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Non-Review Review: The Bone Collector

se7en had quite an impact on Hollywood. And, where there’s success, there’s countless imitators. Some are good, some are… less so. Here we have another entry in the late-nineties serial-killer-harrasses-detective subgenre and – in its defense – it’s a perfectly mediocre concept elevated by two very talented leads. The movie is ultimately undermined by its refusal to play fair (no way even the cast of CSI could figure out who the killer was before the reveal – it might actually make logical sense for him to be an unknown, but that wouldn’t give us an emotionally-invested climax), but you could do far worse than this serial killer thriller. You could also do better, but who am I to judge?

Anything Brad can do...

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Non-Review Review: Drag Me To Hell

I’m a little torn about this film. On one hand, it’s nice to know that Sam Raimi has more than simply half-a-dozen Spider-Man movies left in him, on the other hand, this feels like it’s what The Evil Dead would look like in the era of CGI. And that’s not necessarily a compliment. At the very least, Raimi immediately reestablishes his creditionals as a unique film maker – I don’t think anyone has a vision quite like him. While he has the same difficulties finding the perfect balance of black comedy and horror that he had while making the Evil Dead trilogy. It doesn’t always work, but it benefits from being new and relatively exciting.

A grave matter...

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My Top 50 Movies of the Decade…

Alright here it is, my top fifty films of the decade. I’ve decided to stop complaining about Donal Clarke’s list in the Irish Times and just let rip myself. There’s more than a few crazy choices down there, but – after a week in the works – I’m happy with it. I doubt that a lot of other people will be.

Like the Oscars, but... you know, better...

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Non-Review Review: Watchmen (The Ultimate Cut)

It arrived two weeks ago, but I only found the time to sit down and watch it over two nights last week. So, what do I make of Watchmen: The Ultimate Cut?

Cue immature jokes about how they earned the name...

Note: My review of the theatrical edition can be read here. Continue reading

Is Spock Superman?

While watching Star Trek with my family over the weekend, I noticed something. Something small, probably insignificant. But you know how things are. They grab you and they stick in the back of you mind like a piece of thread, slowly unravelling over time until all of a sudden you have some sort of epiphany. My epiphany is this: what if Spock – as imagined by JJ Abrams – is Superman? Yes, the four-colour comic book character. Or – at the very least – a stand-in for him? It might not be as crazy as you think…

Okay, it’s probably as crazy as you think. But hopefully not crazier.

The world's favourite aliens...

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Why They Have to Make a Twilight: Breaking Dawn Movie…

… and why it must be 100% faithful to the book.

I’m not a Twilight fan. I don’t have the same loathing for it that some do – I try to be a tolerant guy. My aunt and my little sister love the movies and the books, but even if there were unpleasant overtones in the film (give me one thing that isn’t wrong with the Bella-Edward relationship), it’s still the sparkling that rubs me the wrong way. I know I should be more concerned about the pedophilic implications or the abusive nature of the relationship, but I’m not. Vampires don’t sparkle. Anyway, I’m a live and let live sort of guy. My own tastes must appear quite esoterical to anyone viewing from the outside, so I try to give everyone the benefit of the doubt. Still, I stumbled upon a discussion of the last Twilight novel, Twilight: Breaking Dawn, over at Cinematic Happenings Under Development and Rope of Silicon, which I thought actually make it seem like this movie might seem like some classic abstract David Cronenberg masterpiece.

We had an image to go with this, but it was just too intense...

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Are Werewolves The New Zombies?

Well, I guess Twilight: New Moon was ahead of the curve in at least one regard. Perhaps horror tastes are cyclical, as it seems that werewolves have cycled back into public consciousness after a few hundred years. Disregarding the aforementioned sequel, we have the release of The Wolfman coming up next year. That the werewolf has been chosen to spearhead the planned relaunch of classic Universal horror properties is perhaps a large vote of confidence in the beasts, and perhaps a long overdue one. How come, for all the cheesy B-movies they’ve been featured in, werewolves have never pierced popular culture in the same way that vampires, zombies or even plain old ghosts have?

Benecio del Toro looks only slightly hairier than usual...

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Geoff Johns’ Run on Green Lantern – Secret Origin, The Rage of the Red Lanterns, Agent Orange & Emerald Eclipse

It’s no secret that I’ve been greatly enjoying Geoff Johns’ run on the Green Lantern title (along with seemingly everybody else). After successfully resurrecting a fallen hero, reestablishing the various traits of the Green Lantern mythos and giving us a blockbuster summer event, Johns proceeds to make the final moves on the chessboard towards what is likely to be the climax of his saga. But whereas his initial set-up might have suffered slightly from the fact that it was mainly a case of getting a disruly house in order, here Johns has enough elements flowing from his previous collections to make these chapters in the story seem interesting in their own right.

It's like a rainbow of interstellar warriors...

It's like a rainbow of interstellar warriors...

Note: I am aware that Emerald Eclipse is the work of Peter Tomasi – who also worked on some of the alternating chapters of Sinestro Corps War. I would review his work on Green Lantern Corps separately, but it seems that this is the first collection of his work put out in hardcover (for shame). So I’ve bundled my thoughts on Emerald Eclipse in here. Going forward, if DC put out Green Lantern Corps in hardcover trades, I should be able to look at them separately.

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The Irish Times Top Twenty Films of the Decade

Stumbled across this the other day and thought it was worth a post. Basically it’s Irish Times film critic Donald Clarke’s top twenty films of the last ten years. I have to say – as someone who rarely agrees with him at all – his list is populated with good choices. Still, I’m not sure that the majority of those would make it into my top fifty, let alone my top twenty. Which reminds me, I probably should put some sort of list together to commemorate the end of the decade – but it’s not over yet. I’m not even sure I could put together a list for this year, seen as I haven’t seen nearly anything, let alone nearly everything. Anyway, Donald Clarke’s list (and some comments) are below.

There Will Be Blood! Let The Arguing Commence!

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Is The Shining About Native Americans?

You know how interested I am in quirky interpretations of the deeper meanings of popular culture – like the discussion over whether Anton Chigurh of No Country For Old Men is actually an angel or whether this year’s Torchwood: Children of Earth miniseries was actually about the recession. So it should come as no surprise that when I read about how The Shining by Stanley Kubrick is supposedly about the genocide of the Native Americans, I was more than a little intrigued.

Even the baking powder is in on it…

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