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November 2011 In Review

I’m running a bit behind on everything this week, so I’ll try to keep this brief and get it published before midnight. This is just a post I do at the end of the month to help people who might end up trawling the archives by months trying to make sense of what’s going on. Being honest, it’s mainly for me, if I ever want to trawl back and marvel at how poorly formulated (and occasionally just incorrect) my ideas happened to be.

Anyway, November 2011 was a strange month. A lot to get done, and so little time to get it done in. It’s Christmas soon, which is insane. Anyway, I got very lucky and happened to get featured on the IMDb hit list twice in the month, in quick succession.

The first piece, an article about the lesser-regarded works of well-known directors went up over a weekend…

And the second, a more controversial and divisive piece about suspension of disbelief, went up the Tuesday of the next week.

I know that I don’t do this for the kudos – and that this is a very nice cherry on top of something I do just to vent my own crazy and insane thoughts on film – but it’s always awesome to be honoured by those people who know film. I’m always glad to see a link come from a forum or another article, because it means that I’m hopefully contributing in some small way to a discussion.

But enough of that. Onwards and upwards! 2012 approaches, and I’ve got some medium-scale plans. 2013 is where the action is. Mark your diaries for that!

Non-Review Review: Puss in Boots

Puss in Boots is a fun film. It’s a very fun family film that works because it never takes itself too serious. Breaking free of the increasingly irrelevant Shrek films, which devolved into exactly the type of feel-good fairy tale stories they originally savagely lampooned, Puss in Boots benefits from the freedom to define its own identity. Of course, it retains the trappings (after all, Puss inhabits a world with Jack and Jill and Humpty Dumpty and Little Boy Blue), but it doesn’t carry the same level of baggage that its parent series does. It’s not a vicious parody of Disney values, and in fact feels remarkably straight-forward. However, the simplicity of its approach is remarkably endearing, and means it’s easy to sit back and enjoy the ride. Puss in Boots is solidly entertaining family fair, arriving perfectly in time for the holidays.

Here, kitty kitty kitty...

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Ultimate Comics: Doomsday (Hardcover) (Review)

Celebrating the 50th anniversary of the Fantastic Four, I’m taking a look at some of the stories featuring the characters over the past half-century.

Ultimate Comics: Doomsday is a bit of a weird beast. After the events of Ultimatum, Mark Millar’s Ultimates was relaunched both as Ultimate Comics: Avengers and the clunkily-titled (and written) Ultimate Comics: New Ultimates, while Ultimate Spider-Man became Ultimate Comics: Spider-Man and Ultimate X-Men spun off into Ultimate Comics: X. That meant that the only on-going series that hadn’t fed into a relaunched series was Ultimate Fantastic Four. Perhaps it’s understandable, since the series was arguably the weakest of Marvel’s Ultimate reimaginings of popular heroes, suffering from adapting Marvel’s most innocent scientific heroes in a grim and hyper-modern context. Ultimate Comics: Doomsday collects three miniseries (Ultimate Comics: Enemy, Ultimate Comics: Mystery and Ultimate Comics: Doom), which tell a gigantic crossover crisis set in the shared universe that the “ultimate” characters inhabit, but it’s really just a vehicle to allow Brian Michael Bendis to play with the left-over bits and pieces from Ultimate Fantastic Four.

This little Spider...

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Non-Review Review: Three Colours White

This week we’re taking a look at Krzysztof Kieślowski’s celebrated “Three Colours” Trilogy. We’ll be publishing reviews on Tuesday, Wednesday and Thursday, so check back and sound off.

There’s a general critical consensus that Three Colours White represents the weakest instalment in Krzysztof Kieślowski’s Three Colours Trilogy. I have to admit, it’s not a position that I disagree with. It’s not a bad film by any stretch (it’s quite a good one), but it never reaches quite the same levels of depth and development that the two films bookending the trilogy attain so easily. When I was younger, I could never quite put my finger on why that might be, but – as I got older – I think I might have figured out why this instalment leaves me cold.

It's all down-hill from here...

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Non-Review Review: Three Colours Blue

This week we’re taking a look at Krzysztof Kieślowski’s celebrated “Three Colours” Trilogy. We’ll be publishing reviews on Tuesday, Wednesday and Thursday, so check back and sound off.

