. The second episode of the second season released this week, and it seemed like a good opportunity to take a look at the series.

The second episode of the season is an interesting twist on a classic Star Trek trope. Star Trek: The Next Generation never really did a dark alternate universe story, comparable to something like Mirror, Mirror, Crossover, Living Witness or Twilight. It often seemed like The Next Generation was incapable of imagining the world any other way than the way that it was. As such, Penance offers something new for Jean-Luc Picard. Reflecting the gulf that exists in the more-than-a-quarter century between The Next Generation and Picard, the episode offers Picard a chance to look at a darker alternative future.

You can read the piece here, or click the picture below.

Filed under: Star Trek | Tagged: jean-luc picard, Mirror Universe, Next Generation, picard, star trek, star trek: picard, star trek: the next generation | 1 Comment »

277. The Batman – This Just In (#67)

Posted on March 9, 2022 by Darren

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Graham Day and Niall Glynn, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, a new entry: Matt Reeves’ The Batman.

Bruce Wayne is in the second year of his war on crime in Gotham, and things are not improving. Indeed, the city is thrown into anarchy when a new villain calling themselves the Riddler begins targetting city officials and threatening to unmask the city’s darkest secrets. Can Bruce survive what is coming? Can the Batman? Can Gotham?

At time of recording, it was ranked 67th on the list of the best movies of all time on the Internet Movie Database.

Continue reading →

Filed under: This Just In | Tagged: action, america, batman, ben affleck, catwoman, colin farrell, cowboys, films, gangsters, greig fraser, incels, joker, mass shootings, matt reeves, Movies, niall glynn, Penguin, politics, power fantasies, reviews, riddler, Robert Pattinson, superheroes, the batman, trump, violence, Zoë Kravitz | 1 Comment »

New Escapist Column! On “The Batman” as an Argument for Superheroes…

Posted on March 6, 2022 by Darren

I published a new In the Frame piece at The Escapist on Friday. With the release of The Batman this weekend, it seemed a good opportunity to take a look at the film, and what it says about the state of the superhero genre.

The superhero genre is arguably the dominant mode of American blockbuster cinema, the prism through which the populist form must be viewed in its present incarnation. Perhaps the superhero is best understood as a descendent of the classic pop archetypes like the cowboy or the gangster. However, very few superhero films actively engage with what that transition actually means, what makes the superhero a more modern American archetype than the cowboy or the gangster. The Batman is the rare superhero movie engaged with this question.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: america, archetypes, blockbuster, comic books, cowboys, escapist, gangsters, pulp, superhero films, superheroes, the batman, the escapist | Leave a comment »

276. The Godfather: Part II (#3)

Posted on March 5, 2022 by Darren

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Deirdre Molumby and Brian Lloyd, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Francis Ford Coppola’s The Godfather: Part II.

In 1901, Vito Andolini is evacuated from the small town of Corleone, fleeing to the new world in the hopes of a new life. In 1959, his son Michael Corleone continues his efforts to legitimise the family business. However, will Michael’s efforts to maintain control of the empire that Vito built ultimately lead to the collapse of what both men held most dear?

At time of recording, it was ranked 3rd on the list of the best movies of all time on the Internet Movie Database.

Continue reading →

Filed under: The 250 | Tagged: america, Cuba, fredo corleone, immigration, masculinity, michael corleone, podcast, robert deniro, The 250, the american dream, the godfather, The Godfather Part II, the godfather: part 2, vito corleone | Leave a comment »

New Escapist Column! On How “Star Trek: Picard” Tries to Go Back to the Future…

Posted on March 3, 2022 by Darren

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Picard, which is streaming weekly on Paramount+. The second season premiere released this week, and it seemed like a good opportunity to take a look at the series.

The second season premiere of Picard is a much more openly nostalgic affair than the previous season had been. While the previous season often found itself caught between the past and the future, the second season seems to turn its gaze more earnestly backwards. It’s a complicated and somewhat flawed show, often retreating from the more interesting implications of its big ideas, but Picard is at least interested in grappling with the legacy of Star Trek: The Next Generation, and exploring why the utopian future it promised audiences seemed to slip from grasp.

You can read the piece here, or click the picture below.

Filed under: Star Trek | Tagged: escapist magazine, star trek, star trek: picard, the escapist | Leave a comment »

New Escapist Column! “The Batman” as a Paranoid Conspiracy Thriller…

Posted on March 1, 2022 by Darren

I published a new In the Frame piece at The Escapist yesterday evening. With The Batman releasing this weekend, it seemed like a good opportunity to take a look at Matt Reeves’ take on the Caped Crusader.

Reeves has discussed the influence of seventies cinema on The Batman. The film draws heavily from paranoid films of the era, movies like The French Connection, Klute and The Conversation. However, it is more than just nostalgia at play. The Batman finds an interesting thematic overlap between the seventies and the present day, particularly in its recurring fascination with voyeurism and surveillance. The Batman is many things, but it’s also a story about the importance of looking into the darkness, but realising that looking alone is not enough.

You can read the piece here, or click the picture below.