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House of Cards (US, 2013): Chapter 5 (Review)

Friends make the worst enemies

– Frank Underwood

There is a sense now that House of Cards has figured out what it wants to be and how it wants to go about being that sort of thing. After the first three episodes were surprisingly non-committal, the fourth and fifth episodes make it clear that Frank has a plan for revenge against those who betrayed him, one that stretches a bit further than scuttling Michael Kern’s chance to be Secretary of State. There’s a wonderfully understated moment in the middle of this fifth episode where it looks like Frank has finally figured everything out, the pieces have aligned in such a way that he is positioned to speed up what is likely to be a pretty far-reaching payback scheme.

A name you can trust...

A name you can trust…

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Doctor Who: The Infinite Quest (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Infinite Quest was originally broadcast in weekly instalments on Totally Doctor Who in 2007.

… And then I’ll have my revenge! Revenge! REVENGE!

– just in case you didn’t get that Baltazar was evil

The Infinite Quest is a 45-minute animated episode of Doctor Who that was broadcast as part of Totally Doctor Who in 2007, during the third season of the revived show. It was written by Alan Barnes, who has written a number of Big Finish audio plays for Doctor Who, and was directed by Gary Russell. The animation was produced by Cosgrave Hall, who animated the missing episodes of The Invasion for its 2006 DVD release. So there’s a fairly considerable amount of talent involved in this project, which is notable as not only the first full-length animated Doctor Who episode to be broadcast on television, but is the first fully serialised story to be told since the show was revived. It was originally broadcast in chunks of three-and-a-half minutes.

Flight of fancy...

Flight of fancy…

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Non-Review Review: Broken

This film was seen as part of the Jameson Dublin International Film Festival 2013. It was the opening gala.

Broken is that rarest of beasts, a suburban ensemble drama that manages to merge charming humanism with gritty reality. Mark O’Rowe’s adaptation of Daniel Clay’s novel is filled to the brim with humour and joy, but isn’t afraid of the darker shades of emotion. It’s unflinching and occasionally brutal, a candid exploration of the intersecting lives of those inhabiting a small close. However, this honesty lends the film credibility in its lighter moments. The smiles, the giggles and the laughter that come from many off the movie’s more human moments feel earned, and there’s a wonderful sense of balance to Broken, as if to concede that life cannot be composed of entirely happy moments, nor entirely sad. That’s the wonder of it all, and Broken skilfully manages to combine those extremes into a single charming and engaging coming of age drama.

A close call...

A close call…

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Look! Quentin Tarantino Death Chart!

Vanity Fair have published this chart of the deaths in Quentin Tarantino’s film – breaking down each film in the director’s filmography by number and method of death. Yes, there is a lot of fire in Inglourious Basterds. It’s interesting to examine, if only because it is (generally speaking) a lot less bloody than I would have expected. I didn’t realise that Kill Bill, Vol. 1 only had 62 on-screen deaths. (That said, I did expect Kill Bill,Vol. 2 to have a much lower count – 13 sounds about right.) Anyway, check it out below.

tarantino-death-chart

Doctor Who: Shada (2003) (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Shada originally broadcast on the BBC website in 2003.

Doctor, a fool would realise that it was written in code!

Skagra, this thing is written in code!

– Skagra and the Doctor have some communication difficulties

Has a failed Doctor Who story every haunted the collective consciousness in the way that Shada does? There’s a wealth of adventures that were proposed and never produced, from the last Master story that never happened in The Final Game, through to the laundry list of unproduced adventures that would have made up Colin Baker’s second season if the show hadn’t been parked by the BBC. However, Shada is something different. So different, in fact, that it has been told quite a few times. In fact, it might be the only Doctor Who story I end up covering twice.

This was a webcast version, a very simply animated version of the tale produced for the BBC website, using an audio play adapted from Douglas Adams’ original script by Big Finish, the fan collective who produce a range of celebrated audio plays for the classic series. Starring Paul McGann, the Eighth Doctor who never really got a chance to develop the role in live action, it’s an interesting glimpse at what might have been.