Krzysztof Kieślowski’s Three Colours Trilogy is generally regarded as one of the landmarks of European cinema, one of the great cinematic accomplishments of the past few decades. I find it hard to disagree. A cynical and bittersweet (and, occasionally, just bitter) look at the ideals of the French Revolution (liberty, equality and fraternity) filtered through the three colours of the French flag, Kieślowski’s three films are powerful studies of human nature, exploring the way that we react and interact in this strange and surreal world that we share with everybody else.

Deep...

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Non-Review Review: Speed

Pop quiz, hotshot. There’s a bomb on a bus. Once the bus goes 50 miles an hour, the bomb is armed. If it drops below 50, it blows up. What do you do? What do you do?

– Howard tells you everything you need to know

Speed is the quintessential nineties action movie. If you want to look at a movie that typifies what a nineties action film looked like, but does so with an incredible amount of skill (and a reasonable portion of wit), it’s hard to recommend a more obvious choice. It’s a movie that falls apart if you think about it too hard, but director Jan de Bont does an absolutely amazing job making sure that we’re never really looking beyond the next ridiculous plot twist or tension action set piece. More than earning its name, Speed is a movie that runs on enough raw adrenaline that it becomes as easy to overlook the movie’s flaws as it is to it seems to be ride a bus across a fifty-foot gap in a half-constructed bridge. And de Bont manages to make that look really easy.

Can I phone a friend on this "pop quiz"?

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Non-Review Review: Happy Feet II

Happy Feet II is perfectly functional kids entertainment. It has enough set pieces to keep the audience ticking over, lovely animation and a timely environmental message underneath the fuzz. It is a little bit too inconsistent to hold the attention of older audience members, as the plot struggles to find a focus, with the movie often seeming like a stew brewed from a variety of different ideas. The result is often satisfying enough in small chunks, but it doesn’t impress enough overall to make a lasting impression. Although a younger, perhaps more idealistic, viewer at the screening did describe it as “the bestest experience in united history.”

The pitter-patter of little Happy Feet...

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Non-Review Review: A Christmas Carol (2009)

I’m yet to be sold on the Robert Zemeckis school of “motion capture.” Don’t worry, I don’t hold a prejudice. I’m just waiting to be convinced, and I worry that Zemeckis – for all his championing of the technology – might not be the one to do it. For, as impressive as the technical merits of his technique might be, I think that Zemeckis has yet to find a story that truly needs to be told in that format, or at least a story that resonates in that format. Much as Pixar have somewhat validated computer-generated animation (a school of filmmaking that met with a ridiculous amount of cynicism in its early years), I think the key to proving the worth of this sort of approach lies in finding a story that connects with audiences, while demonstrating the strengths of the tool being used to tell it.

While it’s an enjoyable enough holiday film, A Christmas Carol simply is not that film.

Totally Scrooged...

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Non-Review Review: Jackie Brown

I think Jackie Brown suffers in comparison to the rest of Quentin Tarantino’s distinguished filmography. While Grindhouse: Deathproof divides film fanatics along “love it” or “hate it” lines, it seems the general critical consensus on Jackie Brown is that it’s simply “quite good.” I like the film, even if I don’t rank it as highly as most of his other work, and I wonder if the movie feels so strange because it’s probably the most “conventional”film that Tarantino has directed. While the dialogue and the character interactions help immediately identify the film as the product of Tarantino, it’s an adaptation of an Elmore Leonard novel, and it feels like a reasonably conventional little crime thriller.

That's her name...

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Collecting Myself: The Irresistible Urge of the “Impulse Buy” DVDs…

I admit that I may have something approaching a problem.

I’m a nerd – a movie nerd. So, at this time of year, as Christmas approaches, I find myself tempted by all the bright lights and shiny sales stickers I can find on DVDs and blu rays – as the shops start marking them down in a serious attempt to shift some merchandise in the lead-up to one of the busiest shopping days of the year. Last night, I went to HMV, intending to pick up the newly released Three Colours trilogy on blu ray. It’s a masterpiece of European cinema, and I can’t wait to sink my teeth into it once again. However, despite the fact that they didn’t have the trilogy, I somehow managed to leave with five blu rays in my bag.

They were having a sale, you see. And I realise that sounds like the lamest rationalisation ever.

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