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Who We Are In The Dark: Zero Dark Thirty & Torture…

That Zero Dark Thirty should come under fire for its use and portrayal of torture is not surprising. The film deserves to spark debate about how we respond to these sorts of threats, and critically examine our claim to the moral high ground. However, the debate seems overly simplistic. It has been suggested that the controversy over torture cost director Kathryn Bigelow a Best Director nomination, and that’s a shame. The fact she’s felt to the need to respond to these relatively shallow commentaries is less than heartening.

Zero Dark Thirty has a lot to say about torture. It’s a lot of thoughtful and insightful and nuanced stuff, and Zero Dark Thirty actually gets to the nub of the issue, very clearly condemning the culture of “enhanced interrogation”, in a way that is much more effective than any of the commentators seem to realise.

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Right Here, Right Now: Thoughts on Kathryn Bigalow’s Osama Bin Ladin Project…

It’s interesting that the piece of news which grabbed me most coming out of the whole news cycle around the assassination of Osama Bin Ladin by US troops in Pakistan wasn’t any of the discussion over the legality of the act, nor the debate over whether assassination is now an acceptable tool of foreign policy. It was the near-instantaneous announcement that Kathryn Bigalow would be working on a feature film adaptation of the killing, an adaptation that reportedly has a mostly finished script and a lead actor already. Perhaps it’s a stunning illustration of just how quick the news and media cycle is, but I wonder how quick we feel the need to turn history into cinema.

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Non-Review Review: Source Code

A special thanks to the guys over at movies.ie for sneaking us into an advanced preview screening.

Duncan Jones really grabbed our attention with Moon, one of the most boldly original films of the last decade. However, it’s often the second film of a promising young director that is the most fascinating to watch, as the weight of expectation is measured against a (typically) larger budget and profile. Too many young talents fizzle out or stumble at the second hurdle. I’m glad to report that Jones manages to make it safely across. While Source Code might lack the power of his debut, it’s still a fascinating little science-fiction thriller, one I’m still thinking of hours after I left the screening. And that is certainly a mark of quality.

Has Colter gone off the rails?

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Battlestar Galactica: Season I

All of this has happened before… and will happen again.

With that line articulated by the Cylon Leoben Conroy in the episode Flesh and Bone, the producers and writers lay their cards on the table. Time is cyclical. Maybe for the grand design of human history, but most definitely for storytelling. Battlestar Galactica is possibly the most wonderfully dense and layoured piece of popular culture which I have had the joy of savouring since first cracking open Neil Gaiman’s Sandman. It’s magical, it’s mystical, and it’s wonderful. How Ronald D. Moore turned a kitsch footnote in television science fiction history into this, I will never know. I am just thankful.

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Time's Arrow is cyclical...

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