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The Doctor is In: Thoughts on The Eleventh Hour…

The Russell T. Davies era of Doctor Who is officially over. The man who revived the franchise has departed, passing the reigns to Stephen Moffat. Similiarly, David Tennant has hung up his iconic brown trechcoat, to be replaced by virtual unknown Matt Smith. The Eleventh Hour, the opening salvo of the show’s fifth season since its return to television, aired tonight on the BBC and we were impressed. Mighty impressed, might we add. This isn’t a review (I’ll do a year-end round up in about twelve weeks), just some thoughts on this new era in television’s longest running science fiction show, based on a sixty-minute opening episode – particularly  on the Doctor-Companion relationship. There are minimal spoilers within. 

“Anywhere you want, any time you want… one condition: it has to be amazing.” 

– The Doctor

"Run!"

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Non-Review Review: Perrier’s Bounty

Mark O’Rowe wrote a play that I had the pleasure of seeing last year called Terminus. The piece, featuring four characters narrating sensational events occurring in and around the city of Dublin in thick Northside accents and with distracting amounts of elloquence, obviously became something of a cult hit – so much so that it returned to the Abbey (our national theatre) earlier this year. I mention this purely because O’Rowe has very much fashioned the script for this Irish film from the same cloth as his theatrical success. The same elements which I enjoyed in Terminus I enjoyed in Perrier’s Bounty, and the same elements I didn’t enjoy were just magnified by the transition to film.

Parting shots?

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Non-Review Review: Kick-Ass

Kick-Ass may be the action movie of the year. It will more than likely be the comedy of year. And it is currently among the best movies I’ve seen so far (and it’s been a very good March, might I add). Kick-Ass does what Watchmen should have, and takes superhero movies to the next level: working on the assumption that the genre is so well recognised that audiences will appreciate all the tiny little tropes, Kick-Ass picks apart the big budget superhero flick, but manages to avoid being mean.

Kick-Ass kicks... well, you see where this is going...

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