A Somewhat Gentle Man was a very pleasant little surprise to catch on the last day of the Jameson Dublin International Film Festival. It’s a delightfully dark Norwegian comedy about a man recently released from prison, trying to make his way in the world.
Over the last week, I had the pleasure to visit the Jameson Dublin International Film Festival. I saw a lot of films as part of that, and the reviews have been popping up all week. Anyway, they give out an audience award, which gave me occasion to actually score films. Regular readers here know that I am loath to try to objectively rank cinema, as it’s a very subjective medium and I have difficulty reconciling relative grades, but I went along with it. Anyway, they use a four-point scale and, long story short, I found myself using a lot of “3” grades, which is the second-highest rank. This kinda got me thinking: Am I a little too generous to films I really shouldn’t be? How do I approach the cinema? Do I look for things to love? Do I have a pre-disposed bias? Do I want to love films, even if they aren’t especially great?
I quite enjoyed Gore Verbinski’s Rango, even though I was never quite sure what to make of it. While it isn’t quite as strong as the typical Pixar fare, the film compares rather well with some of Dreamworks’ better output over the last number of years.
March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way. In honour of the Scottish scribe, I thought I’d review the latest chapter in his on-going Batman epic.
It’s a testament to writer Grant Morrison how much I enjoyed his weird and fantastical six-chapter “Batman lost in time” adventure epic. Between this and his superb run on Batman & Robin, Morrison might have redeemed himself for the mess that was Batman R.I.P. That said, the collection isn’t for everyone, but it marks a rich exploration of the evolution of the Batman archetype through his various iterations – a meta-textual look at the elements which make Batman who he is, and why those elements are important to him. It also, of course, features Batman in a sword fight with Cthulhu.
You know you’re reading Grant Morrison’s Batman when something like this happens…
March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.
I have to admit that I quite enjoyed Geoff Johns’ run on Action Comics. Johns has been one of the most influential writers working at DC over the past couple of years, so it felt right to see him tackling Superman, after years of working on titles like The Flashand Green Lantern. It was an extra special treat because he brought Richard Donner with him for the introductory arc, which restored a sense of continuity between the comic book superhero and his cinematic iteration. You ask anybody to picture Superman, and I promise you that they will imagine Christopher Reeve with his cape flapping in the wind – it feels like the definitive version of the character. And I felt that Johns really tapped into that aspect of the icon. So, I have to admit that I was pretty excited when it was announced that Geoff Johns would be returning to tell the character’s origin story, his Secret Origin, if you will.
If ever there was a natural-born showman, Jack Lukeman (aka Jack L) is he. Taking to the stage in the National Concert Hall to perform any number of classics, forgotten album tracks and even some new material, the performer managed a two-and-a-half hour set list which even included an impromptu version of The Stranglers’ Golden Brown performed during the intermission. Yes, that’s right, Jack L sang his way through his own intermission.
For those foreign visitors who might not be familiar with the artist, I’ve embedded a version of Georgie Boy below, the crowd-pleaser that he used as the final song in his encore last night. It’s powerful stuff, even when not backed by an orchestra.
Preludio was an interesting second feature for Mexican director Eduardo Lucatero. After his debut with Corazón Marchito in 2007 – a relatively large-scale production for Mexican cinema – it seems strange for the director to move back to a film so minimalist. Preludio is a movie with one scene, two leads, five other actors (and not all of them are speaking roles), one set and one take. It sound like it has the making of an art house disaster, and yet the director manages to make it work.
Point Blank is another one of those movies which snuck up on me a little during the Jameson Dublin International Film Festival. I wasn’t expected to do anything more than kill a couple of hours with a French film, but was surprised at how energetic and engaging this little action movie is. In fact, it calls to mind some of Luc Besson’s earlier work, which is always a good sign.
I am big Podge & Rodge fan. I grew up on them, to be honest, with their own unique brand of toilet humour. So when I found out the pair were teaming up with the Irish Cancer Society to raise awareness of bowel cancer, I thought I’d post the video here. I think everyone respects and appreciates the work that the Irish Cancer Society do, and I remember – in college – that the production company behind Podge & Rodge were always eager to supply spot prizes for any fundraising table quiz we might put on. So, when they sent this on, I thought I’d share it.
A word of warning for any Americans stumbling across this video, Podge & Rodge are a… very Irish institution, and a very peculiar sense of humour. It’s the kinda thing that foreigners rarely get to see, so consider yourselves both warned and honoured. The clip is very not safe for work (only language, though).
Yes, they are a national treasure. In fact, there’s a whole bunch of iconic Irish puppets. Take, for example, the 2008 Irish entry to the Eurovision Song Contest:
Apparently those wacky Europeans didn’t react well to us making an even bigger mockery of their singing competition than normal. And in case any Americans reading this need an introduction to the Eurovision, this is fairly accurate parody of what a typical Irish entry to the Eurovision song contest looks like:
So ends our brief introduction to Irish Pop Culture 101.
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