Lost in time...

Lost in time…

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House of Cards (US, 2013): Chapter 4 (Review)

So you lied to his face?

No. I revised the parametres of my promise.

Which is lying.

Which is politics.

– Bob Birch and Frank Underwood

After spending three episodes lining everything up and getting all the plot points and characters to where they need to be, it looks like House of Cards is finally ready to kick into high gear. There’s still a sense that show isn’t as comfortable with its amoral and sociopathic lead character as it should be, but there’s finally a sense of what Frank Underwood is capable of. We’ve seen him topple the incoming Secretary of State using just a college article that the man didn’t write, but that sort of politicking should be second-nature to Underwood at this point. Here, Frank is a bit more ruthless, a bit less concerned about collateral damage.

That’s really the key here. House of Cards needs us to root for Frank despite his drive for power at all costs, without excusing it. It looks like we’re getting to where we need to be.

Speaking Frankly...

Speaking Frankly…

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Doctor Who: Scream of the Shalka (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Scream of the Shalka originally streamed in 2003.

Doctor Who survived its cancellation across a variety of media. There were unofficial videos starring Colin Baker and Sylvester McCoy. There were audio plays. There were mountains of books. The BBC even came up with the clever idea of offering on-line content, with a series of illustrated audio plays, including the Seventh Doctor story Death Comes to Time and the Sixth Doctor adventure Real Time, as well as an adaptation of the aborted Douglas Adams serial Shada. Most of these were little more than powerpoints with sound playing over them. However, for the show’s fortieth anniversary, the BBC came up with an altogether more ambitious idea – a brand new fully animated adventure starring a new Doctor and promising a wave of new adventures, striving boldly forward into the new century.

The Doctor is in…

You can hear the serial, free, here.

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Non-Review Review: Movie 43

For a collection of comedy sketches assembled together from a bunch of different writers, directors and actors, Movie 43 is pretty consistent in quality and tone. Sadly, in the worst possible way. It’s consistently and awkwardly unfunny, substituting rude words and crude references to male and female anatomy for jokes or witticism. You know you’re in trouble when the sketch that comes closest to fulfilling the promise of the movie – the lure of crass, immature and ridiculously low-brow comedy – is directed by Brett Ratner. Even then, it’s hardly anything to write home about. Ratner’s sequence is the best part of the film, but it’s hardly anything especially memorable.

Don't worry, Mister Gere. In a year, nobody will remember this.

Don’t worry, Mister Gere. In a year, nobody will remember this.

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Look! Olly Moss’ 85 Years of Oscars Poster!

The wonderful Olly Moss has designed a commemorative poster celebrating eighty-five years of the Best Picture Oscar, with a redesigned statuette for each winner. It really is fantastic. Check it out below. You can buy it from the Academy website. Can you name ’em all?

Click to enlarge

Click to enlarge

Doctor Who: Death Comes to Time (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Death Comes to Time originally broadcast on the BBC website in 2001.

I’m just another alien…

Alien to where?

Everywhere.

– the Doctor and Bedloe

There is quite a lot to like about Death Comes to Time. It offers a conclusion to Ace’s character arc. It features a stellar voice cast. Tannis is great villain. The script isn’t mired in continuity or slavishly devoted to the letter of the continuity of Doctor Who.

On the other hand, there’s quite a lot to loathe about Death Comes to Time. In moving away from Doctor Who continuity, it feels like a generic space opera. There’s a loss of the intimacy that defined the series. There’s a central revelation that makes no sense and a central moral philosophy which seems at odds with the very heart of Doctor Who. On top of that, it seems rather clumsily constructed. If it was intended as a pilot, the wrong characters are in focus for most of its not-insignificant runtime.

Hello, stonehenge!

Hello, stonehenge!

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